at bâle there was hurry and bustle, the half hour they ought to have had there wasted away by some unaccountable loosening of the bandages of discipline on the german side to four minutes—the conductor when questioned said the engine had gone wrong, and explained, with a shrug that was to help hide his shame in this failure of the infallible, that engines were but human—and again there was an undignified scamper down steps and up steps and along platforms, and they arrived panting, pushed in by porters, only just in time into a compartment studded round with sleeping swiss.
ingram left ingeborg sitting temporarily on the edge of the seat clasping her umbrella and coat and little bag, while he walked through the train in search of more space, refusing to believe such a repulsive thing could happen to him as that he should be obliged to travel to bellinzona with four sleeping swiss; but the train seemed to be a popular one, else a national festival was preparing or some other upheaval that caused people to move about that night in numbers, and all the compartments were full.
he went back to ingeborg in a condition of resentful gloom. the four swiss were sleeping in the four corners, and the carriage smelt of crumbs. he opened the window, and there was an immediate simultaneous resurrection of the four swiss into angry life. ingram, fluent in french, met them with an equal volubility, standing with his back to the open window protecting it from their assaults, while ingeborg looked on in alarm; but the conductor when he came pronounced in favour of the four swiss. pacified, they instantly fell asleep again; and ingram, at least not taking care of their legs, strode out into the corridor, where he stood staring through the open window at midnight nature and cursing himself for not having broken the journey at bâle, while ingeborg peeped anxiously at his back round her coat and her umbrella.
from bâle to lucerne he was as unaware of her as if he had never met her, so very angry was he and so very tired. then at lucerne two of the swiss got out, and turning round he saw her asleep in the compartment, tumbled over a little to one side, still holding her things, and once again she filled his heart. she was utterly asleep, in the most uncomfortable position, dropped away in the middle of how she happened to be sitting like a child does or a puppy; and he went in and sat down beside her and lifted her head very cautiously and gently on to his arm.
she opened her eyes and looked up at him along his sleeve without moving, in a sort of surprise.
"this is lucerne," he whispered, bending down; how soft she was, and how little!
"is it? why, that's where robert and i—"
but she was asleep again.
she slept till he woke her up before bellinzona, and so she never knew the moment she had thrilled to think of when they would in the dawn of the summer morning come out on the other side of the st. gothard into what, in spite of anything the swiss might say, was italy; and still half asleep, mechanically putting on her hat and pausing to rub her eyes while he urged her to be quick, she did not realise where she was. when she did, and looked eagerly at the window, it was to turn to him immediately in consternation.
"oh!" she said.
"yes," said ingram, passing his hand quickly over his hair, a gesture of his when annoyed.
it was raining.
they got out on to what seemed the most melancholy platform in the world, a grey wet junction with a grey level sky low down over it and over all the country round it. the locarno train was waiting, and they went to it in silence. it was a quarter to six, a difficult time of day. the train, almost empty, jogged slowly through the valley of the ticino. down the windows raindrops chased each other. on the road alongside the railway, a road bound also for locarno and dreary with brown puddles, an occasional high cart crawled drawn by a mule and driven by a huddled human being beneath a vast umbrella. the lake when they came in sight of it was a yawn of mist.
ingeborg stared out at these things in silence. it was incredible that this should be italy—again in spite of anything the swiss might say—while on the other side of the alps all germany, including kökensee, lay shimmering in light and colour. ingram sat in the farthest corner of the carriage, his hands thrust in his pockets, his hat pulled over his eyes, looking straight in front of him. he was a mass of varied and profound exasperations. everything exasperated him, even to the long trickle slowly creeping towards him down the floor from ingeborg's wet umbrella. there was nothing she could have said or done at that moment that would not have rubbed his exasperation into a flame of swift and devastating speech. luckily she said and did nothing, but sat quite silent with her face turned away towards the blurred window panes. but if she did not speak or do she yet was; and he was acutely conscious, though he never took his eyes off the cushions opposite, of every detail of her in that grey and horrible light, of her crumpled clothes, her drooping smudgedness, her hat grown careless, and her hair in wisps. he had wanted to show her italy, he had extraordinarily wanted to show her italy in its summer magnificence, and there was—this. as a result what he now extraordinarily wanted was to upbraid her. he did not stop to analyse why.
at the hôtel in locarno where they went for baths and breakfast—he had planned originally to show her the beautiful walk from there along the side of the lake to cannobio, but now beyond baths and breakfast he had no plan—a person in shirt sleeves and a green apron who inadequately represented the hall-porter, for it was not yet seven and the hall-porter was still in bed, unintelligently and unfortunately spoke to ingeborg of ingram in his hearing as monsieur votre père.
this strangely annoyed ingram. "it's your short skirt," he said, with suppressed sulphur. "you positively must get some clothes. dressed like that you suggest perambulators."
