there was a little bay about five minutes' paddle down the lake round a corner made by the jutting out of reeds. you took your punt round the end of an arm of reeds, and you found a small beach of fine shells, an oak-tree with half-bared roots overhanging one side of it, and a fringe of coarse grass along the top. on this you sat and listened to the faint wash of the water at your feet and watched the sun flashing off the wings of innumerable gulls. you couldn't see kökensee and kökensee couldn't see you, and you clasped your hands round your knees and thought. behind you were the rye-fields. opposite you was the forest. it was a place of gentleness, of fair afternoon light, of bland colours—silvers, and blues, and the pale gold that reeds take on in october.
ingeborg did not bring robertlet to this place. she decided, after four months' close association with him had cleared her mind of misconceptions, that he was too young. she would not admit, with all her dreams about what she was going to do with him still vivid in her memory, that she preferred to be alone. she would not admit that she did anything but love him ardently. he was so good. he never cried. nor did he ever do what she supposed must be the converse of crying, crow. he neither cried nor crowed. he neither complained nor applauded. he ate with appetite and he slept with punctuality. he grew big and round while you looked at him. who would not esteem him? she did esteem him—more highly perhaps than she had ever esteemed anybody; but the ardent love she had been told a mother felt for her first-born was a thing about which she had to keep on saying to herself, "of course."
he was a grave baby; and she did her best by cheery gesticulations and encouraging, humorous sounds, to accustom him to mirth, but her efforts were fruitless. then one day as she was bending over him trying to extract a smile by an elaborate tickling of his naked ribs she caught his eye, and instantly she jerked back and stared down at him in dismay, for she had had the sudden horrid conviction that what she was tickling was her mother-in-law.
that was the first time she noticed it, but the resemblance was unmistakable, was, when you had once seen it, overwhelming. there was no trace, now that she tremblingly examined him, of either robert or herself; and as for her own family, what had become of all that very real beauty, the beauty of the bishop, the dazzlingness of judith, and the sweet regularities of her mother?
robertlet was as much like frau dremmel as he might have been if frau dremmel had herself produced him in some miraculous manner entirely unassisted. the resemblance was flagrant. it grew with every bottle. he had the same steady eyes. he had the same prolonged silences. his nose was a copy. his head, hairless, was more like frau dremmel's, thought ingeborg, than frau dremmel's could ever have possibly been, and if ever his hair grew, she said to herself gazing at him wide-eyed, it would undoubtedly do it from the beginning in a knob. gradually as the days passed and the likeness appeared more and more she came, when she tubbed him and powdered his many creases, to have a sensation of infinite indiscretion; and she announced to herr dremmel, who did not understand, that robertlet's first word would certainly be bratkartoffel.
"why?" asked herr dremmel, from the other side of a wall of thinking.
"you'll see if it isn't," nodded ingeborg, with a perturbed face.
but robertlet's first word, and for a long time his only one, was nein. his next, which did not join it till some months later, was adieu, which is the german for good-bye and which he said whenever anybody arrived.
"he isn't very hospitable," thought ingeborg; and remembered with a chill that not once since her marriage had her mother-in-law invited her to her house in meuk. but she made excuses for him immediately. "everybody," she said to herself, "feels a little stiff at first."...
to this beautiful corner of the lake, for it was very beautiful those delicate autumn afternoons, she went during robertlet's dinner sleep to do what she called think things out; and she sat on the little shells with her hands round her knees, staring across the quiet water at the line of pale reeds along the other shore, doing it. presently, however, she perceived that her thinking was more a general discomfort of the mind punctuated irregularly by flashes than anything that could honestly be called clear. things would not be thought out—at least they would not be thought out by her; and she was feeling sick again; and how, she asked herself, can people who are busy being sick be anything but sick? besides, things wouldn't bear thinking out. her eyes grew bright with fear when one of those flashes lit up what was once more ahead of her. it was like a scarlet spear of terror suddenly leaping at her heart....
no, thought ingeborg, turning quickly away all cold and trembling, better not think; better just sit in the sun and wonder what robertlet would look like later on if he persisted in being exactly like frau dremmel and yet in due season had to go into trousers, and what would happen if the next one were like frau dremmel, too, and whether she would presently be teaching a row of little mothers-in-law its infant hymns. the thought of frau dremmel become plural, diminished into socks and pinafores, standing neatly at her knee being taught to lisp in numbers, seized her with laughter. she laughed and laughed; and only stopped when she discovered that what she was really doing was crying.
