having heard of new damascus that it was marked to become the seat of the american iron industry, there appeared at this time one bruno mitchell, a capitalist, thinking to open a bank if the repute of the place should prove to be well founded. he had prospered in new england, where the practice of banking was already well advanced; but he believed in the star of iron and it led him hither. in his active character he was hard and avaricious, yet there was a quaintness about him that first contradicted that fact and then mitigated one’s opinion of it. he had never filled his skin, or perhaps it was a size too large in the taking. instead of hanging loosely, as an over-size skin does on wavering natures, it had shrunk to measure, so that he was prematurely wrinkled and had a leathery look. his face wore a quizzical expression. his eyes were blue and restless. he walked softly.
enoch gib impressed him deeply. they understood each other at sight.
persuaded by omens and discoveries that new damascus was the place, mitchell moved himself there, together with all his means and chattels and a daughter named esther. he was an important addition to the community. he gave it the prestige of having one of the first banks west of philadelphia. to gib and[37] breakspeare he was very helpful. not only did he discount their bills and effect payments on their account at distant points in a manner then new and miraculous; he also advanced them considerable sums of credit and capital. he was anxious to make a permanent investment in the business, and enoch was willing that he should. aaron objected, as he had a right to do, and although both enoch and mitchell were disappointed, there was no open feeling about it.
esther mitchell was twenty-four. since the death of her mother five years before she had lived alone with her father, who took it each day for granted that she should be content to manage his household until whatever it is that happens to women happened to her. they never spoke of it and nothing happened. so time wore on. once in a while he said to himself, “i wonder why esther never has a beau,” and then put it out of his mind. they behaved toward each other like two married people who run in parallel grooves and never touch.
when at the death of his wife the daughter returned to him from a convent school he hardly knew her. she was still, after five years, as much a stranger to him as on the day she voluntarily assumed the responsibilities of her mother. he never had been able to penetrate her reserve. when he tried, as he did at first, he had a sense of trespassing and guiltily retired. she had a way of looking at things, at people, at him, with steady, wide-open eyes that never betrayed what she was thinking. sometimes a troubled expression would[38] appear in them, like the shadow of a cloud on the surface of a still blue pool. they talked very little. what there was of it was friendly. he had no idea what she did with her own time, if she had any, and never asked.
as a housekeeper she was faultless. as the female adjunct of an elderly, selfish engrossed man she had all the merits and none of the liabilities of a perfect wife; besides she was in youth and sweet to the eye. as a fellow human being she was a riddle. in that light he knew hardly more than her name. her castle was invisible. there was no straight way to it. the outermost signs were all misleading.
the partners were frequent visitors in the mitchell household. the atmosphere was social. the subject was business. they seldom talked of anything else. business of course has many facets. it was not merely the affairs of gib and breakspeare they discussed. they debated the future of iron, metallurgical processes, the blundering stupidity of congress.
the feud between politics and business was never new. an economic truth more obvious than daylight to the industrial founders was even then a tangle of obscurities to congress. what statesmen could not see clearly, once for all, was that without high tariff protection the american iron industry would live at the mercy of foreign competitors. on that text enoch said always the last word, which was his own, and became a famous slogan among the ironmongers of that generation. it was this:
[39]
“war or tariff.”
that now sounds cryptic. then it was clear enough. everybody knew or could remember that there was no iron working in this land before the war of independence. the mother country forbade it. what she wanted from the american colonists was the raw material to be worked up in her own iron mills with her own skilled labor, for if the colonists produced iron manufactures for themselves english exports to the new world would suffer. an act of the british crown decreed that “no mill or other engine for slitting or rolling of iron, no plating forge to work with a tilthammer and no furnace for making steel” should be erected “in any of his majesty’s colonies in america.” mills already existing were declared a public nuisance and abated as such.
so the colonists, forbidden to work their own iron, were obliged to sell their raw materials to england and buy it back from british merchants in the form of manufactures. the war cut the colonies off from these british manufactures. they were thereupon obliged by necessity to found a native iron working industry. after the war the british sent their products to the united states at prices with which the new american industrialists could not successfully compete, hence the demand that british iron be excluded, or at least that the importation of it be penalized by high tariff. this was the historic experience that caused the prosperity, in fact the life, of the early american iron industry to be associated with war and tariff. they were in results[40] the same. war had all the effects of a high tariff. it kept the foreign stuff out.
