it was an awful moment.
during that moment there was dead silence. johnnie's heart stopped beating, his ears sang, his throat knotted as if paralyzed, and the skin on the back of his head crinkled; while in all those uneven thickets of his tawny, tea-stained hair, small, dreadful winds stirred, and he seemed to lift—horribly—away from the floor.
also, a sickish, sinking feeling at the lower end of his breastbone made him certain that he was about to break in two; and a sudden wobbling of the knees threatened to bring him down upon them.
barber closed the hall door at his back—gently, so as not to waken his father. his eyes were still roving the kitchen appraisingly. it was plain that the full sink and the littered table were having their effect upon him; for he had begun that chewing on nothing which betokened a rising temper.
johnnie saw, but he was too stunned and scared to think of any way out of his difficulty. he might have caught up the big cooking spoon and rapped on that lead pipe—five times in rapid succession, as if he were trying to clear the spoon of the cereal clinging to its bowl. the five raps was a signal that he had not used for a long time. it belonged to that dreadful era to which cis and he referred as "before the saloons shut up." preceding the miracle that had brought the closing of these, barber,[37] returning home from his day's work, had needed no excuse for using the strap or his boot upon either of the children. and once he had struck helpless old grandpa—a happening remembered by cis and johnnie with awesome horror, so that they spoke of it as they spoke of the great war, or of a murder in the next block.
it had not been possible in those days for big tom to overlook the temptation of drink. to arrive at his own door from any direction he had to pass saloons. at both of the nearest street crossings northward, three of the four corners had been occupied by drinking places. there were two at each of the street crossings to the south. in those now distant times, the signal, and mrs. kukor's prompt answering of it, had often saved cis and johnnie from drunken beatings.
but now the boy sent no signal. those big-girl's hands were shaking in spite of all effort to control. his upturned face was a ghastly sallow. the gray eyes were set.
barber's survey of the room finished, he stepped across the sagging telephone line, placed the cargo hook and his lunch pail on the untidy table, and squared round upon johnnie.
"now, say!"
"yes?" it was a whisper.
"what y' done in here since i left two hours ago?"
johnnie drew a quick breath. he was not given to falsehood, but he did at times depend upon evasion—at such times as this. and not unnaturally. for he was in the absolute power of a bully five times his own size—a bully who was none the less cruel because he argued that he was disciplining the boy properly, bringing him up "right." discipline or not, big tom did not know the meaning of mercy; and to johnnie the blow of one of those great gorillalike fists was like some cataclysm of nature.
"what y' done?" persisted barber, but speaking low,[38] so as not to disturb the sleeper in the wheel chair. he leaned down toward johnnie, and thrust out that lower lip.
the boy's own lips began to move, stiffly. but he spoke as if he were out of breath. "grandpa f-f-fretted," he stammered. "he—he wanted to be run up and down—with his hat on. and—and so i filled the m-m-mush-kettle t' soak it, and then we—we——"
his lips went on moving; but his words became inaudible. a smile was twisting barber's mouth, and carrying that crooked, cavernous nose sidewise. johnnie understood the smile. the fringe about his thin arms and legs began to tremble. he raised both hands toward the longshoreman, the palms outward, in a gesture that was like a silent prayer.
with a muttered curse, barber straightened, turned on his heel, strode to the door of his bedroom, threw it wide, noted the unmade beds, and came about, pushing at the sleeve of his right arm. "come here," he bade, and the quiet of his tone was more terrible to the boy than if he had shouted.
johnnie did not obey. he could not. his legs would not move. his feet were rooted. "oh, mister barber," he pleaded. "oh, don't lick me! i won't never do it again! oh, don't! oh, don't! oh, don't!"
"come here." the great arm was bared now. the voice was lower than before. in one bulging, bloodshot eye that cast showed and went, then showed again. "do what i say—come here."
"oh! oh! oh!" again johnnie was gasping.
barber burst out at him like some fierce storm. "don't y' try t' fool me!" he cried. he came on. when he was within reach, that great, naked, iron arm shot out, seized the boy at his middle, swept him up from the floor with a violence that sent the tea leaves flying from the yellow hair, held him for a second in mid-air, the small body[39] slouched in the big clothes as in the bottom of a sack, then shook him till he fairly rattled, like a pea in a pod.
in a terror that was uncontrollable, johnnie began to thrash about and scream. and as barber half dropped, half flung him to the floor, old grandpa roused, and came round in his chair, tap-tapping with the cane. "captain!" he shrilled. "the right's falling back! they're giving us grape and canister!—oh, our boys! our poor boys!" frightened by any trouble, his mind always reverted to old scenes of battle, when his broken sentences were like a halting, squeaky record in some talking machine that is out of order and running down.
as grandpa rolled near to johnnie, the latter caught at a wheel, seeking help, in his extremity, of the helpless, and thrust his hands through the spokes to lock them. so that as barber once more bent and dragged at him, the chair and the old man followed about the kitchen.