"perhaps it's talking i want more than thinking," she said to herr dremmel at last, returning from one of these barren expeditions in search of understanding.
she said it a little timidly, for she was already less to him than she had been in that brief interval of health, and knew that with every month she would be less and less. it was odd how sure of him she was when she was not going to have a baby, of what an easy confidence in his love, and how he seemed to slip away from her when she was. already, though she had only just begun, he was miles away from the loving mood in which he folded her in his arms and called her his little sheep.
herr dremmel, who was supping, and was not in possession of the context, recommended thinking. he added after a pause that only a woman would have suggested a distinction.
ingeborg did not make the obvious reply, but said she thought if she might talk to somebody, to robert, for instance, and with her hand in his, rather tight in his while she talked, so that she might feel safe, feel not quite so loose and unheld together in an enormous, awful world—
herr dremmel looked at his watch and said perhaps he would have time to hold her hand next week.
a few days later she said, equally without supplying him with the context, "it's blessing disguising itself, that's what it is."
herr dremmel, who again was supping, said nothing, preferring to wait.
"blessing only pretending to be cruelty. not really cruelty at all."
herr dremmel still preferred to wait.
"i thought at first it was cruelty," she said, "but now i think perhaps—perhaps it's blessing."
"what did you think was cruelty, ingeborg?" asked herr dremmel, who disliked the repetition of such a word.
"having this next baby so quickly—without time to forget."
her eyes grew bright.
"cruelty, ingeborg?"
herr dremmel said one did not, when one was a pastor's wife, call providence names.
"that's what i'm saying," she said. "i thought at first it was cruel, but now i see it's really ever so much better not to waste time between one's children, and then be well for the rest of one's days. it—it will make the contrast afterwards, when one has done with pain, so splendid."
she looked at him and pressed her hands together. vivid recollections lit her eyes. "but i'd give up these splendid contrasts very willingly," she whispered, her face gone suddenly terror-stricken.
herr dremmel said that family life had always been praised not only for its beauty but for its necessity as the foundation of the state.
"you told me," said ingeborg, who had a trick which good men sometimes found irritating of remembering everything they had ever said, "the foundation of the state was manure."
herr dremmel said so it was. and so was family life. he would not, he informed her, quibble over terms. what he wished to make clear was that there could not be family life without a family to have it in.
"and don't you call you and me and robertlet a family?" she asked.
"one child?" said herr dremmel. "you would limit the family to one child? that is a highly unchristian line of conduct."
"but the christian lines of conduct seem to hurt so," murmured ingeborg. "oh, i know there have to be brothers and sisters," she added quickly before he could speak, "and it is best to get it over and have done with it. it's only when i'm—it's only sometimes that i think robertlet would have been enough family till—till i'd had time to forget—"
again the light of terror came into her eyes. she knew it was there. she looked down at her plate to hide it.
twice after that she came back from her thinking down by the lake and attempted to talk to him about questions of life and death. herr dremmel was bored by questions of life and death unless they were his own ones. he met them, however, patiently. she arrived panting, for it was uphill back to the house, desperately needing her vision rubbed a little clearer against his so that she might reach out to reassurance and courage, and he took on an air of patience almost before she had begun. in the presence of that premature resignation she faltered off into silence. also what she had wanted to say got tangled into the silliest sentences—she heard them being silly as they came out. no wonder he looked resigned. she could have wept with chagrin at her inarticulateness, her want of real education, her incapacity for getting her thoughts torn away from their confusion and safely landed into speech. and there stood robert, waiting, with that air of patience....
but how odd it was, the difference between his talk before she was going to have a baby and his silence—surely resigned silence—when she was! she wished she knew more about husbands. she wished that during the years at home instead of writing all those diocesan letters she had ripely reflected on the conjugalities.
as the days went by her need of somebody to talk to, her dread of being alone with her imagination and its flashes, became altogether intolerable. she went at last, driven by panic, to the village mothers, asking anxious questions about how they had felt, how they had managed, going round on days when she was better to the cottages where families were longest. but nothing came of this; the attitude everywhere was a dull acceptance, a shrug of the shoulder, a tiredness.
