These paragraphs, dignified by the revised edition of Gallantry and spuriously designated An Introduction, are nothing more than a series of notes and haphazard discoveries in preparation of a thesis. That thesis, if it is ever written, will bear a title something academically like The Psychogenesis of a Poet; or Cabell the Masquerader. For it is in this guise—sometimes self-declared, sometimes self-concealed, but always as the persistent visionary—that the author of some of the finest prose of our day has given us the key with which (to lapse into the jargon of verse) he has unlocked his heart.

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