a cloudy day: do you know what that is in a town of iron-works? the sky sank down before dawn, muddy, flat, immovable. the air is thick, clammy with the breath of crowded human beings. it stifles me. i open the window, and, looking out, can scarcely see through the rain the grocer's shop opposite, where a crowd of drunken irishmen are puffing lynchburg tobacco in their pipes. i can detect the scent through all the foul smells ranging loose in the air.
the idiosyncrasy of this town is smoke. it rolls sullenly in slow folds from the great chimneys of the iron-foundries, and settles down in black, slimy pools on the muddy streets. smoke on the wharves, smoke on the dingy boats, on the yellow river,—clinging in a coating of greasy soot to the house-front, the two faded poplars, the faces of the passers-by. the long train of mules, dragging masses of pig-iron through the narrow street, have a foul vapor hanging to their reeking sides. here, inside, is a little broken figure of an angel pointing upward from the mantel-shelf; but even its wings are covered with smoke, clotted and black. smoke everywhere! a dirty canary chirps desolately in a cage beside me. its dream of green fields and sunshine is a very old dream,—almost worn out, i think.
from the back-window i can see a narrow brick-yard sloping down to the river-side, strewed with rain-butts and tubs. the river, dull and tawny-colored, (la belle riviere!) drags itself sluggishly along, tired of the heavy weight of boats and coal-barges. what wonder? when i was a child, i used to fancy a look of weary, dumb appeal upon the face of the negro-like river slavishly bearing its burden day after day. something of the same idle notion comes to me to-day, when from the street-window i look on the slow stream of human life creeping past, night and morning, to the great mills. masses of men, with dull, besotted faces bent to the ground, sharpened here and there by pain or cunning; skin and muscle and flesh begrimed with smoke and ashes; stooping all night over boiling caldrons of metal, laired by day in dens of drunkenness and infamy; breathing from infancy to death an air saturated with fog and grease and soot, vileness for soul and body. what do you make of a case like that, amateur psychologist? you call it an altogether serious thing to be alive: to these men it is a drunken jest, a joke,—horrible to angels perhaps, to them commonplace enough. my fancy about the river was an idle one: it is no type of such a life. what if it be stagnant and slimy here? it knows that beyond there waits for it odorous sunlight, quaint old gardens, dusky with soft, green foliage of apple-trees, and flushing crimson with roses,—air, and fields, and mountains. the future of the welsh puddler passing just now is not so pleasant. to be stowed away, after his grimy work is done, in a hole in the muddy graveyard, and after that, not air, nor green fields, nor curious roses.
can you see how foggy the day is? as i stand here, idly tapping the windowpane, and looking out through the rain at the dirty back-yard and the coalboats below, fragments of an old story float up before me,—a story of this house into which i happened to come to-day. you may think it a tiresome story enough, as foggy as the day, sharpened by no sudden flashes of pain or pleasure.—i know: only the outline of a dull life, that long since, with thousands of dull lives like its own, was vainly lived and lost: thousands of them, massed, vile, slimy lives, like those of the torpid lizards in yonder stagnant water-butt.—lost? there is a curious point for you to settle, my friend, who study psychology in a lazy, dilettante way. stop a moment. i am going to be honest. this is what i want you to do. i want you to hide your disgust, take no heed to your clean clothes, and come right down with me,—here, into the thickest of the fog and mud and foul effluvia. i want you to hear this story. there is a secret down here, in this nightmare fog, that has lain dumb for centuries: i want to make it a real thing to you. you, egoist, or pantheist, or arminian, busy in making straight paths for your feet on the hills, do not see it clearly,—this terrible question which men here have gone mad and died trying to answer. i dare not put this secret into words. i told you it was dumb. these men, going by with drunken faces and brains full of unawakened power, do not ask it of society or of god. their lives ask it; their deaths ask it. there is no reply. i will tell you plainly that i have a great hope; and i bring it to you to be tested. it is this: that this terrible dumb question is its own reply; that it is not the sentence of death we think it, but, from the very extremity of its darkness, the most solemn prophecy which the world has known of the hope to come. i dare make my meaning no clearer, but will only tell my story. it will, perhaps, seem to you as foul and dark as this thick vapor about us, and as pregnant with death; but if your eyes are free as mine are to look deeper, no perfume-tinted dawn will be so fair with promise of the day that shall surely come.
