and what a dwelling angus macdonald’s house had become!
“what a home-coming!” exclaimed ian, thinking, in the bitterness of his soul, of elsie as well as the house.
“it’s awful!” said victor, with a sympathetic glance at his friend.
the desolation was indeed complete—symbolic, ian thought, of the condition of his own heart. besides having eight or ten feet of water on its walls, all the lower rooms were utterly wrecked. a heavy log, ready for the saw-pit, had come down with the torrent, and, taking upon it the duties of a battering-ram, had charged the parlour window. not only did it carry this bodily into the room, but it forced it into the passage beyond, where it jammed and stuck fast. the butt of this log, projecting several feet from the window, had intercepted straw and hay to such an extent that a miniature stack was formed, in which all sorts of light articles of furniture and débris had been caught. with the stubborn determination of a celt, angus had refused to remove his main door, which faced up stream. the result was that the flood removed it for him with a degree of violence that had induced miss martha to exclaim, “the house is goin’ at last!” to which angus had replied doggedly.
“let it go. it will hef to go some day, whatever.” but the house had not gone. it was only, as we have said, the main door which went, and was hurled through the passage into the kitchen, where it charged the back door, wrenched it off, and accompanied it to lake winnipeg with a tail of miscellaneous cooking utensils. only shreds of the back windows remained hanging by twisted hinges to the frames, telling with mute eloquence of heroic resistance to the last gasp. whatever had not been removed by angus from the ground-floor of his house had been swept out at the windows and doorways, as with the besom of destruction.
paddling in through the front door, the two friends disembarked from their canoe on the staircase, and ascended to the upper floor. here everything betokened a hurried departure. furniture was strewn about in disorder; articles of clothing were scattered broadcast, as if miss martha and her maid had been summoned to sudden departure, and had rummaged recklessly for their most cherished possessions. in the principal bedroom, on the best bed, stood beauty in her native ugliness—the only living thing left to do the honours of the house.
“what a brute!” exclaimed victor.
he seized a saucepan that stood handy, and hurled it at her. beauty was equal to the emergency; she leaped up, allowed the pan to pass under her, fled shrieking through the window, and took refuge on the top of the house.
“i’m glad you missed her, vic,” said ian, in a slightly reproachful tone; “she’s an old friend of the family, and a harmless thing.”
“miss trim would not agree with you in your opinion of her,” returned victor, with a laugh; “but i’m also glad i missed her. it was a sudden impulse that i couldn’t resist, and you know a fellow is scarcely accountable for his impulses.”
“true; not for his impulses, but he is very accountable for actions resulting from impulse. if you had killed beauty i should have had an irresistible impulse to pitch you over the window. if i were to do so in such circumstances would you hold me unaccountable?”
“i’m not sure,” said victor, with a grim smile. “but we’ll change the subject; i don’t like argument when i’m likely to get the worst of it. it’s plain that you can do no good here, i therefore propose that we return to willow creek, take the small boat, and go up to the mountain to see father, taking tony and petawanaquat along with us.”
ian shook his head with an expression of sadness that surprised his friend.
“no, vic, no; my work with you in search of your brother is done, my father’s home now claims my chief care. you are wrong in saying i can do no good here; look round at the wreck and mess. there is much to be done. now i tell you what i’ll do. i’ll remain here all day and all night too. you will return home and send me the little punt, if it can be spared, for i shall have to row to the outhouses a good deal, and round the house too. as you see, nothing can be done without a craft of some sort. send peegwish with it, without wildcat, she would only be in the way.”
victor tried to induce his friend to change his mind, but ian was immoveable. he therefore returned to willow creek in the canoe, and sent peegwish back with the punt—a tub-like little boat, with two small oars or sculls.
left alone, ian macdonald leaned on the sill of a window in the gable of the house, from which he could see the house at willow creek, and sighed deeply. “so then,” he thought, “all my hopes are blighted; my air castles are knocked down, my bear-hunting has been in vain; elsie is engaged to louis lambert!”
there was no bitterness in his heart now, only a feeling of profound loneliness. as he raised himself with another sigh, the top of the window tipped off his cap, which fell into the water. he cared little for the loss, but stood watching the cap as it floated slowly away with the current, and compared its receding form with his dwindling joys. the current, which was not strong there, carried the cap straight to the knoll several hundred yards off, on which stood the smoking-box of old sam ravenshaw, and stranded it there.
the incident turned the poor youth’s mind back to brighter days and other scenes, especially to the last conversation which he had held with the owner of the smoking-box. he was mentally enacting that scene over again when peegwish pulled up to the house and passed under the window.
