frona turned to st. vincent as the last of the crowd filed out. he clutched her hands spasmodically, like a drowning man.
"do believe me, frona. promise me."
her face flushed. "you are excited," she said, "or you would not say such things. not that i blame you," she relented. "i hardly imagine the situation can be anything else but exciting."
"yes, and well i know it," he answered, bitterly. "i am acting like a fool, and i can't help it. the strain has been terrible. and as though the horror of borg's end were not enough, to be considered the murderer, and haled up for mob justice! forgive me, frona. i am beside myself. of course, i know that you will believe me."
"then tell me, gregory."
"in the first place, the woman, bella, lied. she must have been crazed to make that dying statement when i fought as i did for her and borg. that is the only explanation—"
"begin at the beginning," she interrupted. "remember, i know nothing."
he settled himself more comfortably on the stool, and rolled a cigarette as he took up the history of the previous night.
"it must have been about one in the morning when i was awakened by the lighting of the slush-lamp. i thought it was borg; wondered what he was prowling about for, and was on the verge of dropping off to sleep, when, though i do not know what prompted me, i opened my eyes. two strange men were in the cabin. both wore masks and fur caps with the flaps pulled down, so that i could see nothing of their faces save the glistening of the eyes through the eye-slits.
"i had no first thought, unless it was that danger threatened. i lay quietly for a second and deliberated. borg had borrowed my pistol, and i was actually unarmed. my rifle was by the door. i decided to make a rush for it. but no sooner had i struck the floor than one of the men turned on me, at the same time firing his revolver. that was the first shot, and the one la flitche did not hear. it was in the struggle afterwards that the door was burst open, which enabled him to hear the last three.
"well; i was so close to the man, and my leap out of the bunk was so unexpected, that he missed me. the next moment we grappled and rolled on the floor. of course, borg was aroused, and the second man turned his attention to him and bella. it was this second man who did the killing, for my man, naturally, had his hands full. you heard the testimony. from the way the cabin was wrecked, you can picture the struggle. we rolled and tossed about and fought till stools, table, shelves—everything was smashed.
"oh, frona, it was terrible! borg fighting for life, bella helping him, though wounded and groaning, and i unable to aid. but finally, in a very short while, i began to conquer the man with whom i was struggling. i had got him down on his back, pinioned his arms with my knees, and was slowly throttling him, when the other man finished his work and turned on me also. what could i do? two to one, and winded! so i was thrown into the corner, and they made their escape. i confess that i must have been badly rattled by that time, for as soon as i caught my breath i took out after them, and without a weapon. then i collided with la flitche and john, and—and you know the rest. only," he knit his brows in puzzlement, "only, i cannot understand why bella should accuse me."
he looked at her appealingly, and, though she pressed his hand sympathetically, she remained silent, weighing pro and con what she had heard.
she shook her head slowly. "it's a bad case, and the thing is to convince them—"
"but, my god, frona, i am innocent! i have not been a saint, perhaps, but my hands are clean from blood."
"but remember, gregory," she said, gently, "i am not to judge you. unhappily, it rests with the men of this miners' meeting, and the problem is: how are they to be convinced of your innocence? the two main points are against you,—bella's dying words and the blood on your sleeve."
"the place was areek with blood," st. vincent cried passionately, springing to his feet. "i tell you it was areek! how could i avoid floundering in it, fighting as i was for life? can you not take my word—"
"there, there, gregory. sit down. you are truly beside yourself. if your case rested with me, you know you would go free and clean. but these men,—you know what mob rule is,—how are we to persuade them to let you go? don't you see? you have no witnesses. a dying woman's words are more sacred than a living man's. can you show cause for the woman to die with a lie on her lips? had she any reason to hate you? had you done her or her husband an injury?"
he shook his head.
"certainly, to us the thing is inexplicable; but the miners need no explanation. to them it is obvious. it rests with us to disprove the obvious. can we do it?"
the correspondent sank down despondently, with a collapsing of the chest and a drooping forward of the shoulders. "then am i indeed lost."
"no, it's not so bad as that. you shall not be hanged. trust me for that."
"but what can you do?" he asked, despairingly. "they have usurped the law, have made themselves the law."