my story is very simple,—only what i remember of the life of one of these men,—a furnace-tender in one of kirby & john's rolling-mills,—hugh wolfe. you know the mills? they took the great order for the lower virginia railroads there last winter; run usually with about a thousand men. i cannot tell why i choose the half-forgotten story of this wolfe more than that of myriads of these furnace-hands. perhaps because there is a secret, underlying sympathy between that story and this day with its impure fog and thwarted sunshine,—or perhaps simply for the reason that this house is the one where the wolfes lived. there were the father and son,—both hands, as i said, in one of kirby & john's mills for making railroad-iron,—and deborah, their cousin, a picker in some of the cotton-mills. the house was rented then to half a dozen families. the wolfes had two of the cellar-rooms. the old man, like many of the puddlers and feeders of the mills, was welsh,—had spent half of his life in the cornish tin-mines. you may pick the welsh emigrants, cornish miners, out of the throng passing the windows, any day. they are a trifle more filthy; their muscles are not so brawny; they stoop more. when they are drunk, they neither yell, nor shout, nor stagger, but skulk along like beaten hounds. a pure, unmixed blood, i fancy: shows itself in the slight angular bodies and sharply-cut facial lines. it is nearly thirty years since the wolfes lived here. their lives were like those of their class: incessant labor, sleeping in kennel-like rooms, eating rank pork and molasses, drinking—god and the distillers only know what; with an occasional night in jail, to atone for some drunken excess. is that all of their lives?—of the portion given to them and these their duplicates swarming the streets to-day?—nothing beneath?—all? so many a political reformer will tell you,—and many a private reformer, too, who has gone among them with a heart tender with christ's charity, and come out outraged, hardened.
one rainy night, about eleven o'clock, a crowd of half-clothed women stopped outside of the cellar-door. they were going home from the cotton-mill.
“good-night, deb,” said one, a mulatto, steadying herself against the gas-post. she needed the post to steady her. so did more than one of them.
“dah's a ball to miss potts' to-night. ye'd best come.”
“inteet, deb, if hur'll come, hur'll hef fun,” said a shrill welsh voice in the crowd.
two or three dirty hands were thrust out to catch the gown of the woman, who was groping for the latch of the door.
“no.”
“no? where's kit small, then?”
“begorra! on the spools. alleys behint, though we helped her, we dud. an wid ye! let deb alone! it's ondacent frettin' a quite body. be the powers, an we'll have a night of it! there'll be lashin's o' drink,—the vargent be blessed and praised for't!”
they went on, the mulatto inclining for a moment to show fight, and drag the woman wolfe off with them; but, being pacified, she staggered away.
deborah groped her way into the cellar, and, after considerable stumbling, kindled a match, and lighted a tallow dip, that sent a yellow glimmer over the room. it was low, damp,—the earthen floor covered with a green, slimy moss,—a fetid air smothering the breath. old wolfe lay asleep on a heap of straw, wrapped in a torn horse-blanket. he was a pale, meek little man, with a white face and red rabbit-eyes. the woman deborah was like him; only her face was even more ghastly, her lips bluer, her eyes more watery. she wore a faded cotton gown and a slouching bonnet. when she walked, one could see that she was deformed, almost a hunchback. she trod softly, so as not to waken him, and went through into the room beyond. there she found by the half-extinguished fire an iron saucepan filled with cold boiled potatoes, which she put upon a broken chair with a pint-cup of ale. placing the old candlestick beside this dainty repast, she untied her bonnet, which hung limp and wet over her face, and prepared to eat her supper. it was the first food that had touched her lips since morning. there was enough of it, however: there is not always. she was hungry,—one could see that easily enough,—and not drunk, as most of her companions would have been found at this hour. she did not drink, this woman,—her face told that, too,—nothing stronger than ale. perhaps the weak, flaccid wretch had some stimulant in her pale life to keep her up,—some love or hope, it might be, or urgent need. when that stimulant was gone, she would take to whiskey. man cannot live by work alone. while she was skinning the potatoes, and munching them, a noise behind her made her stop.
