but the freight has to be paid. john barleycorn began to collect, and he collected not so much from the body as from the mind. the old long sickness, which had been purely an intellectual sickness, recrudesced. the old ghosts, long laid, lifted their heads again. but they were different and more deadly ghosts. the old ghosts, intellectual in their inception, had been laid by a sane and normal logic. but now they were raised by the white logic of john barleycorn, and john barleycorn never lays the ghosts of his raising. for this sickness of pessimism, caused by drink, one must drink further in quest of the anodyne that john barleycorn promises but never delivers.
how to describe this white logic to those who have never experienced it! it is perhaps better first to state how impossible such a description is. take hasheesh land, for instance, the land of enormous extensions of time and space. in past years i have made two memorable journeys into that far land. my adventures there are seared in sharpest detail on my brain. yet i have tried vainly, with endless words, to describe any tiny particular phase to persons who have not travelled there.
i use all the hyperbole of metaphor, and tell what centuries of time and profounds of unthinkable agony and horror can obtain in each interval of all the intervals between the notes of a quick jig played quickly on the piano. i talk for an hour, elaborating that one phase of hasheesh land, and at the end i have told them nothing. and when i cannot tell them this one thing of all the vastness of terrible and wonderful things, i know i have failed to give them the slightest concept of hasheesh land.
but let me talk with some other traveller in that weird region, and at once am i understood. a phrase, a word, conveys instantly to his mind what hours of words and phrases could not convey to the mind of the non-traveller. so it is with john barleycorn's realm where the white logic reigns. to those untravelled there, the traveller's account must always seem unintelligible and fantastic. at the best, i may only beg of the untravelled ones to strive to take on faith the narrative i shall relate.
for there are fatal intuitions of truth that reside in alcohol. philip sober vouches for philip drunk in this matter. there seem to be various orders of truth in this world. some sorts of truth are truer than others. some sorts of truth are lies, and these sorts are the very ones that have the greatest use-value to life that desires to realise and live. at once, o untravelled reader, you see how lunatic and blasphemous is the realm i am trying to describe to you in the language of john barleycorn's tribe. it is not the language of your tribe, all of whose members resolutely shun the roads that lead to death and tread only the roads that lead to life. for there are roads and roads, and of truth there are orders and orders. but have patience. at least, through what seems no more than verbal yammerings, you may, perchance, glimpse faint far vistas of other lands and tribes.
alcohol tells truth, but its truth is not normal. what is normal is healthful. what is healthful tends toward life. normal truth is a different order, and a lesser order, of truth. take a dray horse. through all the vicissitudes of its life, from first to last, somehow, in unguessably dim ways, it must believe that life is good; that the drudgery in harness is good; that death, no matter how blind-instinctively apprehended, is a dread giant; that life is beneficent and worth while; that, in the end, with fading life, it will not be knocked about and beaten and urged beyond its sprained and spavined best; that old age, even, is decent, dignified, and valuable, though old age means a ribby scare-crow in a hawker's cart, stumbling a step to every blow, stumbling dizzily on through merciless servitude and slow disintegration to the end—the end, the apportionment of its parts (of its subtle flesh, its pink and springy bone, its juices and ferments, and all the sensateness that informed it) to the chicken farm, the hide-house, the glue-rendering works, and the bone-meal fertiliser factory. to the last stumble of its stumbling end this dray horse must abide by the mandates of the lesser truth that is the truth of life and that makes life possible to persist.
this dray horse, like all other horses, like all other animals, including man, is life-blinded and sense-struck. it will live, no matter what the price. the game of life is good, though all of life may be hurt, and though all lives lose the game in the end. this is the order of truth that obtains, not for the universe, but for the live things in it if they for a little space will endure ere they pass. this order of truth, no matter how erroneous it may be, is the sane and normal order of truth, the rational order of truth that life must believe in order to live.
to man, alone among the animals, has been given the awful privilege of reason. man, with his brain, can penetrate the intoxicating show of things and look upon the universe brazen with indifference toward him and his dreams. he can do this, but it is not well for him to do it. to live, and live abundantly, to sting with life, to be alive (which is to be what he is), it is good that man be life-blinded and sense-struck. what is good is true. and this is the order of truth, lesser though it be, that man must know and guide his actions by with unswerving certitude that it is absolute truth and that in the universe no other order of truth can obtain. it is good that man should accept at face value the cheats of sense and snares of flesh and through the fogs of sentiency pursue the lures and lies of passion. it is good that he shall see neither shadows nor futilities, nor be appalled by his lusts and rapacities.
and man does this. countless men have glimpsed that other and truer order of truth and recoiled from it. countless men have passed through the long sickness and lived to tell of it and deliberately to forget it to the end of their days. they lived. they realised life, for life is what they were. they did right.
and now comes john barleycorn with the curse he lays upon the imaginative man who is lusty with life and desire to live. john barleycorn sends his white logic, the argent messenger of truth beyond truth, the antithesis of life, cruel and bleak as interstellar space, pulseless and frozen as absolute zero, dazzling with the frost of irrefragable logic and unforgettable fact. john barleycorn will not let the dreamer dream, the liver live. he destroys birth and death, and dissipates to mist the paradox of being, until his victim cries out, as in "the city of dreadful night": "our life's a cheat, our death a black abyss." and the feet of the victim of such dreadful intimacy take hold of the way of death.