"in the first place, the river has broken. that means everything. the governor and the territorial judges may be expected in at any moment with a detachment of police at their backs. and they're certain to stop here. and, furthermore, we may be able to do something ourselves. the river is open, and if it comes to the worst, escape would be another way out; and escape is the last thing they would dream of."
"no, no; impossible. what are you and i against the many?"
"but there's my father and baron courbertin. four determined people, acting together, may perform miracles, gregory, dear. trust me, it shall come out well."
she kissed him and ran her hand through his hair, but the worried look did not depart.
jacob welse crossed over the back-channel long before dark, and with him came del, the baron, and corliss. while frona retired to change her clothes in one of the smaller cabins, which the masculine owners readily turned over to her, her father saw to the welfare of the mail-carrier. the despatches were of serious import, so serious that long after jacob welse had read and re-read them his face was dark and clouded; but he put the anxiety from him when he returned to frona. st. vincent, who was confined in an adjoining cabin, was permitted to see them.
"it looks bad," jacob welse said, on parting for the night. "but rest assured, st. vincent, bad or not, you'll not be stretched up so long as i've a hand to play in the rumpus. i am certain you did not kill borg, and there's my fist on it."
"a long day," corliss remarked, as he walked back with frona to her cabin.
"and a longer to-morrow," she answered, wearily. "and i'm so sleepy."
"you're a brave little woman, and i'm proud of you." it was ten o'clock, and he looked out through the dim twilight to the ghostly ice drifting steadily by. "and in this trouble," he went on, "depend upon me in any way."
"in any way?" she queried, with a catch in her voice.
"if i were a hero of the melodrama i'd say; 'to the death!' but as i'm not; i'll just repeat, in any way."
"you are good to me, vance. i can never repay—"
"tut! tut! i do not put myself on sale. love is service, i believe."
she looked at him for a long time, but while her face betrayed soft wonder, at heart she was troubled, she knew not why, and the events of the day, and of all the days since she had known him, came fluttering through her mind.
"do you believe in a white friendship?" she asked at last. "for i do hope that such a bond may hold us always. a bright, white friendship, a comradeship, as it were?" and as she asked, she was aware that the phrase did not quite express what she felt and would desire. and when he shook his head, she experienced a glad little inexplicable thrill.
"a comradeship?" he questioned. "when you know i love you?"
"yes," she affirmed in a low voice.
"i am afraid, after all, that your knowledge of man is very limited. believe me, we are not made of such clay. a comradeship? a coming in out of the cold to sit by your fire? good. but a coming in when another man sits with you by your fire? no. comradeship would demand that i delight in your delights, and yet, do you think for a moment that i could see you with another man's child in your arms, a child which might have been mine; with that other man looking out at me through the child's eyes, laughing at me through its mouth? i say, do you think i could delight in your delights? no, no; love cannot shackle itself with white friendships."
she put her hand on his arm.
"do you think i am wrong?" he asked, bewildered by the strange look in her face.
she was sobbing quietly.
"you are tired and overwrought. so there, good-night. you must get to bed."
"no, don't go, not yet." and she arrested him. "no, no; i am foolish.
as you say, i am tired. but listen, vance. there is much to be done.
we must plan to-morrow's work. come inside. father and baron
courbertin are together, and if the worst comes, we four must do big
things."
"spectacular," jacob welse commented, when frona had briefly outlined the course of action and assigned them their parts. "but its very unexpectedness ought to carry it through."
"a coup d'etat!" was the baron's verdict. "magnificent! ah! i feel warm all over at the thought. 'hands up!' i cry, thus, and very fierce.
"and if they do not hold up their hands?" he appealed to jacob welse.
"then shoot. never bluff when you're behind a gun, courbertin. it's held by good authorities to be unhealthy."
"and you are to take charge of la bijou, vance," frona said. "father thinks there will be little ice to-morrow if it doesn't jam to-night. all you've to do is to have the canoe by the bank just before the door. of course, you won't know what is happening until st. vincent comes running. then in with him, and away you go—dawson! so i'll say good-night and good-by now, for i may not have the opportunity in the morning."
"and keep the left-hand channel till you're past the bend," jacob welse counselled him; "then take the cut-offs to the right and follow the swiftest water. now off with you and into your blankets. it's seventy miles to dawson, and you'll have to make it at one clip."