“janey!” she called, lifting the candle and peering into the darkness. “janey, are you there?”
a heap of ragged coats was heaved up, and the face of a young girl emerged, staring sleepily at the woman.
“deborah,” she said, at last, “i'm here the night.”
“yes, child. hur's welcome,” she said, quietly eating on.
the girl's face was haggard and sickly; her eyes were heavy with sleep and hunger: real milesian eyes they were, dark, delicate blue, glooming out from black shadows with a pitiful fright.
“i was alone,” she said, timidly.
“where's the father?” asked deborah, holding out a potato, which the girl greedily seized.
“he's beyant,—wid haley,—in the stone house.” (did you ever hear the word tail from an irish mouth?) “i came here. hugh told me never to stay me-lone.”
“hugh?”
“yes.”
a vexed frown crossed her face. the girl saw it, and added quickly,—
“i have not seen hugh the day, deb. the old man says his watch lasts till the mornin'.”
the woman sprang up, and hastily began to arrange some bread and flitch in a tin pail, and to pour her own measure of ale into a bottle. tying on her bonnet, she blew out the candle.
“lay ye down, janey dear,” she said, gently, covering her with the old rags. “hur can eat the potatoes, if hur's hungry.
“where are ye goin', deb? the rain's sharp.”
“to the mill, with hugh's supper.”
“let him bide till th' morn. sit ye down.”
“no, no,”—sharply pushing her off. “the boy'll starve.”
she hurried from the cellar, while the child wearily coiled herself up for sleep. the rain was falling heavily, as the woman, pail in hand, emerged from the mouth of the alley, and turned down the narrow street, that stretched out, long and black, miles before her. here and there a flicker of gas lighted an uncertain space of muddy footwalk and gutter; the long rows of houses, except an occasional lager-bier shop, were closed; now and then she met a band of millhands skulking to or from their work.
not many even of the inhabitants of a manufacturing town know the vast machinery of system by which the bodies of workmen are governed, that goes on unceasingly from year to year. the hands of each mill are divided into watches that relieve each other as regularly as the sentinels of an army. by night and day the work goes on, the unsleeping engines groan and shriek, the fiery pools of metal boil and surge. only for a day in the week, in half-courtesy to public censure, the fires are partially veiled; but as soon as the clock strikes midnight, the great furnaces break forth with renewed fury, the clamor begins with fresh, breathless vigor, the engines sob and shriek like “gods in pain.”
as deborah hurried down through the heavy rain, the noise of these thousand engines sounded through the sleep and shadow of the city like far-off thunder. the mill to which she was going lay on the river, a mile below the city-limits. it was far, and she was weak, aching from standing twelve hours at the spools. yet it was her almost nightly walk to take this man his supper, though at every square she sat down to rest, and she knew she should receive small word of thanks.
perhaps, if she had possessed an artist's eye, the picturesque oddity of the scene might have made her step stagger less, and the path seem shorter; but to her the mills were only “summat deilish to look at by night.”
the road leading to the mills had been quarried from the solid rock, which rose abrupt and bare on one side of the cinder-covered road, while the river, sluggish and black, crept past on the other. the mills for rolling iron are simply immense tent-like roofs, covering acres of ground, open on every side. beneath these roofs deborah looked in on a city of fires, that burned hot and fiercely in the night. fire in every horrible form: pits of flame waving in the wind; liquid metal-flames writhing in tortuous streams through the sand; wide caldrons filled with boiling fire, over which bent ghastly wretches stirring the strange brewing; and through all, crowds of half-clad men, looking like revengeful ghosts in the red light, hurried, throwing masses of glittering fire. it was like a street in hell. even deborah muttered, as she crept through, “looks like t' devil's place!” it did,—in more ways than one.
she found the man she was looking for, at last, heaping coal on a furnace. he had not time to eat his supper; so she went behind the furnace, and waited. only a few men were with him, and they noticed her only by a “hyur comes t'hunchback, wolfe.”
deborah was stupid with sleep; her back pained her sharply; and her teeth chattered with cold, with the rain that soaked her clothes and dripped from her at every step. she stood, however, patiently holding the pail, and waiting.