then she sought out the postman's wife, who looked particularly motherly and bright, and found that she was childless.
then she met the forester one day in the woods, and was so far gone in need that she almost began to ask him her anxious questions, for he looked more motherly even than the postman's wife.
then she thought of baroness glambeck, who before robertlet's birth had been helpful in practical ways—would she not be helpful now in these spiritual stresses?—and she walked over there with difficulty one afternoon in november through the deep wet sand, approaching her as one naked soul delivered by its urgencies from the web of reticence and convention approaches another. but nothing could be less naked that day than the baroness's soul. it was dressed even to gloves and a bonnet. it had no urgencies; and hildebrand von glambeck was there, the only son in the family of six, the member of it who had married most money, and his mother was proudly pouring out coffee for him in festal silk.
it was entirely contrary to custom for one's pastor's wife to walk in without having first inquired whether her visit would be acceptable; and when the baroness perceived the sandy and disordered figure coming towards her down the long room she was not only annoyed but dismayed. she had not seen this dearest of her children for six months, and it was the first opportunity she had had since his arrival the evening before of being alone with him, for he had brought a friend with him from berlin, and not till after luncheon had the friend, who painted, been satisfactorily disposed of out of doors in the park, where he announced his intention of staying as long as the sun stayed on a certain beech-tree. she wanted to ask her boy questions. she had sent the baron out riding round his farms so as to be able to ask questions. she wanted to know about his life in berlin, to her so remote and so full of drawbacks that yet glittered, a high, dangerous, less truly aristocratic life than this of lofty stagnation in god's provinces, but shone upon after all by the presence of her emperor and king. in her heart she believed that the almighty had also some years ago, probably about the time of her marriage when she, too, retired into them, withdrawn into the provinces, and there particularly presided over those best of the fatherland's nobles who stayed with a pure persistency in the places where they happened to have been born. on his departure for the country, the baroness decided, he had handed over berlin and potsdam to the care of the first of his children, her emperor and king; and so it was that the provinces were higher and more truly aristocratic than berlin and potsdam, and so it was that berlin and potsdam nevertheless ran them very close.
and now, just as she had so cleverly contrived this hour with hildebrand for getting at all those intimate details of his life that a mother loves but does not care to talk about before her husband, this hour for hearing about his children, his meals, his money, his dear wife's success in society and appearances, thanks to her having married into the nobility, at court, his own health, his indigestion—that ancient tormentor of his peace, armer junge—and whether he had seen or heard anything of poor emmi, his eldest sister, who had miserably married six thousand marks a year and lived impossibly at spandau and could not be got to admit she did not like it—just as she was going to be satisfied on all these points came that eccentric and pushing frau pastor and spoilt it all. also hildebrand was in the very middle of one of those sad stories of scandal that one wishes one had not to listen to but naturally wants to hear the end of.
so great was the baroness's disappointment that she found it impossible to stop herself from affecting inability to recognise the frau pastor till she was actually touching the coffee table. "ah," she then said, not getting up but slowly putting out her hand to take the hand that was being offered, and staring as though she were trying to remember where and when she had seen her before, "ah—frau pastor? this is indeed an honour."
"present me, mamma," said hildebrand, who had got on to his feet the instant ingeborg appeared in the doorway.
the ceremony performed he sank again into his chair and did nothing more at all, being waited on by his mother and leaving it to her to see that the visitor was given cream and sugar and cake, until the moment arrived when ingeborg, made abundantly and elaborately aware that she was interrupting, prepared crest-fallen to go away again. then once more he started up, alert and with his heels together.
"well, and what did her husband do?" asked the baroness, turning again to hildebrand as soon as ingeborg had been got quiet on a chair with coffee, determined to hear the end of the story.
"my dear mother," said hildebrand, shrugging his shoulders up to his ears, "what could he do?"
"he shot her?"
"of course."
"naturally," said the baroness, nodding approval. "was she killed?"
"no. badly wounded. but it was enough. his honour was avenged."
