"it's our mr. hargraves," said miss lydia. "it must be his first appearance in what he calls 'the legitimate.' i'm so glad for him."
not until the second act did col. webster calhoun appear upon the stage. when he made his entry major talbot gave an audible sniff, glared at him, and seemed to freeze solid. miss lydia uttered a little, ambiguous squeak and crumpled her programme in her hand. for colonel calhoun was made up as nearly resembling major talbot as one pea does another. the long, thin white hair, curly at the ends, the aristocratic beak of a nose, the crumpled, wide, ravelling shirt front, the string tie, with the bow nearly under one ear, were almost exactly duplicated. and then, to clinch the imitation, he wore the twin to the major's supposed to be unparalleled coat. high-collared, baggy, empire-waisted, ample-skirted, hanging a foot lower in front than behind, the garment could have been designed from no other pattern. from then on, the major and miss lydia sat bewitched, and saw the counterfeit presentment of a haughty talbot "dragged," as the major afterward expressed it, "through the slanderous mire of a corrupt stage."
mr. hargraves had used his opportunities well. he had caught the major's little idiosyncrasies of speech, accent, and intonation and his pompous courtliness to perfection—exaggerating all to the purposes of the stage. when he performed that marvellous bow that the major fondly imagined to be the pink of all salutations, the audience sent forth a sudden round of hearty applause.
miss lydia sat immovable, not daring to glance toward her father. sometimes her hand next to him would be laid against her cheek, as if to conceal the smile which, in spite of her disapproval, she could not entirely suppress.
the culmination of hargraves's audacious imitation took place in the third act. the scene is where colonel calhoun entertains a few of the neighbouring planters in his "den."
standing at a table in the centre of the stage, with his friends grouped about him, he delivers that inimitable, rambling, character monologue so famous in "a magnolia flower," at the same time that he deftly makes juleps for the party.
major talbot, sitting quietly, but white with indignation, heard his best stories retold, his pet theories and hobbies advanced and expanded, and the dream of the "anecdotes and reminiscences" served, exaggerated and garbled. his favourite narrative—that of his duel with rathbone culbertson—was not omitted, and it was delivered with more fire, egotism, and gusto than the major himself put into it.
the monologue concluded with a quaint, delicious, witty little lecture on the art of concocting a julep, illustrated by the act. here major talbot's delicate but showy science was reproduced to a hair's breadth—from his dainty handling of the fragrant weed—"the one-thousandth part of a grain too much pressure, gentlemen, and you extract the bitterness, instead of the aroma, of this heaven-bestowed plant"—to his solicitous selection of the oaten straws.
at the close of the scene the audience raised a tumultuous roar of appreciation. the portrayal of the type was so exact, so sure and thorough, that the leading characters in the play were forgotten. after repeated calls, hargraves came before the curtain and bowed, his rather boyish face bright and flushed with the knowledge of success.
at last miss lydia turned and looked at the major. his thin nostrils were working like the gills of a fish. he laid both shaking hands upon the arms of his chair to rise.
"we will go, lydia," he said chokingly. "this is an abominable—desecration."
before he could rise, she pulled him back into his seat. "we will stay it out," she declared. "do you want to advertise the copy by exhibiting the original coat?" so they remained to the end.
hargraves's success must have kept him up late that night, for neither at the breakfast nor at the dinner table did he appear.
about three in the afternoon he tapped at the door of major talbot's study. the major opened it, and hargraves walked in with his hands full of the morning papers—too full of his triumph to notice anything unusual in the major's demeanour.
"i put it all over 'em last night, major," he began exultantly. "i had my inning, and, i think, scored. here's what the post says:
his conception and portrayal of the old-time southern colonel, with his absurd grandiloquence, his eccentric garb, his quaint idioms and phrases, his moth-eaten pride of family, and his really kind heart, fastidious sense of honour, and lovable simplicity, is the best delineation of a character role on the boards to-day. the coat worn by colonel calhoun is itself nothing less than an evolution of genius. mr. hargraves has captured his public.
"how does that sound, major, for a first nighter?"
"i had the honour"—the major's voice sounded ominously frigid—"of witnessing your very remarkable performance, sir, last night."
hargraves looked disconcerted.
"you were there? i didn't know you ever—i didn't know you cared for the theatre. oh, i say, major talbot," he exclaimed frankly, "don't you be offended. i admit i did get a lot of pointers from you that helped me out wonderfully in the part. but it's a type, you know—not individual. the way the audience caught on shows that. half the patrons of that theatre are southerners. they recognized it."