“and nobody wants war,” enoch would add.
another topic endlessly debated was the railroad. it had just come within range of practical vision. what were its possibilities? would it supplement or supersede canals? enoch could not imagine that the railroad would ever take the place of canals. aaron thought it would. mitchell thought with aaron, and enoch for that reason was more rigid in his opinion.
once aaron broke all precedent in this private chamber of commerce by saying suddenly to esther:
“what do you think?”
he had been observing her for some time. through all their interminable repetitious dinner table talk she maintained an air of rapt attention, with her gaze on the one who was speaking, and never uttered a word. he wondered if she were listening or merely watching them. both her father and enoch were surprised that anyone should address her with that kind of question. she was not startled.
“i wonder which will make the world happier,” she said.
in the way she said it there was a kind of disbelieving that referred neither to canals nor railroads but to something represented by the discussion. the effect was strange. all three men were disturbed in their sense of importance. they attacked her in concert, with a condescending manner, enoch leading. how like a woman to think that way! what had happiness[41] got to do with it? the question was economic. which would be the more efficient means of transportation? but anyhow—this was enoch—anyhow, was it not obvious that whatever increased the wealth of the world increased also the sum of human happiness?
“is it?” said esther.
they could get nothing more out of her. she declined to be argued with and smiled at them from a great distance. her smile was impassable.
several times after that aaron tried to involve her in their conversations, at dinner, or in the drawing room where she sat apart with her needlework, but never again with any success. she would look at him with a bothered expression, and either recognize his effort by no other sign or slowly shake her head. this he took for disapproval and thereafter ignored her, as the others did, except now and then to scrutinize her in a surreptitious manner. when she surprised him at that she returned his gaze with distant, impersonal curiosity, until he was the first to turn away.
a change took place gradually in the partners’ relations with the mitchell menage. aaron’s visits were no less recurring, but enoch’s became more frequent and regular. it was the only household in new damascus in which he felt wholly at ease with himself and properly esteemed. he seldom went anywhere else. very soon the women people were saying they knew what the attraction was. a certain expectation began to crystallize. enoch became aware of it, not knowing how. mitchell cultivated it adroitly. since[42] his offer to invest capital in the business of gib and breakspeare had been declined the idea of marrying esther to one of the firm took possession of his thoughts. his preference was for enoch because more securely through him than through aaron would the mitchell chariot be hitched to the star of iron. he talked of both of them to esther, with an air of being impartial, as if giving her his intimate, unguarded impressions. as he understood women, their minds worked on these matters in a contrary manner. to disparage aaron might be prejudicial to his ends. he never did that. nevertheless, enoch came off by every comparison as much the superior person. esther listened attentively and said nothing.
“do you ever think of getting married?” he asked her. “i sometimes wonder.”
“no,” she said. “i never have. why do you ask it?”
“but you may,” he said.
“have you some one in view for me?” in her voice was a certain elusive tone, unresolved between doubt and irony, that he knew and hated. it made him uneasy. sometimes it made him feel small.
“seriously, i have,” he replied. “that is to say, i have hoped you might become interested that way in enoch gib. you know what i think of him. he will be a great man in this country if nothing happens.”
“does it much concern your happiness?” she asked. there was that tone again.
“i wouldn’t put it that way,” he said. “i am thinking[43] of your future. it would give me a sense of great comfort.”
this was at dinner’s end one evening when they were alone. as he talked, with his eyes down, he traced a figure on the table cloth with a spoon, making it deeper and deeper as his unease increased. he felt all the time that she was regarding him with a wide, impenetrable expression.
“oh,” she said, after an interval of silence.
he started and looked at her furtively. she was regarding him freely. there was in her expression the trace of an ambiguous, amused smile. he blushed and rose from the table.
expectations increased. more marriages take place under the tyranny of expectation than heaven imagines. new damascus society became tensely expectant.
enoch proposed, as esther expected, with an air of bestowing himself where he was sure to be appreciated. she took some time about it and then accepted him.
aaron was apparently the only person in new damascus who had not foreseen it. he was deeply astonished. why? it was not an improbable consummation. yet it seemed to him strange and unnatural.
he first heard of it at dinner with the mitchells. enoch was present. mitchell announced it as if aaron were a large party of friends. he responded as such. there was a false note in his felicitations. he was aware of it; so was esther. but in trying to cancel the impression he made it worse. enoch was protected[44] as by wool with a sense of proprietorship and self-satisfaction. mitchell was insensitive.