"and she will not," said the baroness grimly, "begin these tricks again."
ingeborg roused herself with an effort to say something. she was extraordinarily disappointed and unnerved by not finding the baroness alone. "why did he shoot her?" she asked. it seemed to her in her tiredness so very energetic of him to have shot her.
the baroness turned a cold eye on her. "because, frau pastor," she said, "she was his sinning wife."
"oh," said ingeborg; and added an inquiry, in a nervous desire to make for a brief space agreeable small talk before going away again, whether in germany they always shot each other when they sinned.
"not each other," said the baroness severely. "at least, not if it is a husband and his wife. he alone shoots."
"oh," said ingeborg, considering this.
she was sitting inertly on her chair, holding her cup of coffee slanting, too much dejected to drink it.
"and then does that make her love him again?" she asked, in her small tired voice.
the baroness did not answer.
"only blood," said hildebrand, "can wipe out a husband's dishonour."
"how nasty!" said ingeborg dejectedly.
life seemed all blood. she drooped over her cup, thinking of the cruelty with which things were apparently packed. the baroness and hildebrand, after a pregnant silence, turned from her and began to talk of somebody they called poor emmi. ingeborg sat alone with her cup, wondering how she could get away before she began to cry. dreadful how easily she cried now. she must buy some more handkerchiefs. they seemed lately to be always at the wash.
she roused herself again. she really must say something. as her way was when confused and unnerved, she caught at the first thing she found tumbling about in her mind. "why was emmi poor?" she asked in her small tired voice.
there was another pregnant silence.
to shorten it ingeborg asked whether emmi was the wife who had been shot—"the sinning one," she explained as nobody answered.
the silence became awful.
she looked up, startled by it. from the expression on their faces and the general feel of things she thought that perhaps they wouldn't mind if she went home now.
she got up, dropping the spoon out of her saucer. "i—think i must be going," she said. "it's a long way home."
"it seems hardly worth while to have come," said the baroness with extraordinary chill.
to which ingeborg, absorbed in the failure of her effort to find help and comfort, answered droopingly "no."
outside the sun had just dropped behind the forest line, and she would have to walk fast if she wanted to be home before dark. the mist was already rising over the meadows beyond the trees of the garden and beginning to mix with the rose and lilac of the sky. the sandy avenue she had come along on that hot july day when first she discovered glambeck lay at her feet in the still beauty of the last of its dresses for the year, very delicate, very transparent already, the leaves of the beeches almost all on the ground, making of the road a ribbon of light. a november smell of dampness and of peat smoke from cottage chimneys filled the air. there was a brooding peace over the world, as though in every house, in every family, brotherly love must needs in such gentleness continue.
she went carefully down the steps, for her body was already growing cumbersome, and along the golden way of the avenue. she tried not to cry, not to smudge the beautiful evening with her own disappointments. how foolish she had been to suppose that because she wanted to talk baroness glambeck would want to listen! moods did not coincide so conveniently. she walked along, diligently stopping any stray tear with her handkerchief before it could disgrace her by coming out on to her cheeks. presently baroness glambeck might passionately want to listen—it was quite conceivable—and she herself would not in the least want to talk. how foolish it all was! one had to stand on one's own feet. it was no good going about calling out for help. it was less than no good crying. some day, if she continued intrepidly in this career of maternity which seemed to be marked out for her, she, too, would be happily pouring out coffee for a grown-up and successful man-child, all her impatiences and pangs long since forgotten. you clearly couldn't have a grown-up man-child to love and be proud of if you hadn't begun him in time, he had at some period or other to be begun. and he had to be begun in time, else one might easily be too old for acute appreciation. she went as quickly as she could down the avenue, thinking on large valiant lines and underneath her thinking feeling altogether forsaken. it must be nice, a warm thing to live where one's friends and relatives were within reach, where one could, for instance, when one felt extra lonely go and have tea with one's mother....
a man carrying what seemed to be a great deal of something indefinite was coming down the avenue towards her. she looked at him vaguely, absorbed in her thoughts. it was not the baron, and except for him she knew nobody. she was within a yard or two of him when a quantity of sheets of paper, long slender brushes, odd articles she did not recognise, suddenly seemed to burst out from his person and scatter themselves over the beech-leaves on the ground.