“hout, woman! ye look like a drowned cat. come near to the fire,”—said one of the men, approaching to scrape away the ashes.
she shook her head. wolfe had forgotten her. he turned, hearing the man, and came closer.
“i did no' think; gi' me my supper, woman.”
she watched him eat with a painful eagerness. with a woman's quick instinct, she saw that he was not hungry,—was eating to please her. her pale, watery eyes began to gather a strange light.
“is't good, hugh? t' ale was a bit sour, i feared.”
“no, good enough.” he hesitated a moment. “ye're tired, poor lass! bide here till i go. lay down there on that heap of ash, and go to sleep.”
he threw her an old coat for a pillow, and turned to his work. the heap was the refuse of the burnt iron, and was not a hard bed; the half-smothered warmth, too, penetrated her limbs, dulling their pain and cold shiver.
miserable enough she looked, lying there on the ashes like a limp, dirty rag,—yet not an unfitting figure to crown the scene of hopeless discomfort and veiled crime: more fitting, if one looked deeper into the heart of things, at her thwarted woman's form, her colorless life, her waking stupor that smothered pain and hunger,—even more fit to be a type of her class. deeper yet if one could look, was there nothing worth reading in this wet, faded thing, halfcovered with ashes? no story of a soul filled with groping passionate love, heroic unselfishness, fierce jealousy? of years of weary trying to please the one human being whom she loved, to gain one look of real heart-kindness from him? if anything like this were hidden beneath the pale, bleared eyes, and dull, washed-out-looking face, no one had ever taken the trouble to read its faint signs: not the half-clothed furnace-tender, wolfe, certainly. yet he was kind to her: it was his nature to be kind, even to the very rats that swarmed in the cellar: kind to her in just the same way. she knew that. and it might be that very knowledge had given to her face its apathy and vacancy more than her low, torpid life. one sees that dead, vacant look steal sometimes over the rarest, finest of women's faces,—in the very midst, it may be, of their warmest summer's day; and then one can guess at the secret of intolerable solitude that lies hid beneath the delicate laces and brilliant smile. there was no warmth, no brilliancy, no summer for this woman; so the stupor and vacancy had time to gnaw into her face perpetually. she was young, too, though no one guessed it; so the gnawing was the fiercer.
she lay quiet in the dark corner, listening, through the monotonous din and uncertain glare of the works, to the dull plash of the rain in the far distance, shrinking back whenever the man wolfe happened to look towards her. she knew, in spite of all his kindness, that there was that in her face and form which made him loathe the sight of her. she felt by instinct, although she could not comprehend it, the finer nature of the man, which made him among his fellow-workmen something unique, set apart. she knew, that, down under all the vileness and coarseness of his life, there was a groping passion for whatever was beautiful and pure, that his soul sickened with disgust at her deformity, even when his words were kindest. through this dull consciousness, which never left her, came, like a sting, the recollection of the dark blue eyes and lithe figure of the little irish girl she had left in the cellar. the recollection struck through even her stupid intellect with a vivid glow of beauty and of grace. little janey, timid, helpless, clinging to hugh as her only friend: that was the sharp thought, the bitter thought, that drove into the glazed eyes a fierce light of pain. you laugh at it? are pain and jealousy less savage realities down here in this place i am taking you to than in your own house or your own heart,—your heart, which they clutch at sometimes? the note is the same, i fancy, be the octave high or low.
if you could go into this mill where deborah lay, and drag out from the hearts of these men the terrible tragedy of their lives, taking it as a symptom of the disease of their class, no ghost horror would terrify you more. a reality of soul-starvation, of living death, that meets you every day under the besotted faces on the street,—i can paint nothing of this, only give you the outside outlines of a night, a crisis in the life of one man: whatever muddy depth of soul-history lies beneath you can read according to the eyes god has given you.
