spes sibi quisque. virgil
each one his own hope.
the brave man is the elder son of creation, who has stept buoyantly into his inheritance, while the coward, who is the younger, waiteth patiently till he decease. he rides as wide of this earth’s gravity as a star, and by yielding incessantly to all the impulses of the soul, is constantly drawn upward and becomes a fixed star. his bravery deals not so much in resolute action, as healthy and assured rest; its palmy state is a staying at home and compelling alliance in all directions. so stands his life to heaven, as some fair sunlit tree against the western horizon, and by sunrise is planted on some eastern hill, to glisten in the first rays of the dawn. the brave man braves nothing, nor knows he of his bravery. he is that sixth champion against thebes, whom, when the proud devices of the rest have been recorded, the poet describes as “bearing a full-orbed shield of solid brass,”
“but there was no device upon its circle,
for not to seem just but to be is his wish.”
he does not present a gleaming edge to ward off harm, for that will oftenest attract the lightning, but rather is the all-pervading ether, which the lightning does not strike but purify. so is the profanity of his companion as a flash across the face of his sky, which lights up and reveals its serene depths. earth cannot shock the heavens, but its dull vapor and foul smoke make a bright cloud spot in the ether, and anon the sun, like a cunning artificer, will cut and paint it, and set it for a jewel in the breast of the sky.
his greatness is not measurable; not such a greatness as when we would erect a stupendous piece of art, and send far and near for materials, intending to lay the foundations deeper, and rear the structure higher than ever; for hence results only a remarkable bulkiness without grandeur, lacking those true and simple proportions which are independent of size. he was not builded by that unwise generation that would fain have reached the heavens by piling one brick upon another; but by a far wiser, that builded inward and not outward, having found out a shorter way, through the observance of a higher art. the pyramids some artisan may measure with his line; but if he gives you the dimensions of the parthenon in feet and inches, the figures will not embrace it like a cord, but dangle from its entablature like an elastic drapery.
his eye is the focus in which all the rays, from whatever side, are collected; for, itself being within and central, the entire circumference is revealed to it. just as we scan the whole concave of the heavens at a glance, but can compass only one side of the pebble at our feet. so does his discretion give prevalence to his valor. “discretion is the wise man’s soul” says the poet. his prudence may safely go many strides beyond the utmost rashness of the coward; for, while he observes strictly the golden mean, he seems to run through all extremes with impunity. like the sun, which, to the poor worldling, now appears in the zenith, now in the horizon, and again is faintly reflected from the moon’s disk, and has the credit of describing an entire great circle, crossing the equinoctial and solstitial colures,—without detriment to his steadfastness or mediocrity. the golden mean, in ethics, as in physics, is the centre of the system, and that about which all revolve; and, though to a distant and plodding planet it be the uttermost extreme, yet one day, when that planet’s year is complete, it will be found to be central. they who are alarmed lest virtue should so far demean herself as to be extremely good, have not yet wholly embraced her, but described only a slight arc of a few seconds about her; and from so small and ill-defined a curvature, you can calculate no centre whatever; but their mean is no better than meanness, nor their medium than mediocrity.
the coward wants resolution, which the brave man can do without. he recognizes no faith but a creed, thinking this straw, by which he is moored, does him good service, because his sheet-anchor does not drag. “the house-roof fights with the rain; he who is under shelter does not know it.” in his religion the ligature, which should be muscle and sinew, is rather like that thread which the accomplices of cylon held in their hands, when they went abroad from the temple of minerva,—the other end being attached to the statue of the goddess. but frequently, as in their case, the thread breaks, being stretched; and he is left without an asylum.
the divinity in man is the true vestal fire of the temple, which is never permitted to go out, but burns as steadily, and with as pure a flame, on the obscure provincial altars as in numa’s temple at rome. in the meanest are all the materials of manhood, only they are not rightly disposed. we say, justly, that the weak person is “flat,”—for, like all flat substances, he does not stand in the direction of his strength, that is, on his edge, but affords a convenient surface to put upon. he slides all the way through life. most things are strong in one direction; a straw longitudinally; a board in the direction of its edge; a knee transversely to its grain; but the brave man is a perfect sphere, which cannot fall on its flat side, and is equally strong every way. the coward is wretchedly spheroidal at best, too much educated or drawn out on one side, and depressed on the other; or may be likened to a hollow sphere, whose disposition of matter is best when the greatest bulk is intended.