"let go!" commanded the longshoreman. he tried to shake johnnie free of the wheel.
but johnnie held on, and his cries redoubled. the kitchen was in a tumult now, for old grandpa was also weeping—not only in fear for johnnie, but in terror lest he himself be overturned. and big tom was alternately cursing and ordering.
the trouble was heard elsewhere. to right and left there was movement, and the sound of windows being raised. voices called out questioningly. some one pounded on a wall in protest. and overhead mrs. kukor left her chair and went rocking across her floor.
muttering a savage exclamation, big tom let go of the boy and flung himself into the morris chair, not wanting to go so far with his punishment as to invite the complaints of his neighbors and the interference of the police. "git up out of that!" he commanded, giving johnnie a rough nudge with a foot; then to quiet his father, "now, pa![40] that'll do. sh! sh! it's all right. the battle's over, and the yanks've beat."
but johnnie was still prone, with the wheel in his embrace, and the old veteran was sobbing, his wrinkled face glistening with tears, when mrs. kukor opened the door and came doll-walking in.
she was a short little lady, with a compact, inflexible figure that was, so to speak, square, with rounded-off corners—square, and solid, and heavy. she had eyes that were as black and round and bright as a sparrow's, a full, red mouth, and graying hair, abundant and crinkly, which stood out around her countenance as if charged with electricity. it escaped the hairpins. even a knitted brown cap of some weight did not adequately confine it. every hair seemed vividly alive.
her olive face was a trifle pale now. her birdlike eyes darted from one to another of the trio, quickly taking in the situation. too concerned to make any apology for her unannounced entrance, she teetered hastily to big tom's side.
"oy! oy!" she breathed anxiously. "vot iss?"
"tommie home," faltered old grandpa. "tommie home. and the color sergeant's dead!" he reached his arms out to her like a frightened child who welcomes company.
like her eyes, mrs. kukor's lips never rested, going even when she listened, for she had the habit of silently repeating whatever was said. thus, with lips and eyes busy, head alternately wagging and nodding eloquently, and both hands waving, she was constantly in motion. now, "the color sergeant's dead!" her mouth framed, and she gave a swift glance around almost as if she expected to see a fallen flag bearer.
"it's this lazy little rascal again," declared barber, working his jaws in baffled wrath.
"so-o-o-o!" she stooped and laid a gentle hand on[41] johnnie's shoulder. "come," she said. "better chonnie, he goes in a liddle by cis's room. no?" and as the boy, still trembling, got to his knees beside the chair, she helped him to rise, and half led, half carried him past the stove.
barber began his defense. "i go out o' here of a mornin'," he complained, "to do a hard day's work, so's i can pay rent and the grocer. i leave that kid t' do a few little things 'round the place. and the minute my back's turned, what does he do? nothin'! i come back, and look!"
mrs. kukor, having seen johnnie out of the room, turned about. then, smoothing her checked apron with her plump hands, she glanced at barber with a deprecating smile. "i haf look," she answered. "und i know. but—he wass yust a poy, und you know poys."
"i know boys have t' work," came back barber, righteously. "if they don't, they grow up into no-account men. when his aunt sophie died, i promised her i'd raise him right. the work here don't amount to nothin',—anyhow not if you compare it with what i done when i was a boy. why, on my father's farm, up-state, i was out of my bed before sunup, winter and summer, doin' chores, milkin', waterin' the stock, hoein', and so on. what's a few dishes to that? what's a bed or two? and a little sweepin'? and look! he ain't even washed the old man yet! and i like to see my father clean and neat. that's what makes me so red-hot, mrs. kukor—the way he neglects my father."
"chonnie wass shut up so much," argued mrs. kukor.
that cast whitened big tom's eye anxiously. he did not want johnnie to hear any talk about going out. he hastened to reply, and his tone was more righteous than ever. "no kid out of this flat is goin' to run the streets," he declared, "and learn all kinds of bad, and bring it home to that nice, little stepdaughter o' mine! no, mrs. kukor,[42] her mother'd haunt me if i didn't bring her up nice, and you can bet i'll do that. that kid, long's he stays under my roof, is goin' t' be fit t' stay. and he wouldn't be if he gadded the streets with the gangs in this part of town." while this excuse for keeping johnnie indoors was anything but the correct one, big tom was able to make his voice fervent.