wolfe, while deborah watched him as a spaniel its master, bent over the furnace with his iron pole, unconscious of her scrutiny, only stopping to receive orders. physically, nature had promised the man but little. he had already lost the strength and instinct vigor of a man, his muscles were thin, his nerves weak, his face ( a meek, woman's face) haggard, yellow with consumption. in the mill he was known as one of the girl-men: “molly wolfe” was his sobriquet. he was never seen in the cockpit, did not own a terrier, drank but seldom; when he did, desperately. he fought sometimes, but was always thrashed, pommelled to a jelly. the man was game enough, when his blood was up: but he was no favorite in the mill; he had the taint of school-learning on him,—not to a dangerous extent, only a quarter or so in the free-school in fact, but enough to ruin him as a good hand in a fight.
for other reasons, too, he was not popular. not one of themselves, they felt that, though outwardly as filthy and ash-covered; silent, with foreign thoughts and longings breaking out through his quietness in innumerable curious ways: this one, for instance. in the neighboring furnace-buildings lay great heaps of the refuse from the ore after the pig-metal is run. korl we call it here: a light, porous substance, of a delicate, waxen, flesh-colored tinge. out of the blocks of this korl, wolfe, in his off-hours from the furnace, had a habit of chipping and moulding figures,—hideous, fantastic enough, but sometimes strangely beautiful: even the mill-men saw that, while they jeered at him. it was a curious fancy in the man, almost a passion. the few hours for rest he spent hewing and hacking with his blunt knife, never speaking, until his watch came again,—working at one figure for months, and, when it was finished, breaking it to pieces perhaps, in a fit of disappointment. a morbid, gloomy man, untaught, unled, left to feed his soul in grossness and crime, and hard, grinding labor.
i want you to come down and look at this wolfe, standing there among the lowest of his kind, and see him just as he is, that you may judge him justly when you hear the story of this night. i want you to look back, as he does every day, at his birth in vice, his starved infancy; to remember the heavy years he has groped through as boy and man,—the slow, heavy years of constant, hot work. so long ago he began, that he thinks sometimes he has worked there for ages. there is no hope that it will ever end. think that god put into this man's soul a fierce thirst for beauty,—to know it, to create it; to be—something, he knows not what,—other than he is. there are moments when a passing cloud, the sun glinting on the purple thistles, a kindly smile, a child's face, will rouse him to a passion of pain,—when his nature starts up with a mad cry of rage against god, man, whoever it is that has forced this vile, slimy life upon him. with all this groping, this mad desire, a great blind intellect stumbling through wrong, a loving poet's heart, the man was by habit only a coarse, vulgar laborer, familiar with sights and words you would blush to name. be just: when i tell you about this night, see him as he is. be just,—not like man's law, which seizes on one isolated fact, but like god's judging angel, whose clear, sad eye saw all the countless cankering days of this man's life, all the countless nights, when, sick with starving, his soul fainted in him, before it judged him for this night, the saddest of all.
i called this night the crisis of his life. if it was, it stole on him unawares. these great turning-days of life cast no shadow before, slip by unconsciously. only a trifle, a little turn of the rudder, and the ship goes to heaven or hell.
wolfe, while deborah watched him, dug into the furnace of melting iron with his pole, dully thinking only how many rails the lump would yield. it was late,—nearly sunday morning; another hour, and the heavy work would be done, only the furnaces to replenish and cover for the next day. the workmen were growing more noisy, shouting, as they had to do, to be heard over the deep clamor of the mills. suddenly they grew less boisterous,—at the far end, entirely silent. something unusual had happened. after a moment, the silence came nearer; the men stopped their jeers and drunken choruses. deborah, stupidly lifting up her head, saw the cause of the quiet. a group of five or six men were slowly approaching, stopping to examine each furnace as they came. visitors often came to see the mills after night: except by growing less noisy, the men took no notice of them. the furnace where wolfe worked was near the bounds of the works; they halted there hot and tired: a walk over one of these great foundries is no trifling task. the woman, drawing out of sight, turned over to sleep. wolfe, seeing them stop, suddenly roused from his indifferent stupor, and watched them keenly. he knew some of them: the overseer, clarke,—a son of kirby, one of the mill-owners,—and a doctor may, one of the town-physicians. the other two were strangers. wolfe came closer. he seized eagerly every chance that brought him into contact with this mysterious class that shone down on him perpetually with the glamour of another order of being. what made the difference between them? that was the mystery of his life. he had a vague notion that perhaps to-night he could find it out. one of the strangers sat down on a pile of bricks, and beckoned young kirby to his side.