“come along, you old savage,” said ian, with a good-humoured nod; “i want your help. go round to the front and shove into the passage. the doorway’s wide enough.”
peegwish, who was fond of ian, replied to the nod with a hideous smile. in a few minutes the two were busily engaged in collecting loose articles and bringing things in general into order.
while thus engaged they were interrupted by beauty cackling and screaming with tremendous violence. she was evidently in distress. running up a ladder leading to the garret, ian found that the creature had forced her way through a hole in the roof, and entangled herself in a mass of cordage thrown in a heap along with several stout ropes, or cables, which angus had recently bought with the intention of rigging out a sloop with which to traverse the great lake winnipeg. setting the hen free, ian returned to his work.
a few minutes later he was again arrested suddenly, but not by beauty this time. he became aware of a peculiar sensation which caused a slight throbbing of his heart, and clearly proved that, although lacerated, or even severely crushed, that organ was not quite broken!
he looked round at peegwish, and beheld that savage glaring, as if transfixed, with mouth and eyes equally wide open.
“did you feel that, peegwish?”
yes, peegwish had felt “that,” and said so in an awful whisper without moving.
“surely—no, it cannot have been the—”
he stopped short. there was a low, grinding sound, accompanied by a strange tremor in the planks on which they stood, as if the house were gradually coming alive! there could be no mistake. the flood had risen sufficiently to float the house, and it was beginning to slide from its foundations!
“peegwish,” he said, quickly dropping the things with which he had been busy, “is there a stout rope anywhere? oh, yes; i forgot,” he added, springing towards the attic. “blessings on you, beauty, for having guided me here!”
in a few seconds a stout rope or cable was procured. the end of this ian ran out at the main doorway, round through the parlour window, and tied it in a trice. the other end he coiled in the punt, and soon made it fast to a stout elm, under whose grateful shade angus macdonald had enjoyed many a pipe and martha many a cup of tea in other days. the tree bent slowly forward; the thick rope became rigid. ian and peegwish sat in the boat anxiously looking on.
in that moment of enforced inaction ian conceived an idea! thought is quick, quicker than light, which, we believe, has reached the maximum of “express speed” in material things. by intermittent flashes, so rapid that it resembled a stream of sparks, the whole plan rushed through his mind, from conception to completion. we can only give a suggestive outline, as follows. the knoll, the smoking-box, the smoker, his words, “mark what i say. i will sell this knoll to your father, and give my daughter to you, when you take that house, and with your own unaided hands place it on this knoll!” the impossible had, in the wondrous course of recent events, come just within the verge of possibility—a stout arm, a strong will, coupled with a high flood—“there is a tide in the affairs of men, which, taken at the flood,”—immortal and prophetic bard! there could be no chance of elsie now, but even to win the right to claim her if she had been willing was better than nothing. in any case old angus and the knoll would be united!
“peegwish!” shouted ian, turning on the unfortunate ex-brewer with a flushed face and blazing eyes that caused him to shrink in alarm, “can you sit still and do nothing?”
“eh?” exclaimed peegwish, in surprise.
“bah!” said ian, seizing the sculls.
the punt whirled round, leaped over the water, dashed through the doorway, and went crashing into the staircase. before peegwish could pick himself up, ian had vanished up the stairs. the savage found him a moment later wildly selecting a rope from the heap that lay on the floor of the attic. as peegwish entered, ian suddenly turned on him with a gaze of increased intensity. had the young man gone mad? peegwish felt very uncomfortable. he had some reason to! another thought had flashed into ian’s mind—the words “your own unaided hands” troubled him. peegwish could be kept out of the boat, but he could not be kept from rendering aid of some sort, in some way or other. there was but one resource.
ian sprang on peegwish like a lion. the savage was both bold and strong, but he was elderly, and ian was young and bolder; besides, he had the unusual strength of a half-madman at that moment. down went the ex-brewer. he struggled hard. ian crushed him in his arms, raised him, crammed him into a chair, seized a pliant rope and bound him therewith, winding him and the chair round and round in his haste—for there was no time to tie knots—until he resembled a gigantic spool of ravelled thread. not a moment too soon! there was a snap outside; the rope was gone! a grind, a slide, and then a lurch, as of a ship at sea.