"but this is my best dress," she protested. "it's quite new. i mean, i've never had it on before since it was made."
and with the easy tactlessness of one who has not yet learned to be afraid, she looked at him and laughed.
"why," she said, "this morning i'm perambulators and only last night, quite late last night, i was the peace of god."
to this, however, he did not trust himself to reply, but vanished with a kind of pounce into his bathroom.
he came to breakfast clean, but in a mood that could bear nothing, least of all good temper. ingeborg was by nature good tempered. she sat there pleased and refreshed—after all, he remembered resentfully, she had had five hours' sleep in the train while he had not had a wink—gaily making the best of things. she pointed out the strength of the coffee and the crispness of the rolls. she asked him if he did not think it a nice hôtel. she did not agree when he alluded to the waiter as blighted. she predicted a break in the weather at eleven, and said that it had always come true what her old nurse used to tell her, that rain at seven meant fine at eleven.
he hated her old nurse.
until he had had some sleep, a long steady sleep, he would, he knew, be nothing but jarred nerves. when then after breakfast she inquired, with a cheerful air of being ready for anything, what they were going to do next, he briefly announced that he was going to sleep.
"oh? shall i have to go, too?" she asked, her face falling.
"of course not."
"then," she said eagerly, "i'll go out and explore."
"what, in this rain?"
"oh, i've got goloshes."
goloshes! he retreated into his room.
it annoyed him intensely that she should be not only ready but pleased to go out for her first walk in italy without him. he threw himself angrily on the bed, rang the bell, and bade the person who answered it, the same young man in shirt sleeves and a green apron who had welcomed them, tell madame that if he were not awake by luncheon time she was not to wait for him, but was to have luncheon at the proper hour just the same.
the young man sought out ingeborg in her room. she was tugging on her goloshes, one foot on a chair, her face flushed with effort and expectancy.
"monsieur votre père—" he began.
"ce n'est pas mon père," said ingeborg, turning an amused face to him as she tugged.
"monsieur votre mari—"
"quoi? certainement pas," said ingeborg, who in spite of her prize for french was unacquainted with the refinements of that language. "ce n'est pas mon mari," she said, energetically repudiating.
"ah—monsieur n'est pas le mari de madame," said the young man trippingly.
"certainement pas," said ingeborg. "mon mari est à la maison."
"ah—tiens," said the young man.
"c'est mon ami," said ingeborg.
"ah—tiens, tiens," said the young man; and he delivered his message with a sudden ease and comfort of manner.
but though the young man's manner grew easy, after his report of this brief dialogue the hôtel's manner grew stiff, for on the slip of paper presented to ingram to be filled in with his name he had, unaware of the things ingeborg was saying, described himself and her as mr. and mrs. dobson, and the hôtel, in which english church services were held, and which was at that moment, though the season was over, being stayed in by several representative english spinsters, and a clergyman also from england with a wife and grown-up daughters, most respectable nice ladies who all took him out every day twice, once after breakfast and once after tea, for a little walk—the hôtel decided, putting its heads together in the manager's office, that it would, using tact, encourage the dobsons to depart.
it could do nothing, however, for the moment, for the lady had disappeared with an umbrella into the wet, and the gentleman, it could hear, was sleeping; and this condition of things continued for many hours, the lady not coming into luncheon but remaining in the wet, and the gentleman, it could hear, going on sleeping. then it became aware that they were both having tea in a distant corner of the slippery windowed wilderness of bamboo chairs and tables described in its prospectus as the handsome palmy lounge, and that they had drawn up a second table to the one their tea was on and piled it with undesirably dripping branches of the yellow broom that grew high up in the hills, and that they were being noticed with suspicion by the hôtel's authentic guests who were used to having their tea in the silent stupor of the really married, because the gentleman, contrary to the observed habits of genuine husbands, was talking to the lady instead of reading the daily mail.
the hôtel was nothing if not competent. it could handle any sort of situation competently, from runaway couples to that most unpleasant form of guest of all, the kind that came alive and went away dead. full of tact, it allowed the lady and gentleman to finish their tea undisturbed; then it sent some one sleek to inform them that, most unfortunately, their rooms had been engaged for weeks beforehand for that very night, and therefore—
but before this person could even begin to be competent the gentleman requested him to have a carriage round in half an hour as he intended going on that evening; and thus the parting was accomplished, as all partings should be, urbanely, and the manager was able to display his doorstep suavity and bow and wish them a pleasant journey.