“this is hot, with a vengeance. a match, please?”—lighting his cigar. “but the walk is worth the trouble. if it were not that you must have heard it so often, kirby, i would tell you that your works look like dante's inferno.”
kirby laughed.
“yes. yonder is farinata himself in the burning tomb,”—pointing to some figure in the shimmering shadows.
“judging from some of the faces of your men,” said the other, “they bid fair to try the reality of dante's vision, some day.”
young kirby looked curiously around, as if seeing the faces of his hands for the first time.
“they're bad enough, that's true. a desperate set, i fancy. eh, clarke?”
the overseer did not hear him. he was talking of net profits just then,—giving, in fact, a schedule of the annual business of the firm to a sharp peering little yankee, who jotted down notes on a paper laid on the crown of his hat: a reporter for one of the city-papers, getting up a series of reviews of the leading manufactories. the other gentlemen had accompanied them merely for amusement. they were silent until the notes were finished, drying their feet at the furnaces, and sheltering their faces from the intolerable heat. at last the overseer concluded with—
“i believe that is a pretty fair estimate, captain.”
“here, some of you men!” said kirby, “bring up those boards. we may as well sit down, gentlemen, until the rain is over. it cannot last much longer at this rate.”
“pig-metal,”—mumbled the reporter,—“um! coal facilities,—um! hands employed, twelve hundred,—bitumen,—um!—all right, i believe, mr. clarke;—sinking-fund,—what did you say was your sinking-fund?”
“twelve hundred hands?” said the stranger, the young man who had first spoken. “do you control their votes, kirby?”
“control? no.” the young man smiled complacently. “but my father brought seven hundred votes to the polls for his candidate last november. no force-work, you understand,—only a speech or two, a hint to form themselves into a society, and a bit of red and blue bunting to make them a flag. the invincible roughs,—i believe that is their name. i forget the motto: 'our country's hope,' i think.”
there was a laugh. the young man talking to kirby sat with an amused light in his cool gray eye, surveying critically the half-clothed figures of the puddlers, and the slow swing of their brawny muscles. he was a stranger in the city,—spending a couple of months in the borders of a slave state, to study the institutions of the south,—a brother-in-law of kirby's,—mitchell. he was an amateur gymnast,—hence his anatomical eye; a patron, in a blase' way, of the prize-ring; a man who sucked the essence out of a science or philosophy in an indifferent, gentlemanly way; who took kant, novalis, humboldt, for what they were worth in his own scales; accepting all, despising nothing, in heaven, earth, or hell, but one-idead men; with a temper yielding and brilliant as summer water, until his self was touched, when it was ice, though brilliant still. such men are not rare in the states.
as he knocked the ashes from his cigar, wolfe caught with a quick pleasure the contour of the white hand, the blood-glow of a red ring he wore. his voice, too, and that of kirby's, touched him like music,—low, even, with chording cadences. about this man mitchell hung the impalpable atmosphere belonging to the thoroughbred gentleman, wolfe, scraping away the ashes beside him, was conscious of it, did obeisance to it with his artist sense, unconscious that he did so.
the rain did not cease. clarke and the reporter left the mills; the others, comfortably seated near the furnace, lingered, smoking and talking in a desultory way. greek would not have been more unintelligible to the furnace-tenders, whose presence they soon forgot entirely. kirby drew out a newspaper from his pocket and read aloud some article, which they discussed eagerly. at every sentence, wolfe listened more and more like a dumb, hopeless animal, with a duller, more stolid look creeping over his face, glancing now and then at mitchell, marking acutely every smallest sign of refinement, then back to himself, seeing as in a mirror his filthy body, his more stained soul.