"but chonnie wass tired mit always seeink the kitchen," persisted the little jewish lady. "he did-ent go out now for a lo-ong times. i got surprises he ain't crazy!"
"that's just what he is!" cried big tom, triumphantly. "he's crazy! of all the foolishness in the world, he can think it up! and the things he does!—but nothin' that'll ever git him anywheres, or do him any good! and lazy? anything t' kill time—t' git out of honest work! now what d'y' suppose he was doin' with this clothes line down? and talkin' out loud to himself?"
"niaggery! niaggery!" piped old grandpa, smiling through his tears, and swaying against the rope that crossed his chest. "niaggery! niaggery! chug! chug! chug!"
mrs. kukor spread out both hands in a comprehensive gesture. "see?" she asked. "oh, i haf listen. the chair goes roundt and roundt, und much water wass runnink in the sink. it wass for grandpa, und—it takes time."
barber's dark face relaxed a little. it could not truthfully be said of him that he was a bad son; and any excuse that offered his father as its reason invariably softened him. he pulled himself to his feet and picked up the lunch pail and the cargo hook. "well—all right," he conceded. "but i said t' myself, 'i'll bet that kid ain't workin'.' so havin' a' hour, i come home t' see. and how'd he git on yesterday, makin' vi'lets for y'?"
"ach!"—this, an exclamation of impatience, was aimed at herself. "i wass forgettink!" under her apron hung[43] a long, slender, black bag. out of it she took a twenty-five-cent piece and offered the coin to barber. "for yesttady," she added.
"thank y'." he took the quarter. "glad the kid done his work."
"oh, sure he do!" protested mrs. kukor. "pos-i-tiv-vle!" (mrs. kukor could also be guilty of self-deception.)
now, barber raised his voice a little: "johnnie, let's see how quick you can straighten this place up."
at that, mrs. kukor waved both hands in eloquent signals, urging big tom to go; tapped her chest, winked, and made little clicking noises with her tongue—all to denote the fact that she would see everything straightened up to perfection, but that for old grandpa's sake further conversation with johnnie might be a mistake, since weeping all around would surely break out again. so barber, muttering something about leaving her a clear coast, scuffed his way out.
as the hall door closed, johnnie buried his small nose in cis's pillow. he was wounded in pride rather than in body. he hated to be found on the floor at the toe of big tom's boot. he had listened to the conversation while lying face downward on cis's bed but with his head raised like a turtle's. however, it seemed best, somehow, not to be found in that position by mrs. kukor. he must not take his ill-treatment lightly, nor recover from his hurts too quick. he decided to be prone and prostrated. when the little jewish lady came swaying in to him, therefore, he was stretched flat, his yellow head motionless.
the sight smote mrs. kukor. in all the five years he had lived at the barber flat, she had continually watched over him, plying him with medicine, pulling his baby teeth, mending his ragged clothes, teaching him to cook and do[44] housework, feeding him kosher dainties, and—for reasons better hinted at than made plain—keeping a sharp lookout in the matter of his bright hair.
in the beginning, when trouble had assailed him, her lap had received him like the mother's lap he could not remember; her arms had cradled him tenderly, her kisses had comforted, and he had often wept out his rage and mortification on her bosom.
however, long since he had felt himself too big to be held or kissed. and as for his hair, she understood what a delicate subject it had come to be with him. she would have liked to stroke it now; but she contented herself with patting gently one thin arm. behind her was old grandpa, peering into the dim closet.
"oy! oy! oy!" mourned mrs. kukor, wagging her round head. "ev'rytink goes bat if some peoples lives by oder peoples w'ich did-ent belonk mit. und how to do? i can't to say, except yust live alonk, und see if sometink nice happens maype."
johnnie moved, with a long, dry sob, and very tenderly she leaned down to turn his face toward her. "ach, poor chonnie!" she cried. "come! we will wash him, und makes him all fresh und clean. und next—how do you t'ink? mrs. kukor hass for you a big surprises!"
he sat up then, wearily, but forbore to seem curious, and she coaxed him into the kitchen, to bathe the dust and tears from his countenance, and stitch up some rents in the big shirt, where big tom had torn it. all the while she talked to him comfortingly. "ach, mine heart it bleets over you!" she declared. "but nefer mind. because, oh, such swell surprises!"
now johnnie felt he could properly show interest in things outside the morning's trouble. "what, mrs. kukor?" he wanted to know. "is it—is it noodle soup?"[45]
and now both burst out laughing, for it was always a great joke between them, his liking for her noodle soup. old grandpa laughed loudest of all, circling them, and pounding the floor with his cane. "what say?" he demanded. "what say?" altogether the restoration to the flat of peace and happiness was made so evident that, to right, left, and below, windows now began to go down with a bang, as, the barber row over, the neighbors went back to their own affairs.