"mr. hargraves," said the major, who had remained standing, "you have put upon me an unpardonable insult. you have burlesqued my person, grossly betrayed my confidence, and misused my hospitality. if i thought you possessed the faintest conception of what is the sign manual of a gentleman, or what is due one, i would call you out, sir, old as i am. i will ask you to leave the room, sir."
the actor appeared to be slightly bewildered, and seemed hardly to take in the full meaning of the old gentleman's words.
"i am truly sorry you took offence," he said regretfully. "up here we don't look at things just as you people do. i know men who would buy out half the house to have their personality put on the stage so the public would recognize it."
"they are not from alabama, sir," said the major haughtily.
"perhaps not. i have a pretty good memory, major; let me quote a few lines from your book. in response to a toast at a banquet given in—milledgeville, i believe—you uttered, and intend to have printed, these words:
the northern man is utterly without sentiment or warmth except in so far as the feelings may be turned to his own commercial profit. he will suffer without resentment any imputation cast upon the honour of himself or his loved ones that does not bear with it the consequence of pecuniary loss. in his charity, he gives with a liberal hand; but it must be heralded with the trumpet and chronicled in brass.
"do you think that picture is fairer than the one you saw of colonel calhoun last night?"
"the description," said the major frowning, "is—not without grounds. some exag—latitude must be allowed in public speaking."
"and in public acting," replied hargraves.
"that is not the point," persisted the major, unrelenting. "it was a personal caricature. i positively decline to overlook it, sir."
"major talbot," said hargraves, with a winning smile, "i wish you would understand me. i want you to know that i never dreamed of insulting you. in my profession, all life belongs to me. i take what i want, and what i can, and return it over the footlights. now, if you will, let's let it go at that. i came in to see you about something else. we've been pretty good friends for some months, and i'm going to take the risk of offending you again. i know you are hard up for money—never mind how i found out; a boarding house is no place to keep such matters secret—and i want you to let me help you out of the pinch. i've been there often enough myself. i've been getting a fair salary all the season, and i've saved some money. you're welcome to a couple hundred—or even more—until you get—"
"stop!" commanded the major, with his arm outstretched. "it seems that my book didn't lie, after all. you think your money salve will heal all the hurts of honour. under no circumstances would i accept a loan from a casual acquaintance; and as to you, sir, i would starve before i would consider your insulting offer of a financial adjustment of the circumstances we have discussed. i beg to repeat my request relative to your quitting the apartment."
hargraves took his departure without another word. he also left the house the same day, moving, as mrs. vardeman explained at the supper table, nearer the vicinity of the down-town theatre, where "a magnolia flower" was booked for a week's run.
critical was the situation with major talbot and miss lydia. there was no one in washington to whom the major's scruples allowed him to apply for a loan. miss lydia wrote a letter to uncle ralph, but it was doubtful whether that relative's constricted affairs would permit him to furnish help. the major was forced to make an apologetic address to mrs. vardeman regarding the delayed payment for board, referring to "delinquent rentals" and "delayed remittances" in a rather confused strain.
deliverance came from an entirely unexpected source.
late one afternoon the door maid came up and announced an old coloured man who wanted to see major talbot. the major asked that he be sent up to his study. soon an old darkey appeared in the doorway, with his hat in hand, bowing, and scraping with one clumsy foot. he was quite decently dressed in a baggy suit of black. his big, coarse shoes shone with a metallic lustre suggestive of stove polish. his bushy wool was gray—almost white. after middle life, it is difficult to estimate the age of a negro. this one might have seen as many years as had major talbot.
"i be bound you don't know me, mars' pendleton," were his first words.
the major rose and came forward at the old, familiar style of address. it was one of the old plantation darkeys without a doubt; but they had been widely scattered, and he could not recall the voice or face.
"i don't believe i do," he said kindly—"unless you will assist my memory."
"don't you 'member cindy's mose, mars' pendleton, what 'migrated 'mediately after de war?"
"wait a moment," said the major, rubbing his forehead with the tips of his fingers. he loved to recall everything connected with those beloved days. "cindy's mose," he reflected. "you worked among the horses—breaking the colts. yes, i remember now. after the surrender, you took the name of—don't prompt me—mitchell, and went to the west—to nebraska."
"yassir, yassir,"—the old man's face stretched with a delighted grin—"dat's him, dat's it. newbraska. dat's me—mose mitchell. old uncle mose mitchell, dey calls me now. old mars', your pa, gimme a pah of dem mule colts when i lef' fur to staht me goin' with. you 'member dem colts, mars' pendleton?"
"i don't seem to recall the colts," said the major. "you know i was married the first year of the war and living at the old follinsbee place. but sit down, sit down, uncle mose. i'm glad to see you. i hope you have prospered."
uncle mose took a chair and laid his hat carefully on the floor beside it.