we shall not attain to be spherical by lying on one or the other side for an eternity, but only by resigning ourselves implicitly to the law of gravity in us, shall we find our axis coincident with the celestial axis, and by revolving incessantly through all circles, acquire a perfect sphericity. mankind, like the earth, revolve mainly from west to east, and so are flattened at the pole. but does not philosophy give hint of a movement commencing to be rotary at the poles too, which in a millennium will have acquired increased rapidity, and help restore an equilibrium? and when at length every star in the nebul? and milky way has looked down with mild radiance for a season, exerting its whole influence as the polar star, the demands of science will in some degree be satisfied.
the grand and majestic have always somewhat of the undulatoriness of the sphere. it is the secret of majesty in the rolling gait of the elephant, and of all grace in action and in art. always the line of beauty is a curve. when with pomp a huge sphere is drawn along the streets, by the efforts of a hundred men, i seem to discover each striving to imitate its gait, and keep step with it,—if possible to swell to its own diameter. but onward it moves, and conquers the multitude with its majesty. what shame, then, that our lives, which might so well be the source of planetary motion, and sanction the order of the spheres, should be full of abruptness and angularity, so as not to roll nor move majestically!
the romans “made fortune sirname to fortitude,” for fortitude is that alchemy that turns all things to good fortune. the man of fortitude, whom the latins called fortis is no other than that lucky person whom fors favors, or vir summae fortis. if we will, every bark may “carry c?sar and c?sar’s fortune.” for an impenetrable shield, stand inside yourself; he was no artist, but an artisan, who first made shields of brass. for armor of proof, mea virtute me involvo,—i wrap myself in my virtue;
“tumble me down, and i will sit
upon my ruins, smiling yet.”
if you let a single ray of light through the shutter, it will go on diffusing itself without limit till it enlighten the world; but the shadow that was never so wide at first, as rapidly contracts till it comes to naught. the shadow of the moon, when it passes nearest the sun, is lost in space ere it can reach our earth to eclipse it. always the system shines with uninterrupted light; for as the sun is so much larger than any planet, no shadow can travel far into space. we may bask always in the light of the system, always may step back out of the shade. no man’s shadow is as large as his body, if the rays make a right angle with the reflecting surface. let our lives be passed under the equator, with the sun in the meridian.
there is no ill which may not be dissipated like the dark, if you let in a stronger light upon it. overcome evil with good. practice no such narrow economy as they, whose bravery amounts to no more light than a farthing candle, before which most objects cast a shadow wider than themselves.
nature refuses to sympathize with our sorrow; she has not provided for, but by a thousand contrivances against it: she has bevelled the margin of the eyelids, that the tears may not overflow on the cheeks. it was a conceit of plutarch, accounting for the preference given to signs observed on the left hand, that men may have thought “things terrestrial and mortal directly over against heavenly and divine things, and do conjecture that the things which to us are on the left hand, the gods send down from their right hand.” if we are not blind, we shall see how a right hand is stretched over all,—as well the unlucky as the lucky,—and that the ordering soul is only right-handed, distributing with one palm all our fates.
what first suggested that necessity was grim, and made fate to be so fatal? the strongest is always the least violent. necessity is my eastern cushion on which i recline. my eye revels in its prospect as in the summer haze. i ask no more but to be left alone with it. it is the bosom of time and the lap of eternity. to be necessary is to be needful, and necessity is only another name for inflexibility of good. how i welcome my grim fellow, and walk arm in arm with him! let me too be such a necessity as he! i love him, he is so flexile, and yields to me as the air to my body. i leap and dance in his midst, and play with his beard till he smiles. i greet thee, my elder brother! who with thy touch ennoblest all things. then is holiday when naught intervenes betwixt me and thee. must it be so,—then is it good. the stars are thy interpreters to me.
over greece hangs the divine necessity, ever a mellower heaven of itself; whose light gilds the acropolis and a thousand fanes and groves.