esther kept looking at aaron. there was a troubled, startled expression in her eyes. he misread it for distaste. he had long imagined she disliked him. several times that evening she was brief with him, almost curt, and this had never happened before.
his visits to the mitchell house thereafter were formal and less frequent. enoch’s manner of making himself paramount affected him disagreeably. and esther’s behaviour perplexed him. she was at one time much more friendly than he expected and at another so deliberately indifferent that he could only conclude that she meant to estrange him.
yet now a fatality began to operate. by a law of coincidence that we do not understand, and may not exist, they began to meet outside the household, purely, as it seemed in each case, by accident,—in unexpected places, on the street again and again, once at night in a crowd at an open air punch and judy show in which neither of them was at all interested, once in philadelphia where he was transacting business and she was shopping with her maid, and once in a memorable way on a path through the woods to throne rock, a natural seat on the mountain summit from which the view of the valley was exciting.
it was a sunday afternoon in early may. he was going; she was returning. they were at first surprised, then embarrassed, and became absurdly self-conscious. she wore a wide-brim hat, pulled down on both sides[45] and tied under her chin. she was hot and tired; her color was high. her dress was torn. he noticed it.
“i was after these,” she said, catching his glance. she held out a bunch of dogwood blossoms, with a gesture to share them. he admired them and there was nothing else to say. so they stood, she looking at him and holding out the dogwood flowers, he looking fixedly at them, until her arm dropped and she turned to go on. he let her go and went his way up the path. but he looked back. she had stopped and was seated on a fallen tree trunk. he returned. she did not look up.
“i’d like to give you a farewell party,” he said. “will you come?”
“a farewell party?”
“there ought to be a better name for it,” he said. “a sour grape party, then. i’ve always wanted to give you a dinner at the mansion. will you come?”
“yes,” she said.
and again there was nothing else to say. she rose and he walked with her toward the town.
“if enoch won’t mind,” he said.
“why should he mind?” she asked.
“perhaps he won’t,” said aaron.
this thought, as to whether enoch should mind, had far and separate projections in each of their minds and kept them silent until at the natural parting of their ways she turned to face him and held out her hand. it was a gesture of dismissal. he bowed and left her.
the dinner party took place just two weeks before[46] her wedding day. it was perhaps too elaborate. it contained every preparable element of success. aaron did his best to save it, and yet nobody enjoyed it. esther was visibly depressed. enoch sulked. the guests rallied them until it was seen to be hopeless and then let them alone. they simply could not react with gaiety.
aaron as host had special rights in the guest of honor and took them. enoch grew steadily worse. opinion upon him was divided. some thought it was the natural gloom of his nature and were full of foreboding for esther. others said they did believe the man was jealous.
after a dance esther and aaron walked on the terrace.
“forgive me,” she said. “i have spoiled the party.”
“no,” he said. “it’s my fault. i knew better. yet i couldn’t resist it. and it is in a sense a farewell party.”
“what does that mean?”
“after your wedding i may not see you again for a long time. i’m only waiting on enoch’s account. then i shall be going to europe for a year, perhaps more.”
“on business?”
“y-e-s,” he answered slowly.
they took several more turns without speaking.
“what are your plans?” he asked.
“none that i know of,” she said.
she had stopped. he saw that her gaze was directed[47] at enoch’s ancestral iron-stone house below. the fitful glare of the blast furnaces, lower down, lighted its sombre nakedness and gave it a relentless, sinister aspect. the windows, which were small and unsoftened by copings, were like cruel, ferocious eyes in a powerful, short-haired, suspicious animal.
“shall you live there?” he asked.
“yes,” she said, giving him a frowning, startled look, as if he had surprised her at a disadvantage. she added: “enoch took me through it yesterday. the room where he was born,—that will be mine. the room where his father died is just as it was then. he thinks we shouldn’t touch it.”
she shivered. he asked her if she was cold. she wasn’t, but on the next turn past the door she turned and they went in.
enoch’s idea of marriage was inherited. you take a wife from the church to the ancestral abode and become jointly responsible with god for her past, present, future and hereafter, for her body, her mind, her way with the neighbors, for everything about her save the separate flame of her individuality. that is vanity. the house is yours, therefore she must accept it. it was yours before she had any rights in it, therefore she must get used to it, as she must get used to you. and why not? if aaron married would he not take his wife to the woolwine mansion just as it was? well, what was aaron’s was like aaron and what was enoch’s was like enoch, and what a woman married was what she got.