"it wass not noodle soup," declared mrs. kukor. "it wass sometink a t'ousand times so goot. but not for eatink. no. much better as. und! sooner your work wass finished, make a signals to me alonk of the sink, und see how it happens!"
more she would not say, but rocked out and up.
johnnie went at his dishes hard. the table cleared, the sink empty, and the cupboard full, he tied the clothesline out of the way, then with broom and dustpan invaded big tom's bedroom, which grandpa shared with his hulking son. here were two narrow, iron bedsteads. between them was barely room for the wheel chair when it rolled the little old man in to his night's rest. to right and left of the door, high up, several nails supported a few dusty garments. that was all.
if johnnie stooped in the doorway of this room, he could see every square foot of its floor, and every article in it. yet from the very first he had feared the place, into which no light and air came direct. whenever he swept it and made the beds, his heart beat fast, and he felt nervous concerning his ankles, as if something were on the point of seizing them! for this reason he always put off his bedroom work as long as he could; then finished it up quickly, keeping the door wide while he worked. at other times, he kept it tight shut. often when old grandpa was[46] asleep by the stove, johnnie would tiptoe to that door, lean against the jamb of it, and listen. and he told cis that he could plainly hear creakings!
but this morning he felt none of his usual nervousness, so taken up was his mind with mrs. kukor's mystery. swiftly but carefully he made the two beds. as a rule, he contented himself with straightening each out, but so artfully that barber would think the sheets had been turned. sometimes barber threw a bit of paper or a sock into one bed or the other, in order to trap johnnie, who found it wise always to search for evidence.
now he pulled each bed apart, turned the old mattresses with the loudest thumps, snapped the sheets professionally (cis had taught him that!), whacked the pillows with might and main, and tucked in the worn blankets like a trained nurse. then with puffs and grunts he swept under as well as around the beds, searching out the deep cracks with the cornstraw, and raising a prodigious cloud.
when he came out of the bedroom it was to empty his garnerings into the stove and repeat the dust-gathering process in cis's room, that cubby-hole, four-by-seven, which had no window, and doubtless had been intended for a storage place, or a bathroom free from draughts. it held no furniture at all—only a long, low shelf and a dry-goods box. cis slept on a narrow mattress which upholstered the shelf, and used the box both as a dressing-table and a wardrobe. johnnie was not expected to make up the shelf; and was strictly forbidden to touch the box. he scratched the floor successfully, not having attended to it for some days.
by the time he was ready to do the kitchen, his face was streaked again, and glistening with perspiration. and he could not help but wish, as he planted the wheel chair at the open window, that barber, if he intended to[47] make another unexpected return, would come at such a time as this, when things that he liked were happening.
the kitchen floor lay in great splintering hummocks and hollows. its wide cracks were solid with the accumulations of time, while lint and frayings, and bits of cloth and string, were fairly woven into its rough surface everywhere, and tenaciously held. it was lastingly greasy in the neighborhood of the table, as steadily wet in the region of the sink, and sooty in an ever-widening circle about the stove.
sprinkling it thoroughly, he swept even the two squares on which were set the fuel boxes; gave the stove what amounted to a feverish rubbing, then turned his attention to old grandpa.
the morning routine of caring for the aged veteran included the bathing of the wizened face and hands and the brushing of the thin, straggling hair. johnnie hastened to collect the wash basin, the bar of soap (it was of the laundry variety), and a square of once-white cloth, which it must be confessed was used variously about the flat, serving at one time to polish the lamp chimney, and again for any particular dusting.
grandpa had all of a small boy's dislike for water. the moment he spied johnnie's preparations, he began to protest. "no! no!" he objected. "it's cold! it's cold!" he whirled his chair in an attempt to escape.
but johnnie had a fine device for just this problem. "oh, grandpa!" he reminded coaxingly as he filled the wash basin with warm water out of the teakettle, "don't you remember that you jus' was in a big battle? and there's mud on your face!"