"oh, damn!" said the man, making efforts to catch them.
ingeborg, always eager to help, began clumsily to pick up those nearest her. he had a camp-stool on one arm, and what appeared to be a mackintosh, and was altogether greatly hampered.
"look here, don't do that," he exclaimed, struggling with these things which also apparently were slipping from him.
"oh, but how lovely!" said ingeborg, holding one of the sheets of paper she had picked up at arm's length and staring with her red eyes at a beech-tree on it, a celestial beech-tree surely, aflame with so great a glory of light that it could not possibly be earthly but only the sort of tree they have in heaven. close, it was just splashes of colour; you had to hold it away from you to see it at all. she blew away some grains of sand that were on it and then held it once more as far from her as her arm would go. "oh, but how lovely!" she said again. "look—doesn't it shine?"
"of course it shines. that was what it was doing," he said, coming and looking at the sketch over her shoulder a minute, his hands full of the things he had collected from the ground. "they said they'd send a servant for all this, and they didn't. i hate carrying things."
"i'll carry some," said ingeborg.
"nonsense. and you're not going there."
"i've been. but i'd go back as far as the steps if you like."
"nonsense. i'll leave them at the foot of this tree. he'll see them all right."
"not this—you mustn't leave this," she said, still gazing at the sketch.
"no. i'll take that. and i'm coming with you a little way, because i can't conceive where you can be going to at this time of the day that isn't to the glambecks', and i'm curious. also because it's so funny of you to be english."
"i think it's much funnier of you," said ingeborg, picking up a pencil out of a rut in the sand and adding it to the pile he was making against the trunk of the nearest tree. "and i'm only going home."
"home?"
he undid the pile and began again. he had got it wrong. the camp-stool, of course, must be the foundation, then the smaller fly-away things, then, neatly folded and tucking them all in, the mackintosh. she must be an english governess or superior nurse on a neighbouring estate since she talked of home. if so he did not want to go with her; nothing he could think of seemed to him quite so tiresome as an english governess or superior nurse.
he finished tucking in the mackintosh and turned round and took the sketch from her. he was, she perceived, a long, thin-necked man with a short red beard. she was, he perceived, somebody in a badly fitting tweed coat and skirt, a person with a used sort of nose and weak eyes.
"now then," he said, "i'll go with you anyhow to the end of the avenue. where is home?"
"kökensee," said ingeborg, trotting to keep up with him. "it's the next village. i'm the pastor's wife."
ingram—for it was that celebrated artist, then at thirty-five, already known all over europe as more especially and letting alone his small exquisite things a surprising, indeed a disturbingly surprising painter of portraits—glanced down at her and stepped out more vigorously. "that's an amusing thing to be," he said. "and quite new."
"it isn't very new. i've been it eighteen months. why do you think it's amusing?"
"it's different from anything else. nobody was ever a pastor's wife in—what did you call it?—before."
"kökensee."
"kökensee. kökensee. i like that. you're unique to live in kökensee. nobody else has achieved that."
"it wasn't very difficult. i just stayed passive and was brought."
"and they didn't mind?"
"who didn't?"
"your people. your father and mother. or are you melchisedec and never had any?"
"why should they mind?"
"coming so far. it's rather the end of the world. you're right up against the edge of russia."
"i wanted to."
"of course. i didn't suppose you were dragged across europe by your hair to kökensee. i'll come all the way with you. i want to see kökensee."
"don't walk so fast, then," said ingeborg, panting. "i can't walk like that."
he looked at her as he went slower. "is that the effect of kökensee?" he said. "why can't you walk like that? you're only a girl."
"i'm not a girl at all. i'm a wife, i'm a mother. i'm everything really now except a mother-in-law and a grandmother. that's all there's still left to be. i think they're rather dull things, both of them."
"you won't think so when you've got there."
"that's the dreadfullest part of it."
"it's a kindly trick time plays on us. are you a real pastor's wife who goes about her parish being an example?"
"i haven't yet. but i'm going to."
"what—not begun in eighteen months? but what do you do then all day long?"
"first i cook, and then i—don't cook."
they were out in the open, on the bit of road that passed between meadows. ingram stopped and looked at something over to the left with sudden absorbed attention. she followed his eyes, but did not see much—a wisp of mist along the grass, the top twigs of a willow emerging from it, and above it the faint sky. he said nothing, and presently went on walking faster than ever.