"yassir; of late i done mouty famous. when i first got to newbraska, dey folks come all roun' me to see dem mule colts. dey ain't see no mules like dem in newbraska. i sold dem mules for three hundred dollars. yassir—three hundred.
"den i open a blacksmith shop, suh, and made some money and bought some lan'. me and my old 'oman done raised up seb'm chillun, and all doin' well 'cept two of 'em what died. fo' year ago a railroad come along and staht a town slam ag'inst my lan', and, suh, mars' pendleton, uncle mose am worth leb'm thousand dollars in money, property, and lan'."
"i'm glad to hear it," said the major heartily. "glad to hear it."
"and dat little baby of yo'n, mars' pendleton—one what you name miss lyddy—i be bound dat little tad done growed up tell nobody wouldn't know her."
the major stepped to the door and called: "lydia, dear, will you come?"
miss lydia, looking quite grown up and a little worried, came in from her room.
"dar, now! what'd i tell you? i knowed dat baby done be plum growed up. you don't 'member uncle mose, child?"
"this is aunt cindy's mose, lydia," explained the major. "he left sunnymead for the west when you were two years old."
"well," said miss lydia, "i can hardly be expected to remember you, uncle mose, at that age. and, as you say, i'm 'plum growed up,' and was a blessed long time ago. but i'm glad to see you, even if i can't remember you."
and she was. and so was the major. something alive and tangible had come to link them with the happy past. the three sat and talked over the olden times, the major and uncle mose correcting or prompting each other as they reviewed the plantation scenes and days.
the major inquired what the old man was doing so far from his home.
"uncle mose am a delicate," he explained, "to de grand baptis' convention in dis city. i never preached none, but bein' a residin' elder in de church, and able fur to pay my own expenses, dey sent me along."
"and how did you know we were in washington?" inquired miss lydia.
"dey's a cullud man works in de hotel whar i stops, what comes from mobile. he told me he seen mars' pendleton comin' outen dish here house one mawnin'.
"what i come fur," continued uncle mose, reaching into his pocket—"besides de sight of home folks—was to pay mars' pendleton what i owes him."
"owe me?" said the major, in surprise.
"yassir—three hundred dollars." he handed the major a roll of bills. "when i lef' old mars' says: 'take dem mule colts, mose, and, if it be so you gits able, pay fur 'em'. yassir—dem was his words. de war had done lef' old mars' po' hisself. old mars' bein' 'long ago dead, de debt descends to mars' pendleton. three hundred dollars. uncle mose is plenty able to pay now. when dat railroad buy my lan' i laid off to pay fur dem mules. count de money, mars' pendleton. dat's what i sold dem mules fur. yassir."
tears were in major talbot's eyes. he took uncle mose's hand and laid his other upon his shoulder.
"dear, faithful, old servitor," he said in an unsteady voice, "i don't mind saying to you that 'mars' pendleton' spent his last dollar in the world a week ago. we will accept this money, uncle mose, since, in a way, it is a sort of payment, as well as a token of the loyalty and devotion of the old regime. lydia, my dear, take the money. you are better fitted than i to manage its expenditure."
"take it, honey," said uncle mose. "hit belongs to you. hit's talbot money."
after uncle mose had gone, miss lydia had a good cry—for joy; and the major turned his face to a corner, and smoked his clay pipe volcanically.
the succeeding days saw the talbots restored to peace and ease. miss lydia's face lost its worried look. the major appeared in a new frock coat, in which he looked like a wax figure personifying the memory of his golden age. another publisher who read the manuscript of the "anecdotes and reminiscences" thought that, with a little retouching and toning down of the high lights, he could make a really bright and salable volume of it. altogether, the situation was comfortable, and not without the touch of hope that is often sweeter than arrived blessings.
one day, about a week after their piece of good luck, a maid brought a letter for miss lydia to her room. the postmark showed that it was from new york. not knowing any one there, miss lydia, in a mild flutter of wonder, sat down by her table and opened the letter with her scissors. this was what she read:
dear miss talbot:
i thought you might be glad to learn of my good fortune. i have received and accepted an offer of two hundred dollars per week by a new york stock company to play colonel calhoun in "a magnolia flower."
there is something else i wanted you to know. i guess you'd better not tell major talbot. i was anxious to make him some amends for the great help he was to me in studying the part, and for the bad humour he was in about it. he refused to let me, so i did it anyhow. i could easily spare the three hundred.
sincerely yours,
h. hopkins hargraves,
p.s. how did i play uncle mose?
major talbot, passing through the hall, saw miss lydia's door open and stopped.
"any mail for us this morning, lydia, dear?" he asked.
miss lydia slid the letter beneath a fold of her dress.
"the mobile chronicle came," she said promptly. "it's on the table in your study."