grandpa capitulated at once, and allowed himself to be washed and combed. the old man clean, johnnie gave him a glass of warm milk, wheeled him as far away from the window as possible, then trundled him gently back[48] and forth, as if he were a baby in a carriage. and all the while the boy sang softly, improvising a lullaby:
"oh, grandpa, now go to s'eepy-s'eep,
'cause you're awful tired.
and johnnie wants t' see what mrs. kukor
is goin' to s'prise him about——"
grandpa dozing, johnnie did not pause to eat the cold potato and bread spread with the grease of bacon trimmings which made his usual noon meal. curiosity dulled his hunger. gently he tapped upon that convenient pipe—once, then twice, then once again.
as he leaned at the window to wait, his small nose curled in a grin. there was no movement up above. he half suspected a joke. but he had got off easy with big tom. also, the housework was done, and in fine style. except for a little violet-making—not too much—more than a whole half-day still lay ahead of him. and what an automobile trip he could take with mr. astor! idly he followed the changing contours of a cloud in an otherwise empty sky.
then of a sudden something came dropping between him and the cloud. he started back. it was a shallow basket, suspended from each of its four corners by a string. as it lowered inch by inch, he stood up in the rope coils; and what he saw in it fairly took his breath. for there on the bottom of the basket was—a book!
"gee!" he gasped.
he brought the basket to a safe landing. then, forgetting that some one was at the other end of the four strings, he slipped to the floor, turned on the water in the sink, and, like a moslem holy man who is about to touch his koran, washed both grimy hands.
to look at, it was not much of a book. in the first[49] place, it had not the length, width or thickness of the telephone directory, while its corners were fully as dog-eared. yet he took it from the basket with something like reverence. it had one cloth cover—the back. this was wine-red, and shiny. the front one had been torn out of its binding. however, this seemed to him no flaw. also, there were several pictures—in colors! and as he looked the volume over still more closely, he made a wonderful discovery: on the front page was written a name—j. j. hunter.
it was a man's book!
"oh, my goodness!" he whispered. "oh, mrs. kukor!"
the basket danced inquiringly, tipped, and began to heave upward. a voice began to whisper to him, coming down along those four strings: "i finds him by a secont-hant store-mans. i gets him almost for notink. he wass olt, und very fine. haf you open him? reat, chonnie!"
he opened the book at the first page; and knew how different this one was from the directory, with its solid lines of names; from the speller, printed in columns of words, or the arithmetic, which was all hit-or-miss. here was a page divided into paragraphs, as in the newspapers which cis sometimes smuggled in. before and after many of the paragraphs were those strange little marks, larger at one end than at the other, which showed that some one was speaking.
"it's a story!" he whispered back.
indeed, as he read that first page, it so informed him. across its top, in capital letters, ran those words: the story of aladdin; or, the wonderful lamp. all his life he had had to make up his own stories, get acquainted with the people in them, dress them, and even give them speech. but here was a story belonging to some one else—a story as important as that one about[50] his friends david and goliath, this proven by the fact that it had been written down, letter for letter.
he began it: in the capital of one of the large and rich provinces of the kingdom of china, the name of which i do not recollect, there lived a tailor, named mustapha, who was so poor, that he could hardly, by his daily labor, maintain himself and his family, which consisted of a wife and son.
his son, who was called aladdin——
something came into johnnie's throat when he got that far. he gulped. and he could not read any further just then because something had come into his eyes. he laid the book against his breast, and crossed both arms upon it. he did not know how to pray. mrs. kukor had never dared teach him, fearing the wrath of big tom. as for cis, she knew how from her mother; but she had all of a child's natural shyness regarding sacred subjects.
to johnnie, sunday was not a day set apart for sacred matters. it was a day to be dreaded. and not only because on that day barber was likely to be about at any hour, but because for johnnie it meant uninterrupted work. the noon meal had to be put on the table instead of into lunch pails. and when dinner was cleared away there was always bead-stringing or violet-making to do—cis helping when she returned from church. on account of his clothes, johnnie never went to church himself. what he knew about churches, therefore, was only what cis told him; and of her information the most striking bit was this: red carpets led into them under gay awnings whenever people were getting married.
but as he stood with the book clasped to his breast, what he felt was thanksgiving—to his very toes. "aladdin,"—he spoke aloud to that other boy, who was so poor; "you're goin' t' be a dandy friend of mine! yes, and your pa[51] and ma, too! and i'll introduce you to buckle, and mr. rockefeller, and a lot of nice folks!"
presently he brought the book up to where, by lowering his head, he could lay a thin cheek against that front page. then, "oh, mister j. j. hunter," he added huskily, "i hope you ain't never goin' to want this back!"[52]