in the very small hall g.j. gazed at himself in the mirror that was nearly as large as the bathroom door, to which it was attached, and which it ingeniously masked.
although mrs. braiding was present, holding his ebony stick, he carefully examined his face and appearance without the slightest self-consciousness. nor did mrs. braiding's demeanour indicate that in her opinion g.j. was behaving in a manner eccentric or incorrect. he was dressed in mourning. honestly he did not believe that he looked anywhere near fifty. his face was worn by the friction of the world, especially under the eyes, but his eyes were youthful, and his hair and moustache and short, fine beard scarcely tinged with grey. his features showed benevolence, with a certain firmness, and they had the refinement which comes of half a century's instinctive avoidance of excess. still, he was beginning to feel his age. he moved more slowly; he sat down, instead of standing up, at the dressing-table. and he was beginning also to take a pride in mentioning these changes and in the fact that he would be fifty on his next birthday. and when talking to men under thirty, or even under forty, he would say in a tone mingling condescension and envy: "but, of course, you're young."
he departed, remarking that he should not be in for lunch and might not be in for dinner, and he walked down the covered way to the albany courtyard, and was approved by the albany porters as a resident handsomely conforming to the traditional high standard set by the albany for its residents. he crossed piccadilly, and as he did so he saw a couple of jolly fine girls, handsome, stylish, independent of carriage, swinging freely along and intimately talking with that mien of experience and broad-mindedness which some girls manage to wear in the streets. one of them in particular appealed to him. he thought how different they were from christine. he had dreamt of just such girls as they were, and yet now christine filled the whole of his mind.
"you can't foresee," he thought.
he dipped down into the extraordinary rectangle of st. james's, where he was utterly at home. a strange architecture, parsimoniously plain on the outside, indeed carrying the oriental scorn for merely external effect to a point only reachable by a race at once hypocritical and madly proud. the shabby plainness of wren's church well typified all the parochial parsimony. the despairing architect had been so pinched by his employers in the matter of ornament that on the whole of the northern facade there was only one of his favourite cherub's heads! what a parish!
it was a parish of flat brick walls and brass door-knobs and brass plates. and the first commandment was to polish every brass door-knob and every brass plate every morning. what happened in the way of disfigurement by polishing paste to the surrounding brick or wood had no importance. the conventions of the parish had no eye save for brass door-knobs and brass plates, which were maintained daily in effulgence by a vast early-rising population. recruiting offices, casualty lists, the rumour of peril and of glory, could do nothing to diminish the high urgency of the polishing of those brass door-knobs and those brass plates.
the shops and offices seemed to show that the wants of customers were few and simple. grouse moors, fisheries, yachts, valuations, hosiery, neckties, motor-cars, insurance, assurance, antique china, antique pictures, boots, riding-whips, and, above all, eastern cigarettes! the master-passion was evidently eastern cigarettes. the few provision shops were marmoreal and majestic, catering as they did chiefly for the multifarious palatial male clubs which dominated the parish and protected and justified the innumerable "bachelor" suites that hung forth signs in every street. the parish, in effect, was first an immense monastery, where the monks, determined to do themselves extremely well in dignified peace, had made a prodigious and not entirely unsuccessful effort to keep out the excitable sex. and, second, it was an excusable conspiracy on the part of intensely respectable tradesmen and stewards to force the non-bargaining sex to pay the highest possible price for the privilege of doing the correct thing.
g.j. passed through the cardiac region of st. james's, the square itself, where knights, baronets, barons, brewers, viscounts, marquesses, hereditary marshals and chief butlers, dukes, bishops, banks, librarians and government departments gaze throughout the four seasons at the statue of a dutchman; and then he found himself at his bootmaker's.
now, his bootmaker was one of the three first bootmakers in the west end, bearing a name famous from peru to hong kong. an untidy interior, full of old boots and the hides of various animals! a dirty girl was writing in a dirty tome, and a young man was knotting together two pieces of string in order to tie up a parcel. such was the "note" of the "house". the girl smiled, the young man bowed. in an instant the manager appeared, and g.j. was invested with the attributes of god. he informed the manager with pain, and the manager heard with deep pain, that the left boot of the new pair he then wore was not quite comfortable in the toes. the manager simply could not understand it, just as he simply could not have understood a failure in the working of the law of gravity. and if god had not told him he would not have believed it. he knelt and felt. he would send for the boots. he would make the boots comfortable or he would make a new pair. expense was nothing. trouble was nothing. incidentally he remarked with a sigh that the enormous demand for military boots was rendering it more and more difficult for him to give to old patrons that prompt and plenary attention which he would desire to give. however, god in any case should not suffer. he noticed that the boots were not quite well polished, and he ventured to charge god with hints for god's personal attendant. then he went swiftly across to a speaking-tube and snapped:
"polisher!"
a trap-door opened in the floor of the shop and a horrible, pallid, weak, cringing man came up out of the earth of st. james's, and knelt before god far more submissively than even the manager had knelt. he had brushes and blacking, and he blacked and he brushed and breathed alternately, undoing continually with his breath or his filthy hand what he had done with his brush. he never looked up, never spoke. when he had made the boots like mirrors he gathered together his implements and vanished, silent and dutifully bent, through the trap-door back into the earth of st. james's. and because the trap-door had not shut properly the manager stamped on it and stamped down the pale man definitely into the darkness underneath. and then g.j. was wafted out of the shop with smiles and bows.