[48]
enoch rode home with esther that night in her father’s carriage. mitchell had gone home earlier and sent the carriage back. as they were passing the iron-stone house—fatally then—enoch asked:
“what do you and aaron find to talk about?”
“nothing,” she said.
that was literally the truth. it was with extreme difficulty that they found anything to say to each other. never had they carried on an intimate, self-revealing conversation. there was too much constraint on both sides. but enoch could hardly believe that aaron was under any circumstances inarticulate, like himself. or was it that he knew instinctively if what esther said was true there lay in that very truth a deep significance?
her answer made him seethingly angry. an ungovernable feeling rose up in him spirally. it was as an adder stinging him in the dark. he could not seize it, for he knew not what or where it was. he could not escape from it. the pain was horrible.
esther knew nothing of these violent emotions. she had no more intuition of him than he had of her. that sense by which natures attuned exchange thoughts without words was impossible between them. between esther and aaron it already existed: it always had. but it was unacknowledged.
enoch passed three days without seeing esther, hoping she might send for him. on the fourth day he went to dinner and she treated him as if nothing were the matter. she hardly knew there was. that made it much worse. then he flourished the wound[49] by pretending heroically to conceal it. that method will work only provided the woman cares and loves the child in her man. esther did not care. she refused to discover the hurt. the man’s last recourse is to injure the woman, to ease himself by hurting her. enoch became oppressive. he began to mention the things that should be rendered unto c?sar, categorically, gratuitously; he revealed the laws of gib; he appointed how the concavities of her life should correspond to the convexities of his; he spoke of penalties, forfeits and consequences, and of the ancient legal principle that ignorance of the statutes is no defence provided the statutes have been duly published. she listened with wide-open eyes. he believed he inspired her with admiration for the stern stuff he was made of, and thus blindly sought his fate.
so his hurt was revenged but in no wise healed.
on the eve of their wedding day, at dinner, aaron’s name was pronounced. the invisible circumstances were tragic. enoch happened at that instant to be regarding esther with a sensation that was new to him and very disturbing. he knew not what to do with it. suddenly he had been seized with a great longing for her, a yearning of the heart toward the fact of her being that was savage, tender and desolate. he wondered that esther and her father both were not aware of this singular and dramatic occurrence. it shook him like an earth tremor. an impulse to speak, to shout, to cry out words of fantastic meaning, to rise and touch her, became almost uncontrollable,—almost. it occurred to him for the first time, like a blow, that[50] he had never discovered her nature, her true self. he had not tried. the importance of doing so, the possibility of it, had not been thought of. but he would. he would begin all over again to get acquainted with her.
in that moment he loved her.
and it was then,—just then,—that he heard the sound of aaron’s name. he could not say which one of them uttered it. the sound was all he knew. instantly the hideous, stinging adder upraised from his depths and began striking at the walls of his breast. vividly, stereoptically, as a series of pictures, there flashed across his mental vision every situation in which he had seen aaron and esther together.
he had been able to control the impulse of love to vent its untimely ecstasy; his rage he could not govern.
to esther’s and her father’s amazement he began, with no apparent provocation whatever, to utter against aaron defamations of an extreme and irrevocable character. his manner contradicted the violence of his feelings. it was self-possessed, one would almost say restrained; that was his way under stress of emotional excitement. at no point did he become incoherent. his words were chilled and came to him easily. one might have thought he was thinking out loud, very earnestly, in solitude. on his face was that singular gib expression, never witnessed before in the mitchell household,—the mouth contortion one mistook for a smile. so far as esther and mitchell could see the performance was gratuitous and premeditated. it had gone far before they realized that his state was[51] one of passion. but that discovery had no mitigating value. they made no effort to stop him. he spoke of things that are supposed to be unmentionable, and of his private intentions, and closed abruptly with the declaration that aaron should never be received in his house as a guest.
“let that be understood,” he said to esther. then he rose from the table and departed.
mitchell was stupefied. he looked slowly at esther. her face was a perfect mask.
“do you know what it means?” he asked.
“yes,” she said.
“what? what?”
