eustace borlsover was in naples at the time. he read the obituary notice in the morning post on the day announced for the funeral.
"poor old fellow!" he said. "i wonder where i shall find room for all his books."
the question occurred to him again with greater force when three days later he found himself standing in the library at borlsover conyers, a huge room built for use, and not for beauty, in the year of waterloo by a borlsover who was an ardent admirer of the great napoleon. it was arranged on the plan of many college libraries, with tall, projecting bookcases forming deep recesses of dusty silence, fit graves for the old hates of forgotten controversy, the dead passions of forgotten lives. at the end of the room, behind the bust of some unknown eighteenth-century divine, an ugly iron corkscrew stair led to a shelf-lined gallery. nearly every shelf was full.
"i must talk to saunders about it," said eustace. "i suppose that it will be necessary to have the billiard-room fitted up with book cases."
the two men met for the first time after many weeks in the dining-room that evening.
"hullo!" said eustace, standing before the fire with his hands in his pockets. "how goes the world, saunders? why these dress togs?" he himself was wearing an old shooting-jacket. he did not believe in mourning, as he had told his uncle on his last visit; and though he usually went in for quiet-colored ties, he wore this evening one of an ugly red, in order to shock morton the butler, and to make them thrash out the whole question of mourning for themselves in the servants' hall. eustace was a true borlsover. "the world," said saunders, "goes the same as usual, confoundedly slow. the dress togs are accounted for by an invitation from captain lockwood to bridge."
"how are you getting there?"
"i've told your coachman to drive me in your carriage. any objection?"
"oh, dear me, no! we've had all things in common for far too many years for me to raise objections at this hour of the day."
"you'll find your correspondence in the library," went on saunders. "most of it i've seen to. there are a few private letters i haven't opened. there's also a box with a rat, or something, inside it that came by the evening post. very likely it's the six-toed albino. i didn't look, because i didn't want to mess up my things but i should gather from the way it's jumping about that it's pretty hungry."
"oh, i'll see to it," said eustace, "while you and the captain earn an honest penny."
dinner over and saunders gone, eustace went into the library. though the fire had been lit the room was by no means cheerful.
"we'll have all the lights on at any rate," he said, as he turned the switches. "and, morton," he added, when the butler brought the coffee, "get me a screwdriver or something to undo this box. whatever the animal is, he's kicking up the deuce of a row. what is it? why are you dawdling?"
"if you please, sir, when the postman brought it he told me that they'd bored the holes in the lid at the post-office. there were no breathin' holes in the lid, sir, and they didn't want the animal to die. that is all, sir."
"it's culpably careless of the man, whoever he was," said eustace, as he removed the screws, "packing an animal like this in a wooden box with no means of getting air. confound it all! i meant to ask morton to bring me a cage to put it in. now i suppose i shall have to get one myself."
he placed a heavy book on the lid from which the screws had been removed, and went into the billiard-room. as he came back into the library with an empty cage in his hand he heard the sound of something falling, and then of something scuttling along the floor.
"bother it! the beast's got out. how in the world am i to find it again in this library!"
to search for it did indeed seem hopeless. he tried to follow the sound of the scuttling in one of the recesses where the animal seemed to be running behind the books in the shelves, but it was impossible to locate it. eustace resolved to go on quietly reading. very likely the animal might gain confidence and show itself. saunders seemed to have dealt in his usual methodical manner with most of the correspondence. there were still the private letters.
what was that? two sharp clicks and the lights in the hideous candelabra that hung from the ceiling suddenly went out.
"i wonder if something has gone wrong with the fuse," said eustace, as he went to the switches by the door. then he stopped. there was a noise at the other end of the room, as if something was crawling up the iron corkscrew stair. "if it's gone into the gallery," he said, "well and good." he hastily turned on the lights, crossed the room, and climbed up the stair. but he could see nothing. his grandfather had placed a little gate at the top of the stair, so that children could run and romp in the gallery without fear of accident. this eustace closed, and having considerably narrowed the circle of his search, returned to his desk by the fire.
how gloomy the library was! there was no sense of intimacy about the room. the few busts that an eighteenth-century borlsover had brought back from the grand tour, might have been in keeping in the old library. here they seemed out of place. they made the room feel cold, in spite of the heavy red damask curtains and great gilt cornices.
with a crash two heavy books fell from the gallery to the floor; then, as borlsover looked, another and yet another.
"very well; you'll starve for this, my beauty!" he said. "we'll do some little experiments on the metabolism of rats deprived of water. go on! chuck them down! i think i've got the upper hand." he turned once again to his correspondence. the letter was from the family solicitor. it spoke of his uncle's death and of the valuable collection of books that had been left to him in the will.
"there was one request," he read, "which certainly came as a surprise to me. as you know, mr. adrian borlsover had left instructions that his body was to be buried in as simple a manner as possible at eastbourne. he expressed a desire that there should be neither wreaths nor flowers of any kind, and hoped that his friends and relatives would not consider it necessary to wear mourning. the day before his death we received a letter canceling these instructions. he wished his body to be embalmed (he gave us the address of the man we were to employ—pennifer, ludgate hill), with orders that his right hand was to be sent to you, stating that it was at your special request. the other arrangements as to the funeral remained unaltered."
