and here follows the prologue. it ought, of course, to have been written first, but nobody knew of it until quite the end entirely. it was told to commander raffleton by a french comrade, who in days of peace had been a painter, mingling with others of his kind, especially such as found their inspiration in the wide horizons and legend-haunted dells of old-world brittany. afterwards the commander told it to the professor, and the professor's only stipulation was that it should not be told to the doctor, at least for a time. for the doctor would see in it only confirmation for his own narrow sense-bound theories, while to the professor it confirmed beyond a doubt the absolute truth of this story.

it commenced in the year eighteen hundred and ninety-eight (anno domini), on a particularly unpleasant evening in late february—"a stormy winter's night," one would describe it, were one writing mere romance. it came to the lonely cottage of madame lavigne on the edge of the moor that surrounds the sunken village of aven-a-christ. madame lavigne, who was knitting stockings—for she lived by knitting stockings—heard, as she thought, a passing of feet, and what seemed like a tap at the door. she dismissed the idea, for who would be passing at such an hour, and where there was no road? but a few minutes later the tapping came again, and madame lavigne, taking her candle in her hand, went to see who was there. the instant she released the latch a gust of wind blew out the candle, and madame lavigne could see no one. she called, but there was no answer. she was about to close the door again when she heard a faint sound. it was not exactly a cry. it was as if someone she could not see, in the tiniest of voices, had said something she could not understand.

madame lavigne crossed herself and muttered a prayer, and then she heard it again. it seemed to come from close at her feet, and feeling with her hands—for she thought it might be a stray cat—she found quite a large parcel, it was warm and soft, though, of course, a bit wet, and madame lavigne brought it in, and having closed the door and re-lit her candle, laid it on the table. and then she saw it was the tiniest of babies.

it must always be a difficult situation. madame lavigne did what most people would have done in the case. she unrolled the wrappings, and taking the little thing on her lap, sat down in front of the dull peat fire and considered. it seemed wonderfully contented, and madame lavigne thought the best thing to do would be to undress it and put it to bed, and then go on with her knitting. she would consult father jean in the morning and take his advice. she had never seen such fine clothes. she took them off one by one, lovingly feeling their texture, and when she finally removed the last little shift and the little white thing lay exposed, madame lavigne sprang up with a cry and all but dropped it into the fire. for she saw by the mark that every breton peasant knows that it was not a child but a fairy.

her proper course, as she well knew, was to have opened the door and flung it out into the darkness. most women of the village would have done so, and spent the rest of the night on their knees. but someone must have chosen with foresight. there came to madame lavigne the memory of her good man and her three tall sons, taken from her one by one by the jealous sea, and, come what might of it, she could not do it. the little thing understood, that was clear, for it smiled quite knowingly and stretched out its little hands, touching madame lavigne's brown withered skin, and stirring forgotten beatings of her heart.

father jean—one takes him to have been a tolerant, gently wise old gentleman—could see no harm. that is, if madame lavigne could afford the luxury. maybe it was a good fairy. would bring her luck. and certain it is that the cackling of madame's hens was heard more often than before, and the weeds seemed fewer in the little patch of garden that madame lavigne had rescued from the moor.

of course, the news spread. one gathers that madame lavigne rather gave herself airs. but the neighbours shook their heads, and the child grew up lonely and avoided. fortunately, the cottage was far from other houses, and there was always the great moor with its deep hiding-places. father jean was her sole playmate. he would take her with him on his long tramps through his scattered district, leaving her screened among the furze and bracken near to the solitary farmsteads where he made his visitations.