the dobsons departed in a gay mood, with the branches of yellow broom rhythmically nodding between them over the edge of the waterproof apron that buttoned them in. ingram had slept soundly for seven hours, and felt altogether renewed. he was taking her to cannobio, along the road he had hoped to walk with her in sunshine; but ingeborg, who had climbed hills till her blood raced and glowed, saw peculiar beauties even in the wetness, and would not believe that sun could make things lovelier. outside locarno, in that flat and grassy place beyond the town where the beautiful small hills draw back for a little from the lake, and the ox-eyed daisies grow so big, and the roads are strewn white with the blossoms of acacias, it stopped raining and ingram had the hood put down. the mountains on the other side of the lake were indigo-coloured, with pulled-off tufts of woolly clouds lying along them down near the water. the lake was a steely black. the valley brooded in sullen lushness; and the branches of broom they carried with them in the carriage cut through the sombre background like a golden knife.
"the one doubt i have," said ingeborg, breathing in the warm scented air in long breaths, "is that it's all too good to be true."
"it isn't," said ingrain, safely disentangled for a while from the intricate effect on his enthusiasms of fatigue and dirt and headaches, "it's absolutely good and absolutely true. but only," he said, turning and looking at her, "because you're here, you dear close sister of my dreams. without you it would be nothing but grey empty space in which i would just hang horribly."
"you wouldn't. you couldn't not be happy in this," she said, gazing about her.
"if you weren't here i wouldn't see it," said ingram, firmly believing it in the face of the fact that nothing ever escaped his acute vision. "i see all this only through you. you are my eyes. without you i go blind, i grope about with the light gone out. you don't know what you are to me, you little shining crystal thing—you don't begin to realise it, my dear, my dear sweet found-at-last."
"and this morning," said ingeborg, smiling at him, but only with a passing smile on her way to all the other things she wanted to look at, "you said i suggested perambulators."
for a space they drove on in silence, for he deplored her trick of reminding him of past moods. but beyond ascona, where the mountains come down to the lake and leave only just room enough between them and the water for the road to twist through, he recovered again, consoled by her joy in the beauty of the drive and unable to see her happiness without feeling pleased. after all, what he most loved in her was that she was, so miraculously, a child; a child with gleams of wisdom flickering like a lizard's tongue in her mouth, and who even when she was silly was silly also somehow in gleams—gleams of silver and sunshine. and always at the back of her, far away, hidden in what he thought of as depths of burning light, was that elusive thing by which he was so passionately attracted, the thing he was going to paint, the thing his own secret self crept to, knowing that here was warmth, here was understanding, her dear, dear little soul.
the evening at cannobio was unsatisfactory. ingeborg manifestly enjoyed herself, but it was with an absorption in what she was seeing and an obliviousness to himself that seemed to him both excessive and tiresome. here was everything to make two people so happily alone whisper—warmth, dusk, the broad shadow of plane-trees, unruffled water, lights romantically twinkling in corners, the twanging of a distant guitar, laughter and singing and the glint of red wine from the little lit-up tables along the front of the restaurants beneath the arcade at the back of the piazza, and he there, ingram, after all a person of real importance, edward ingram at her feet, only asking to be allowed to explain to her in every variety of phrase how sweet she was. but she was dead to her opportunities. there wasn't another woman in europe, he told himself angrily, who would not have whispered.
they wandered out of their hôtel after dinner, a square pink italian albergo facing the lake where the town left off, and free, as indeed cannobio altogether was, from transitory english with their awful eyes, and they strolled about looking at things. he did not look much, for he knew these italian sights and sounds by heart, and at that moment only wanted to look at her; but the least little thing caught her attention away from him absolutely, to the exclusion of anything he might be saying. positively she even preferred to listen to the throb of the steamer coming nearer from the other end of the lake than to him; and she interrupted him in the middle of a sentence that intimately concerned herself to stand still in the piazza and ask him what he thought of the smells.
"i don't think about them at all," he said shortly.
"oh, but there are such a lot of them," she exclaimed, sorting them out with her lifted nose. "there's the smell of roses, and the smell of lake, and the smell of frying, and there's more roses, and then there's garlic, and then there's a quite dim one, and then there's a little puff of something else—i don't know what—sheer italy, i expect. i never smelt so many smells," she ended, with a gesture of astonishment.
he tried to get her away from them. he led her to a bench beneath a plane-tree. "come and sit by me and i will tell you things," he said, luring her. "look, there's the moon got free from the clouds—and do you see how the coloured lights of the steamer that's coming shine right down a ladder of light into the water? and what do you think of the feel of the air, little sister? isn't it soft and gentle? doesn't it remind you of all kind and tender things?"