never! he had no words for such a thought, but he knew now, in all the sharpness of the bitter certainty, that between them there was a great gulf never to be passed. never!
the bell of the mills rang for midnight. sunday morning had dawned. whatever hidden message lay in the tolling bells floated past these men unknown. yet it was there. veiled in the solemn music ushering the risen saviour was a key-note to solve the darkest secrets of a world gone wrong,—even this social riddle which the brain of the grimy puddler grappled with madly to-night.
the men began to withdraw the metal from the caldrons. the mills were deserted on sundays, except by the hands who fed the fires, and those who had no lodgings and slept usually on the ash-heaps. the three strangers sat still during the next hour, watching the men cover the furnaces, laughing now and then at some jest of kirby's.
“do you know,” said mitchell, “i like this view of the works better than when the glare was fiercest? these heavy shadows and the amphitheatre of smothered fires are ghostly, unreal. one could fancy these red smouldering lights to be the half-shut eyes of wild beasts, and the spectral figures their victims in the den.”
kirby laughed. “you are fanciful. come, let us get out of the den. the spectral figures, as you call them, are a little too real for me to fancy a close proximity in the darkness,—unarmed, too.”
the others rose, buttoning their overcoats, and lighting cigars.
“raining, still,” said doctor may, “and hard. where did we leave the coach, mitchell?”
“at the other side of the works.—kirby, what's that?”
mitchell started back, half-frightened, as, suddenly turning a corner, the white figure of a woman faced him in the darkness,—a woman, white, of giant proportions, crouching on the ground, her arms flung out in some wild gesture of warning.
“stop! make that fire burn there!” cried kirby, stopping short.
the flame burst out, flashing the gaunt figure into bold relief.
mitchell drew a long breath.
“i thought it was alive,” he said, going up curiously.
the others followed.
“not marble, eh?” asked kirby, touching it.
one of the lower overseers stopped.
“korl, sir.”
“who did it?”
“can't say. some of the hands; chipped it out in off-hours.”
“chipped to some purpose, i should say. what a flesh-tint the stuff has! do you see, mitchell?”
“i see.”
he had stepped aside where the light fell boldest on the figure, looking at it in silence. there was not one line of beauty or grace in it: a nude woman's form, muscular, grown coarse with labor, the powerful limbs instinct with some one poignant longing. one idea: there it was in the tense, rigid muscles, the clutching hands, the wild, eager face, like that of a starving wolf's. kirby and doctor may walked around it, critical, curious. mitchell stood aloof, silent. the figure touched him strangely.
“not badly done,” said doctor may, “where did the fellow learn that sweep of the muscles in the arm and hand? look at them! they are groping, do you see?—clutching: the peculiar action of a man dying of thirst.”
“they have ample facilities for studying anatomy,” sneered kirby, glancing at the half-naked figures.
“look,” continued the doctor, “at this bony wrist, and the strained sinews of the instep! a working-woman,—the very type of her class.”
“god forbid!” muttered mitchell.
“why?” demanded may, “what does the fellow intend by the figure? i cannot catch the meaning.”
“ask him,” said the other, dryly, “there he stands,”—pointing to wolfe, who stood with a group of men, leaning on his ash-rake.
the doctor beckoned him with the affable smile which kind-hearted men put on, when talking to these people.
“mr. mitchell has picked you out as the man who did this,—i'm sure i don't know why. but what did you mean by it?”
“she be hungry.”
wolfe's eyes answered mitchell, not the doctor.
“oh-h! but what a mistake you have made, my fine fellow! you have given no sign of starvation to the body. it is strong,—terribly strong. it has the mad, half-despairing gesture of drowning.”
wolfe stammered, glanced appealingly at mitchell, who saw the soul of the thing, he knew. but the cool, probing eyes were turned on himself now,—mocking, cruel, relentless.
