jane stood in the dark, her hand upon the door knob. slowly, very slowly, she released it. as she leaned there, her head almost touching the panelling, she could hear two men talking in the hall beyond. they spoke in english, but only the outer sound of the words came to her.
with an immense effort she straightened herself, and was about to move away when a thought struck her like a knife-blow—the key—the second tell-tale key—if she had forgotten it!
her hand slid back, touched the cold key, turned and withdrew it, moving with a steady firmness that surprised herself.
then she made a half-turn and tried to visualise the room as she had seen it in the light.
immediately opposite, the cupboard with the looking-glass panel. the window in the right-hand wall, and the bed between window and cupboard. at the foot of the bed a chair, and on the same side as the window a chest of drawers with a looking-glass upon it and renata’s plain schoolgirlish brush and comb.
when she had placed everything, jane began to move forward in the direction of the window. her left hand touched the rail of the bed-foot, her right, groping, brushed the counterpane and rested on something oddly familiar. her heart gave a sudden jerk, for this was her own bag, which renata should have taken. she opened it with quick, trembling fingers, took out her handkerchief, and then stuffed the bag right down inside the bed.
a couple of steps brought her to the window, and she pressed closely to it, listening, and wished she dared to open it. there was no sound from outside. she leaned her forehead against the glass, and wondered how many years had passed since the morning. it seemed impossible for this day to come to an end.
then quite suddenly a key turned in the lock, and the door opened, not widely, but as one opens the door of a room where some one is asleep. a man’s head was silhouetted against the hall light. part of his shoulder showed in a dark overcoat.
he spoke, and a hint of brogue beneath a good deal of american twang informed jane that this was her official father.
“are you awake, renata?”—and, as he asked the question, a second man came up behind him and stood there listening.
“yes,” said jane, muffling her voice with her handkerchief.
he hesitated a moment, and then said:
“well, good-night to you”—and the other man, speaking over his shoulder, said in an easy, cultivated voice without any accent at all:
“pleasant dreams, miss renata.”
jane’s “good-night” was just audible and no more, but obviously it satisfied the two men, for the door was shut, the key turned and withdrawn, and presently the hall light went out, and the darkness was absolute and unrelieved, except where the midnight sky showed just less black than the interior of the room.
after what seemed a long, long time, jane undressed and got to bed. it was strange to grope for and find renata’s neatly folded nightdress.
presently she lay down, and presently she slept. time ceased; the day was over.
she woke suddenly a few hours later. it was still dark. she came broad awake at once, and sat up in bed as if some one had called to her. her mind was full of one horrifying thought.
the plank—what had arnold done with the plank?
impossible that he should have helped renata down the fire-escape and carried the plank as well, and somehow jane did not see arnold troubling to come back for it.
one thing was certain; if arnold had left the plank in its compromising position, it must be removed before daylight.
jane got out of bed, shivering. she went to the window, opened it, and leaned out. the yard, mews, wall, and parapet—all were veiled in the same thick dusk. she strained her eyes, but it was impossible to distinguish anything. there was nothing for it but to cross that horrid little hall again, open the window, and make sure.
with the key in her hand, and mingled rage and terror in her heart, she felt her way to the door, opened it noiselessly, and crossed barefoot to the window. the hasp was stiff, it creaked, and the window stuck.
recklessness took possession of jane. with a jerk she pushed it up; as it chanced, recklessness made less noise than caution would have done. she leaned right out, and there, sure enough, was the plank.
even jane’s anger could provide her with nothing more cutting than, “how exactly like arnold todhunter.”
she stood quite still and considered.
a bold course was the only one. remembering the plank’s previous fall and the perfect calm with which the neighbourhood had received it, she decided to take the same chance again—only, she must be quick and have it all planned in her head: first a shove to the plank, then down with the window and latch it, five steps—no, six—across the hall, and then her own door, and on no account must she forget the key.
she drew a long breath, leaned out, and pushed. the board was heavier than she had supposed—harder to move. she had to pull it in, until the sudden weight and strain told her that it was clear of the coping upon which the farther end had rested. then she pushed with all her might, and as it fell, her hands were on the window quick and steady. next moment she was crouching in renata’s bed, the clothes clutched about her, the door key cold in her palm. she pushed it far down beneath the clothes, and sat breathless—listening.
the crash with which the plank had landed seemed to have deafened her, but as the vibrations died away, she heard, sharp and unmistakable, the click of a latch and hurrying footsteps.
the next moment her door was opened and her light switched on. quick as thought her hand was over her eyes and the sheet up to her chin.
molloy stood in the doorway, and beyond him the other.
“what’s doing? did you hear it?” he stammered, and then the other man pushed him aside.
“i’d like a look from your window if you’ll excuse me, miss renata,” he said, and crossed the room.
as he leaned out, jane watched him from beneath her hand, and recalled renata’s words, “he generally wears a fur coat; they call him number two.” this man wore a fur coat over pale blue silk pyjamas. when he turned, saying, “i can’t see a thing,” she was ready with her stammered, “what was it?”
“you heard it, then?” said molloy.
“such a fearful crash! it—it frightened me most dreadfully,”—and here jane spoke the literal truth.