"but much the most wonderful of anything are these smells," she said, absorbed in them. "there are at least twelve different ones."
"never mind them. i want to talk."
"but they're so amusing," she said. "there are interesting ones, and exciting ones, and beautiful ones, and disquieting ones, and awful ones, and too-perfect-for-anything ones, and they're all chasing each other up and down and round and round us."
he lit a cigarette. "there," he said, "that will blot the whole lot of them into only one, and you'll talk to me reasonably. let us talk while we can, my dear. in a little time we shall be dead to all feeling for ever and ever."
"yes, we shall be little shreds of rottenness," she said placidly.
"god, who wastes a sunset every night—" he said, getting up to stamp on the match he had thrown away—
"if they were mine," she interrupted, "i'd keep them all in a gallery or a portfolio."
"—understands, i suppose," he went on, sitting down again, "why such dear things as this evening here, this time of being alone together here, should end and be forgotten."
"as long as i live," she said with earnestness, "it will not be forgotten. all my other memories will be like a string of—oh, just beads and nuts and fir-cones, till i get to this one, and then on the string there'll be suddenly a shining jewel."
"really? really?" he murmured, stopping to look into her eyes, revived by this speech. "little flame in my heart, really?"
"oh," said ingeborg dreamily, in her husky, soft voice, "but the wonderfullest thing, the wonderfullest jewel. my first italian town—cannobio...."
he ceased to be revived. he smoked in silence. the effect on her of italy was as surprising as it was unexpected. at kökensee she had been entirely concentrated on him, eagerly listening only to him, drinking in only what he said, worshipping. here she seemed possessed by a rage for any sights and sounds merely because they were new. there had been moments from the very start in berlin when he almost felt of secondary interest, and they appeared to be becoming permanent. it was disturbing. it was incredible. it was grotesque. perhaps it would be as well to take her away from the lakes, from all that part of the country which apparently caught her imagination on its most sensitive side. perhaps milan for a while, with pavements and museums.
"please, will you give me some of that money?" she asked across his reflections.
"which money?" he said, looking at her.
"my money."
"what on earth for?"
"i want to send robert a picture postcard."
he threw his cigarette away. "it would be most improper," he said, passing his hand rapidly over his hair. "highly improper."
"improper?" she echoed, staring at him. "to send robert a picture postcard?"
"grossly. it simply isn't done."
"what? not send robert—but he'd like to see where we've got to."
"for heaven's sake don't talk about robert," he exclaimed, getting up quickly; the idea of the picture postcard profoundly shocked him.
"not talk about him?" she repeated, staring at him in astonishment. "but he's my husband."
"exactly. that's what makes him so improper."
"what? why, i thought husbands were just the very things that never could be improper."
"ingeborg," he said, walking angrily up and down in front of her, "are you or are you not being taken care of on this—this holiday by me? are you or are you not travelling with me?"
"yes, i know. but i don't see why i shouldn't send rob—"
"well, then, if you don't see you must believe. you've just got to believe me when i tell you certain things are impossible."
"but robert—"
"good heavens, don't talk of robert. if i beg you not to, if i tell you it spoils things for me, if i ask you as a favour—" he stopped in front of her. "my dear, my little mate, my everything that's central and alive among the husks—"
"of course i won't, then. at least, i'll try to remember not to," she said, looking at him with a smile that had effort in it as well as surprise. "but i don't see why a picture postcard—"
the steamer they had seen for so long, the last one of the day from arona to locarno, was nearing the pier, and the piazza suddenly swarmed with busy groups preparing to go on it or see each other off.
"let's come away," said ingram, impatiently. "let's come away!" he repeated with a stamp of his foot. "i hate this crowd."
she got up and walked beside him towards the hôtel, her eyes on the ground.
"i really can't see why i shouldn't send robert—" she began.
"oh, damn robert!" he exclaimed violently.
she looked at him. "damn robert?" she echoed, immensely surprised. "but—don't you like robert?"
"no," said ingram. "no," he said, even louder. "not here. not now. now don't," he added in extreme irritation as he saw her mouth opening, "ask me why, don't ask me to explain. go to bed, ingeborg. it's time all children under ten were in bed. and get up early, please, because we're going to start the first thing for—anyhow, for somewhere else."