he had learnt it was useless: all attempt of mother church to scold out of this sea and moor-girt flock their pagan superstitions. he would leave it to time. later, perhaps opportunity might occur to place the child in some convent, where she would learn to forget, and grow into a good catholic. meanwhile, one had to take pity on the little lonely creature. not entirely for her own sake maybe; a dear affectionate little soul strangely wise; so she seemed to father jean. under the shade of trees or sharing warm shelter with the soft-eyed cows, he would teach her from his small stock of knowledge. every now and then she would startle him with an intuition, a comment strangely unchildlike. it was as if she had known all about it, long ago. father jean would steal a swift glance at her from under his shaggy eyebrows and fall into a silence. it was curious also how the wild things of the field and wood seemed unafraid of her. at times, returning to where he had left her hidden, he would pause, wondering to whom she was talking, and then as he drew nearer would hear the stealing away of little feet, the startled flutter of wings. she had elfish ways, of which it seemed impossible to cure her. often the good man, returning from some late visit of mercy with his lantern and his stout oak cudgel, would pause and listen to a wandering voice. it was never near enough for him to hear the words, and the voice was strange to him, though he knew it could be no one else. madame lavigne would shrug her shoulders. how could she help it? it was not for her to cross the "child," even supposing bolts and bars likely to be of any use. father jean gave it up in despair. neither was it for him either to be too often forbidding and lecturing. maybe the cunning tender ways had wove their web about the childless old gentleman's heart, making him also somewhat afraid. perhaps other distractions! for madame lavigne would never allow her to do anything but the lightest of work. he would teach her to read. so quickly she learnt that it seemed to father jean she must be making believe not to have known it already. but he had his reward in watching the joy with which she would devour, for preference, the quaint printed volumes of romance and history that he would bring home to her from his rare journeyings to the distant town.

it was when she was about thirteen that the ladies and gentlemen came from paris. of course they were not real ladies and gentlemen. only a little company of artists seeking new fields. they had "done" the coast and the timbered houses of the narrow streets, and one of them had suggested exploring the solitary, unknown inlands. they came across her seated on an old grey stone reading from an ancient-looking book, and she had risen and curtsied to them. she was never afraid. it was she who excited fear. often she would look after the children flying from her, feeling a little sad. but, of course, it could not be helped. she was a fairy. she would have done them no harm, but this they could not be expected to understand. it was a delightful change; meeting human beings who neither screamed nor hastily recited their paternosters, but who, instead, returned one's smile. they asked her where she lived, and she showed them. they were staying at aven-a-christ; and one of the ladies was brave enough even to kiss her. laughing and talking they all walked down the hill together. they found madame lavigne working in her garden. madame lavigne washed her hands of all responsibility. it was for suzanne to decide. it seemed they wanted to make a picture of her, sitting on the grey stone where they had found her. it was surely only kind to let them; so next morning she was there again waiting for them. they gave her a five-franc piece. madame lavigne was doubtful of handling it, but father jean vouched for it as being good republican money; and as the days went by madame lavigne's black stocking grew heavier and heavier as she hung it again each night in the chimney.

it was the lady who had first kissed her that discovered who she was. they had all of them felt sure from the beginning that she was a fairy, and that "suzanne" could not be her real name. they found it in the "heptameron of friar bonnet. in which is recorded the numerous adventures of the valiant and puissant king ryence of bretagne," which one of them had picked up on the quai aux fleurs and brought with him. it told all about the white ladies, and therein she was described. there could be no mistaking her; the fair body that was like to a willow swayed by the wind. the white feet that could pass, leaving the dew unshaken from the grass. the eyes blue and deep as mountain lakes. the golden locks of which the sun was jealous.

it was all quite clear. she was malvina, once favourite to harbundia, queen of the white ladies of brittany. for reasons—further allusion to which politeness forbade—she had been a wanderer, no one knowing what had become of her. and now the whim had taken her to reappear as a little breton peasant girl, near to the scene of her past glories. they knelt before her, offering her homage, and all the ladies kissed her. the gentlemen of the party thought their turn would follow. but it never did. it was not their own shyness that stood in their way: one must do them that justice. it was as if some youthful queen, exiled and unknown amongst strangers, had been suddenly recognised by a little band of her faithful subjects, passing by chance that way. so that, instead of frolic and laughter, as had been intended, they remained standing with bared heads; and no one liked to be the first to speak.

she put them at their ease—or tried to—with a gracious gesture. but enjoined upon them all her wish for secrecy. and so dismissed they seem to have returned to the village a marvellously sober little party, experiencing all the sensations of honest folk admitted to their first glimpse of high society.