"good lord!" said eustace; "what in the world was the old boy driving at? and what in the name of all that's holy is that?"
someone was in the gallery. someone had pulled the cord attached to one of the blinds, and it had rolled up with a snap. someone must be in the gallery, for a second blind did the same. someone must be walking round the gallery, for one after the other the blinds sprang up, letting in the moonlight.
"i haven't got to the bottom of this yet," said eustace, "but i will do before the night is very much older," and he hurried up the corkscrew stair. he had just got to the top when the lights went out a second time, and he heard again the scuttling along the floor. quickly he stole on tiptoe in the dim moonshine in the direction of the noise, feeling as he went for one of the switches. his fingers touched the metal knob at last. he turned on the electric light.
about ten yards in front of him, crawling along the floor, was a man's hand. eustace stared at it in utter astonishment. it was moving quickly, in the manner of a geometer caterpillar, the fingers humped up one moment, flattened out the next; the thumb appeared to give a crab-like motion to the whole. while he was looking, too surprised to stir, the hand disappeared round the corner. eustace ran forward. he no longer saw it, but he could hear it as it squeezed its way behind the books on one of the shelves. a heavy volume had been displaced. there was a gap in the row of books where it had got in. in his fear lest it should escape him again, he seized the first book that came to his hand and plugged it into the hole. then, emptying two shelves of their contents, he took the wooden boards and propped them up in front to make his barrier doubly sure.
"i wish saunders was back," he said; "one can't tackle this sort of thing alone." it was after eleven, and there seemed little likelihood of saunders returning before twelve. he did not dare to leave the shelf unwatched, even to run downstairs to ring the bell. morton the butler often used to come round about eleven to see that the windows were fastened, but he might not come. eustace was thoroughly unstrung. at last he heard steps down below.
"morton!" he shouted; "morton!"
"sir?"
"has mr. saunders got back yet?"
"not yet, sir."
"well, bring me some brandy, and hurry up about it. i'm up here in the gallery, you duffer."
"thanks," said eustace, as he emptied the glass. "don't go to bed yet, morton. there are a lot of books that have fallen down by accident; bring them up and put them back in their shelves."
morton had never seen borlsover in so talkative a mood as on that night. "here," said eustace, when the books had been put back and dusted, "you might hold up these boards for me, morton. that beast in the box got out, and i've been chasing it all over the place."
"i think i can hear it chawing at the books, sir. they're not valuable, i hope? i think that's the carriage, sir; i'll go and call mr. saunders."
it seemed to eustace that he was away for five minutes, but it could hardly have been more than one when he returned with saunders. "all right, morton, you can go now. i'm up here, saunders."
"what's all the row?" asked saunders, as he lounged forward with his hands in his pockets. the luck had been with him all the evening. he was completely satisfied, both with himself and with captain lockwood's taste in wines. "what's the matter? you look to me to be in an absolute blue funk."
"that old devil of an uncle of mine," began eustace—"oh, i can't explain it all. it's his hand that's been playing old harry all the evening. but i've got it cornered behind these books. you've got to help me catch it."
"what's up with you, eustace? what's the game?"
"it's no game, you silly idiot! if you don't believe me take out one of those books and put your hand in and feel."
"all right," said saunders; "but wait till i've rolled up my sleeve. the accumulated dust of centuries, eh?" he took off his coat, knelt down, and thrust his arm along the shelf.
"there's something there right enough," he said. "it's got a funny stumpy end to it, whatever it is, and nips like a crab. ah, no, you don't!" he pulled his hand out in a flash. "shove in a book quickly. now it can't get out."
"what was it?" asked eustace.
"it was something that wanted very much to get hold of me. i felt what seemed like a thumb and forefinger. give me some brandy."
"how are we to get it out of there?"
"what about a landing net?"
"no good. it would be too smart for us. i tell you, saunders, it can cover the ground far faster than i can walk. but i think i see how we can manage it. the two books at the end of the shelf are big ones that go right back against the wall. the others are very thin. i'll take out one at a time, and you slide the rest along until we have it squashed between the end two."
it certainly seemed to be the best plan. one by one, as they took out the books, the space behind grew smaller and smaller. there was something in it that was certainly very much alive. once they caught sight of fingers pressing outward for a way of escape. at last they had it pressed between the two big books.
"there's muscle there, if there isn't flesh and blood," said saunders, as he held them together. "it seems to be a hand right enough, too. i suppose this is a sort of infectious hallucination. i've read about such cases before."
"infectious fiddlesticks!" said eustace, his face white with anger; "bring the thing downstairs. we'll get it back into the box."
it was not altogether easy, but they were successful at last. "drive in the screws," said eustace, "we won't run any risks. put the box in this old desk of mine. there's nothing in it that i want. here's the key. thank goodness, there's nothing wrong with the lock."
"quite a lively evening," said saunders. "now let's hear more about your uncle."
they sat up together until early morning. saunders had no desire for sleep. eustace was trying to explain and to forget: to conceal from himself a fear that he had never felt before—the fear of walking alone down the long corridor to his bedroom.