ian is on the staircase now, in the punt, and out upon the flood with a stout rope fast to the stern and to the door-post. panting from his recent exertions, and half-wild with the mingled excitement, danger, novelty, and fun of the thing, he draws two or three long breaths as he grasps the sculls and looks quickly round.
the house moves sluggishly, probably retarded by sunken shrubs, or dragging débris connected with the foundation. this is somewhat of a relief. there is time. he pulls ahead till the rope tightens, and then stands up in the punt to observe the situation critically. the current is bearing him straight towards the knoll. so far well; but there are two slightly diverging currents on right and left, caused by the knoll itself, which are so strong that if the house should get fairly into either of them no power that he possessed could prevent its being swept, on the one hand, into the main current of the red river, on the other hand away over the flooded plains. to watch with lynx eyes the slightest tendency to divergence on the part of the house now absorbs his whole being. but thought again intervenes. what if he should be observed by those at willow creek, and they should send assistance? horror! but by good fortune all the males at the creek have departed, and none are left but women. he casts one of the lynx glances in that direction—no one is coming. he breathes again, freely. suddenly the house diverges a little to the right. away flies the punt to the left, and he is just about to bend to the sculls with the force of goliath, when he perceives his mistake—the divergence was to the left! in agonies of haste he shoots to the other side, where he discovers that the divergence must have been in his own excited brain, for the house still holds on the even tenor of its way; and ian, puffing straight ahead, tightens the rope, and helps it on its voyage.
presently there is a sudden, and this time a decided divergence to the right—probably caused by some undercurrent acting on the foundations. away goes the punt in the opposite direction, and now goliath and david together were babes to ian! talk of horse-power. elephanto-hippopotamus-power is a more appropriate term. the muscles of his arms rise up like rolls of gutta-percha; the knotted veins stand out on his flushed forehead, but all in vain—the house continues to diverge, and ian feeling the game to be all but lost, pulls with the concentrated energy of rage and despair. the sculls bend like wands, the rowlocks creak, the thole-pins crack. it won’t do. as well might mortal man pull against niagara falls.
at this moment of horrible disappointment the house touches something submerged—a post, a fence, a mound; he knows not nor cares what—which checks the divergence and turns the house back in the right direction.
what a rebound there is in ian’s heart! he would cheer if there were a cubic inch of air to spare in his labouring chest—but there is not, and what of it remains must be used in a tough pull to the opposite side, for the sheer given to the building has been almost too strong. in a few minutes his efforts have been successful. the house is bearing steadily though slowly down in the right direction.
ian rests on his oars a few seconds, and wipes his heated brow.
so—in the great battle of life we sometimes are allowed to pause and breathe awhile in the very heat of conflict; and happy is it for us if our thoughts and hearts go out towards him whose love is ever near to bless those who trust in it.
he is drawing near to the knoll now, and there seems every chance of success; but the nearer he draws to the goal the greater becomes the risk of divergence, for while the slack water at the head of the knoll becomes slacker, so that the house seems to have ceased moving, the diverging currents on either side become swifter, and their suction-power more dangerous. the anxiety of the pilot at this stage, and his consequent shooting from side to side, is far more trying than his more sustained efforts had been.
at last the punt reaches the smoking-box, which itself stands in several feet of water, for the ground of the knoll is submerged, its bushes alone being visible. there is only the length of the rope now between our hero and victory! in that length, however, there are innumerable possibilities. even while he gazes the house bumps on something, slews round, and is caught by the current on the right. before ian has time to recover from his agony of alarm, and dip the sculls, it bumps again and slews to the left; a third favouring bump sends it back into the slack water. the combined bumps have given an impulse to the house under the influence of which it bears straight down upon the knoll with considerable force. its gable-end is close to the smoking-box. entranced with expectancy ian sits in the punt panting and with eyes flashing. there is a sudden shock! inside the house peegwish and his chair are tumbled head over heels. outside, the gable has just touched—as it were kissed—the smoking-box, elsie’s “summer-house;” beauty, flapping her wings at that moment on the ridge-pole, crows, and angus macdonald’s dwelling is, finally and fairly, hard and fast upon sam ravenshaw’s knoll.