they came again next year—at least a few of them—bringing with them a dress more worthy of malvina's wearing. it was as near as paris could achieve to the true and original costume as described by the good friar bonnet, the which had been woven in a single night by the wizard spider karai out of moonlight. malvina accepted it with gracious thanks, and was evidently pleased to find herself again in fit and proper clothes. it was hidden away for rare occasions where only malvina knew. but the lady who had first kissed her, and whose speciality was fairies, craving permission, malvina consented to wear it while sitting for her portrait. the picture one may still see in the palais des beaux arts at nantes (the bretonne room). it represents her standing straight as an arrow, a lone little figure in the centre of a treeless moor. the painting of the robe is said to be very wonderful. "malvina of brittany" is the inscription, the date being nineteen hundred and thirteen.

the next year malvina was no longer there. madame lavigne, folding knotted hands, had muttered her last paternoster. pere jean had urged the convent. but for the first time, with him, she had been frankly obstinate. some fancy seemed to have got into the child's head. something that she evidently connected with the vast treeless moor rising southward to where the ancient menhir of king taramis crowned its summit. the good man yielded, as usual. for the present there were madame lavigne's small savings. suzanne's wants were but few. the rare shopping necessary father jean could see to himself. with the coming of winter he would broach the subject again, and then be quite firm. just these were the summer nights when suzanne loved to roam; and as for danger! there was not a lad for ten leagues round who would not have run a mile to avoid passing, even in daylight, that cottage standing where the moor dips down to the sealands.

but one surmises that even a fairy may feel lonesome. especially a banished fairy, hanging as it were between earth and air, knowing mortal maidens kissed and courted, while one's own companions kept away from one in hiding. maybe the fancy came to her that, after all these years, they might forgive her. still, it was their meeting place, so legend ran, especially of midsummer nights. rare it was now for human eye to catch a glimpse of the shimmering robes, but high on the treeless moor to the music of the lady of the fountain, one might still hear, were one brave enough to venture, the rhythm of their dancing feet. if she sought them, softly calling, might they not reveal themselves to her, make room for her once again in the whirling circle? one has the idea that the moonlight frock may have added to her hopes. philosophy admits that feeling oneself well dressed gives confidence.

if all of them had not disappeared—been kissed three times upon the lips by mortal man and so become a woman? it seems to have been a possibility for which your white lady had to be prepared. that is, if she chose to suffer it. if not, it was unfortunate for the too daring mortal. but if he gained favour in her eyes! that he was brave, his wooing proved. if, added thereto, he were comely, with kind strong ways, and eyes that drew you? history proves that such dreams must have come even to white ladies. maybe more especially on midsummer nights when the moon is at its full. it was on such a night that sir gerylon had woke malvina's sister sighile with a kiss. a true white lady must always dare to face her fate.

it seems to have befallen malvina. some told father jean how he had arrived in a chariot drawn by winged horses, the thunder of his passing waking many in the sleeping villages beneath. and others how he had come in the form of a great bird. father jean had heard strange sounds himself, and certain it was that suzanne had disappeared.

father jean heard another version a few weeks later, told him by an english officer of engineers who had ridden from the nearest station on a bicycle and who arrived hot and ravenously thirsty. and father jean, under promise of seeing suzanne on the first opportunity, believed it. but to most of his flock it sounded an impossible rigmarole, told for the purpose of disguising the truth.

so ends my story—or rather the story i have pieced together from information of a contradictory nature received. whatever you make of it; whether with the doctor you explain it away; or whether with professor littlecherry, ll.d., f.r.s., you believe the world not altogether explored and mapped, the fact remains that malvina of brittany has passed away. to the younger mrs. raffleton, listening on the sussex downs to dull, distant sounds that make her heart beat, and very nervous of telegraph boys, has come already some of the disadvantages attendant on her new rank of womanhood. and yet one gathers, looking down into those strange deep eyes, that she would not change anything about her, even if now she could.