"please go a little slower," begged ingeborg, her heart thumping with effort.
"i think you know," said ingram, suiting himself to her, "you should be able to walk better than that."
"yes," said ingeborg.
"i suppose that's the danger of places like kökensee—one lets oneself get slack."
"yes," said ingeborg.
"you mustn't, you know. imagine losing one's lines. just think of the horrible indefinite lines of a fat woman."
"yes," said ingeborg. "do you paint much?" she asked, unable to endure this turn of the conversation.
he looked at her and laughed. "a good deal," he said. then he added, "i'm ingram."
"is that your name? mine's dremmel."
"edward ingram," he said, looking at her. it was inconceivable she should not know.
"ingeborg dremmel," she said, as though it were a game.
he was silent a moment. then he stopped with a jerk. "i don't think i'll come any farther," he said. "the glambecks will be wondering what has become of me. glambeck brought me down for a couple of nights, and i can't be not there all the time."
"but you wanted to see kökensee—"
"doesn't anybody ever read in kökensee?"
"read?"
"papers? books? reviews? criticisms? what the world's doing in all the million places that aren't kökensee? who everybody is? what's being thought and created?"
he had an oddly nettled look.
"robert takes in the norddeutscheallgemeinezeitung, and i've been reading kipling—"
"kipling! well, good-bye."
"but isn't kipling—why, till i married i had only the litany."
"what on earth for?"
"that and psalms and things. i felt very empty on the litany."
"i can imagine it. i'd lose no more time then in furnishing my emptiness. good-bye."
"oh, don't go—wait a moment. it's such ages since i've— furnishing it how? what ought i—?"
"read, read, read—everything you can lay your hands on."
"but there isn't anything to lay hands on."
"my dear lady, haven't you postcards? write to london and order the reviews to be sent out to you. get some notion of people and ideas. good-bye."
"oh—but won't you really come and look at kökensee?"
"it's a dark place. i'm afraid what i'd see there would be nothing."
"there'll be more light to-morrow—"
"i'm going south again to-morrow with glambeck. i only came for a day. i was curious about provincial german interiors. good-bye."
"oh, but do—"
"my advice is very sound, you know. one can't shut one's eyes and just sleep while the procession of men and women who are making the world goes past one, unless"—his eyes glanced over the want of trimness of her figure, the untidy way her loose coat was fastened—"unless one doesn't mind running to seed."
"but i do mind," cried ingeborg. "it's the last thing i want to run to—"
"then don't. good-bye."
he took off his hat and was already several steps away from her by the time it was on his head again. then he turned round and called out to the dejected little figure standing where he had left it in the sandy road with the grey curtain of mist blurring it: "it really is everybody's duty to know at least something of what's being done in the world."
and he jerked away into the dusk towards glambeck.
she stood a long while looking at the place where the gloom had blotted him out. wonderful to have met somebody who really talked to one, who actually told one what to do. she went home making impulsive resolutions, suddenly brave again, her chin in the air. ill or not ill she was not going to be beaten, she was not going to wait another day before beginning to fill her stupid mind. it was monstrous she should be so ignorant, so uneducated. what was she made of, then, what poor cheap stuff, that she could think of nothing better than to cry because she did not feel as well as she used to? weren't there heaps of things to do even when one was ill? had she not herself heard of sick people whose minds triumphed so entirely over their prostrate flesh that from really quite perpetual beds they shed brightness on whole parishes?
she wrote that night to mudie demanding catalogues of him almost with fierceness, and ordered as a beginning the spectator and hibbert journal, both of which at redchester had been mentioned in her presence by prebendaries. when they arrived she read them laboriously from cover to cover, and then ordered all the monthly reviews they advertised. she subscribed at once to the times and to a weekly paper called the clarion because it was alluded to in one of the reviews; she showered postcards on mudie, for whatever books she read about she immediately bought, deciding that that was as good a way of starting as any other; and she had not been reading papers a week before she came across edward ingram's name.
a great light dawned on her. "oh—" she said with a little catch of the breath, turning hot; and became aware that she had just been having the most recognisably interesting encounter of her life.
