the second parting from miss overmore had been bad enough, but this first parting from mrs. wix was much worse. the child had lately been to the dentist's and had a term of comparison for the screwed-up intensity of the scene. it was dreadfully silent, as it had been when her tooth was taken out; mrs. wix had on that occasion grabbed her hand and they had clung to each other with the frenzy of their determination not to scream. maisie, at the dentist's, had been heroically still, but just when she felt most anguish had become aware of an audible shriek on the part of her companion, a spasm of stifled sympathy. this was reproduced by the only sound that broke their supreme embrace when, a month later, the "arrangement," as her periodical uprootings were called, played the part of the horrible forceps. embedded in mrs. wix's nature as her tooth had been socketed in her gum, the operation of extracting her would really have been a case for chloroform. it was a hug that fortunately left nothing to say, for the poor woman's want of words at such an hour seemed to fall in with her want of everything. maisie's alternate parent, in the outermost vestibule—he liked the impertinence of crossing as much as that of his late wife's threshold—stood over them with his open watch and his still more open grin, while from the only corner of an eye on which something of mrs. wix's didn't impinge the child saw at the door a brougham in which miss overmore also waited. she remembered the difference when, six months before, she had been torn from the breast of that more spirited protectress. miss overmore, then also in the vestibule, but of course in the other one, had been thoroughly audible and voluble; her protest had rung out bravely and she had declared that something—her pupil didn't know exactly what—was a regular wicked shame. that had at the time dimly recalled to maisie the far-away moment of moddle's great outbreak: there seemed always to be "shames" connected in one way or another with her migrations. at present, while mrs. wix's arms tightened and the smell of her hair was strong, she further remembered how, in pacifying miss overmore, papa had made use of the words "you dear old duck!"—an expression which, by its oddity, had stuck fast in her young mind, having moreover a place well prepared for it there by what she knew of the governess whom she now always mentally characterised as the pretty one. she wondered whether this affection would be as great as before: that would at all events be the case with the prettiness maisie could see in the face which showed brightly at the window of the brougham.
the brougham was a token of harmony, of the fine conditions papa would this time offer: he had usually come for her in a hansom, with a four-wheeler behind for the boxes. the four-wheeler with the boxes on it was actually there, but mamma was the only lady with whom she had ever been in a conveyance of the kind always of old spoken of by moddle as a private carriage. papa's carriage was, now that he had one, still more private, somehow, than mamma's; and when at last she found herself quite on top, as she felt, of its inmates and gloriously rolling away, she put to miss overmore, after another immense and talkative squeeze, a question of which the motive was a desire for information as to the continuity of a certain sentiment. "did papa like you just the same while i was gone?" she enquired—full of the sense of how markedly his favour had been established in her presence. she had bethought herself that this favour might, like her presence and as if depending on it, be only intermittent and for the season. papa, on whose knee she sat, burst into one of those loud laughs of his that, however prepared she was, seemed always, like some trick in a frightening game, to leap forth and make her jump. before miss overmore could speak he replied: "why, you little donkey, when you're away what have i left to do but just to love her?" miss overmore hereupon immediately took her from him, and they had a merry little scrimmage over her of which maisie caught the surprised perception in the white stare of an old lady who passed in a victoria. then her beautiful friend remarked to her very gravely: "i shall make him understand that if he ever again says anything as horrid as that to you i shall carry you straight off and we'll go and live somewhere together and be good quiet little girls." the child couldn't quite make out why her father's speech had been horrid, since it only expressed that appreciation which their companion herself had of old described as "immense." to enter more into the truth of the matter she appealed to him again directly, asked if in all those months miss overmore hadn't been with him just as she had been before and just as she would be now. "of course she has, old girl—where else could the poor dear be?" cried beale farange, to the still greater scandal of their companion, who protested that unless he straightway "took back" his nasty wicked fib it would be, this time, not only him she would leave, but his child too and his house and his tiresome trouble—all the impossible things he had succeeded in putting on her. beale, under this frolic menace, took nothing back at all; he was indeed apparently on the point of repeating his extravagance, but miss overmore instructed her little charge that she was not to listen to his bad jokes: she was to understand that a lady couldn't stay with a gentleman that way without some awfully proper reason.
maisie looked from one of her companions to the other; this was the freshest gayest start she had yet enjoyed, but she had a shy fear of not exactly believing them. "well, what reason is proper?" she thoughtfully demanded.
"oh a long-legged stick of a tomboy: there's none so good as that." her father enjoyed both her drollery and his own and tried again to get possession of her—an effort deprecated by their comrade and leading again to something of a public scuffle. miss overmore declared to the child that she had been all the while with good friends; on which beale farange went on: "she means good friends of mine, you know—tremendous friends of mine. there has been no end of them about—that i will say for her!" maisie felt bewildered and was afterwards for some time conscious of a vagueness, just slightly embarrassing, as to the subject of so much amusement and as to where her governess had really been. she didn't feel at all as if she had been seriously told, and no such feeling was supplied by anything that occurred later. her embarrassment, of a precocious instinctive order, attached itself to the idea that this was another of the matters it was not for her, as her mother used to say, to go into. therefore, under her father's roof during the time that followed, she made no attempt to clear up her ambiguity by an ingratiating way with housemaids; and it was an odd truth that the ambiguity itself took nothing from the fresh pleasure promised her by renewed contact with miss overmore. the confidence looked for by that young lady was of the fine sort that explanation can't improve, and she herself at any rate was a person superior to any confusion. for maisie moreover concealment had never necessarily seemed deception; she had grown up among things as to which her foremost knowledge was that she was never to ask about them. it was far from new to her that the questions of the small are the peculiar diversion of the great: except the affairs of her doll lisette there had scarcely ever been anything at her mother's that was explicable with a grave face. nothing was so easy to her as to send the ladies who gathered there off into shrieks, and she might have practised upon them largely if she had been of a more calculating turn. everything had something behind it: life was like a long, long corridor with rows of closed doors. she had learned that at these doors it was wise not to knock—this seemed to produce from within such sounds of derision. little by little, however, she understood more, for it befell that she was enlightened by lisette's questions, which reproduced the effect of her own upon those for whom she sat in the very darkness of lisette. was she not herself convulsed by such innocence? in the presence of it she often imitated the shrieking ladies. there were at any rate things she really couldn't tell even a french doll. she could only pass on her lessons and study to produce on lisette the impression of having mysteries in her life, wondering the while whether she succeeded in the air of shading off, like her mother, into the unknowable. when the reign of miss overmore followed that of mrs. wix she took a fresh cue, emulating her governess and bridging over the interval with the simple expectation of trust. yes, there were matters one couldn't "go into" with a pupil. there were for instance days when, after prolonged absence, lisette, watching her take off her things, tried hard to discover where she had been. well, she discovered a little, but never discovered all. there was an occasion when, on her being particularly indiscreet, maisie replied to her—and precisely about the motive of a disappearance—as she, maisie, had once been replied to by mrs. farange: "find out for yourself!" she mimicked her mother's sharpness, but she was rather ashamed afterwards, though as to whether of the sharpness or of the mimicry was not quite clear.