“i don’t know.” it was molloy who answered again, but the other man’s eyes travelled round the room, and a feeling of terror came over jane.
if she had forgotten anything, if there were one shred of incriminating evidence, those eyes would miss nothing! she felt as if they must pierce the bedclothes and see her bag and the hidden key, but he merely nodded to molloy, and they left the room, switching out the light and locking the door.
jane drew a long breath of relief, turned upon her side, and in five minutes was asleep again.
the day came in with a thick mist. jane opened her eyes upon it sleepily.
she began to think what a strange dream she had had, and then, as sleep ebbed from her, she remembered that it was not a dream at all. she was renata molloy under lock and key, and in front of her stretched a day that might be even more crowded with adventure than yesterday.
she jumped out of bed, and as she dressed her eyes brightened and her courage rose. with renata’s scissors she unpicked the initials which marked her underclothes. this was a game at which one must not make a single slip. her bag worried her a little, but it was just such a plain leather bag as any one might possess. she ransacked it carefully, and frowned over an envelope addressed to miss jane smith. what in the world was she to do with it?
there were no matches, so it could not be burned. after some thought she soaked it in water, scratched the name to shreds with a hairpin, and crumpling the wet paper into a ball, tossed it out of the window.
by the time her door was unlocked, she was very hungry. this time, it appeared, she was being summoned to bid the departing mr. molloy a fond farewell.
his luggage was already being carried out to the lift, and two or three men were coming and going. the man in the fur coat stood with his back to the window, smoking a cigarette. obviously molloy’s farewell was not to be said in private.
jane looked at him with some curiosity—a tall man, strongly built, with a bold air and a florid complexion.
it was he who had opened the door, and he stood still holding the handle and looking, not at jane, but over her shoulder. for this she felt grateful.
“well, well then, i’m off,” said molloy. “you’ll be a good girl and do as you’re bid, and i’ll be having you out to keep house for me in less than no time.”
from what she had seen of renata, jane fancied that a sob would meet the occasion. she therefore sobbed, and pressed her handkerchief to her eyes.
“there, there,” said molloy hastily.
he bent and deposited an awkward kiss upon the top of her head. then he took his hand from the door and was gone.
the lift gate clanged, and jane realised that the real adventure had begun.
the man by the window threw the end of his cigarette into the fireplace and came towards her.
“parental devotion is a beautiful thing, isn’t it, miss renata? suppose we have some breakfast.”
a meal, a proper meal, enough to eat! as she passed into the dining-room and beheld a ham, coffee, and boiled eggs, jane felt as if she could confront any one or anything. besides, the first trick was hers.
in the full light of day, and under those cold, pale eyes, she had passed as renata.
she allowed herself to sigh and dab her eyes, and then—oh, how good was the rather stale bread, the london egg, and the indifferent ham.
the man watched her quizzically.
as she finished her second cup of coffee, he remarked that she had a good appetite, and there was something in his tone that cast a chill upon the proceedings.
jane pushed back her chair.
“i’ve finished,” she said.
“well, then,” said the man, “i think we must talk. yes, sit down again, please. i won’t keep you very long.”
jane did as she was told.
“well, molloy’s gone,” he said. “you know what that means? he’s washed his hands of you. just in case—just in case, you’ve been relying on molloy, i would like to point out to you that his own position is none too secure. the firm he works for has not been entirely satisfied with him for some time. it is, therefore, quite out of the question that he should influence any decision that may be come to with regard to yourself. his going off like this shows that he realises the position and accepts it. self-preservation is molloy’s trump suit, first, last, and all the time. i shouldn’t advise you to count upon trifles like parental devotion, or anything of that sort. in a word—he can’t help you, but i can.”
the man leaned forward as he spoke, and a sudden smile changed his features.
“just be frank,” he went on. “tell me what you really heard, and i’ll see you through.”
jane let her eyes meet his. that smile had puzzled her; it was so spontaneous and charming, but it did not reach his eyes.
she looked and found them cold and opaque, and as she looked, she saw the pupils narrow, expand, and then narrow again.
he got up from his chair, walked to the mantelpiece, stopped for a light to his cigarette, and came back again with a thin blue haze of smoke about him.
“perhaps i haven’t been altogether frank with you,” he said. “that little romance of mine about a firm of chemists who employ your father—you didn’t really believe it? no, i thought not. the fact is, that first night i took you for just a schoolgirl, and one can’t tell schoolgirls everything. but now, now i’m talking to you as a woman. i can’t tell you everything, even so, but i can tell you this. it’s a government matter, a most important one, and it is vital that i should know just what you overheard.”
jane looked down.
“i don’t understand,” she said in a low voice. “i was dreaming and i waked up suddenly. there was a screen in front of me, and some one on the other side of the screen called out very loud, ‘the door, the door!’ that’s what i heard.”
she felt the pale eyes upon her face. then with an abrupt movement the man came over to her.
“stand up,” he said.
jane stood up.
“look at me.”
jane looked at him.
after what seemed like a very long time, he threw out his hand with an impatient gesture. it struck the table edge with a sharp rap, the spring that held his wrist watch gave, and the watch on its gold curb flew off and fell on the floor behind jane.
she turned, glad of an excuse to turn, and bent to pick it up. the back of the watch was open; her fingers caught and closed it instantly, but not for nothing had she told henry that she had gimlet eyes. the back of the watch contained a photograph, and jane had seen the photograph before. henry’s voice sounded in her ears. “it was done from amory’s portrait of her, in 1915—the year of her marriage.”
number two, the man in the fur coat, renata’s “worst of them all,” had in the back of his watch a photograph of lady heritage!
jane laid the watch on the table without giving it a second glance.