“it’s the only way mr. gib has of paying your daughter a compliment,” she said.
and now bruno mitchell suffered another shock. for the first time in her life esther rose from the table and left him there.
she went to her room, sent her maid to bed, and sat for a long time perfectly still, at the core of a maelstrom, her emotions whirling and seething around her. they were her emotions. she recognized them as such. only, they were outside of her. this had always been true. even before she understood what it meant, her mother, a stoic, began to say: “don’t give way to your feelings. they will swallow you up. watch them. if you can see them they cannot hurt you.” so she had watched them fearfully. to do that she had to put them outside. she had seen them grow, change and rise until they engulfed her, and then the only way she could save herself was to give them that whirling[52] motion, which caused them to incline from her, as the waters of the whirlpool incline from the center. but it was harder and harder to keep them whirling and she dared not stop, for if she did they would swallow her up.
the spectacle became awesome and fascinating, as a maelstrom is, and there were moments when the perverse impulse to stop, surrender, cast herself headlong away, was almost irresistible. she thought of this as equivalent to suicide. and she had for a long time secretly supposed it would ultimately happen. now she was terrified and thrilled by a premonition that it was imminent. never had the waters been so mad, so giddy, so nearly ungovernable, so excitingly desirable.
that is all she was thinking of,—if it may be called thinking,—as she started up, drew on walking boots, took a shawl and descended the stairs. in the hallway she met her father. he looked at her with surprise.
“are you going out?”
“for a walk,” she said.
“but esther! ... at this hour ... alone. i—”
“yes,” she said, waiting. “do you forbid it?”
there was a note in her voice he had never heard before. she wished him to say yes, he forbade it. that was why she asked the question. and if he had said that the whirling flood would have collapsed at once. that again was all she was thinking. it was a wild, liberating thought. but instead he took a step toward her and scrutinized her face.
“esther, what has happened to you?”
[53]
“on the eve of my wedding, for the first and last time, for an hour perhaps, i shall be esther herself, alone,” she said.
since the unprecedented uproar of the inclined waters had begun an hour before she had not once thought of her wedding. the word of it, as now it came to her lips, seemed strange and fantastic, and yet she had made no resolve against it.
her father stood aside and she passed out.
half an hour later the knocker sounded and mitchell himself went to the door, expecting to receive esther. there was enoch. he asked to see her.
“she has gone for a walk,” said mitchell. “won’t you come in and wait? she can’t be long returning.”
enoch hesitated and turned away, saying he might have the good luck to meet her.
he had come to mend the impression he was conscious of having left behind him. at least that was the ostensible reason. that was what he would have said. the fact was that the adder had suddenly slunk away, and once more came that feeling for esther which was so new and irrational and caused his heart to stagger back and forth. it was stronger than before,—stronger than pride. he could scarcely breathe for the ache of wanting to see her again that night....
esther turned first toward the river path, changed her direction aimlessly, walked for some distance toward the limestone quarry, then suddenly swung around, passed the blast furnaces, and presently, only her feet aware of how they came there, she was high on the mountain path to throne rock. she had been[54] walking too fast. her breath began to fail. she sat on a log to rest. the moon came up. the log was the same fallen tree trunk on which she sat with her dogwood flowers the day aaron turned round, came back, and invited her to a farewell dinner party. she knew it all the time. the scene restored itself, with all the feelings it had evoked, and she did not push them back. they detached themselves from the whirling mass and touched her. there was a moment in which she could not remember anything that had happened since; and in that moment, as an integral part of it, the figure of aaron appeared, walking toward her from above, exactly as before.
she sat so still he might almost have passed her. he did not start. for a long time he stood looking at her. she did not move. he could not see her face. then without speaking he sat beside her, at a little distance, on the log. the tree frogs informed on one another—peep-ing—peep-ing. a dry twig falling made a crashing sound. far away below, at regular intervals, shrill whistle blasts denoted stages in the ring of smelting alchemies.
aaron spoke.
“what day is tomorrow?”
“i don’t know,” said esther.
they were silent until the whistle blew again.
“at ten o’clock,” said aaron.
“at ten o’clock,” said esther.
the exchange of wordless thoughts went on and on, and aaron was expecting what she said.
“i do not love him.”
[55]
“he loves you,” said aaron.
“does that so much oblige the woman?” esther asked.
“the woman is obliged,” he said, “she is ... unless——” he stopped.
“aaron,” she said, “tell me this. how do friends regard each other’s wives and sweethearts?”
“sweethearts almost the same as wives,” he said.
“so that if one loved the sweetheart of a friend he could not tell her that?”
“no, he could not.”
“not even if he knew the sweetheart did not love the friend?”
“no,” said aaron.
“then should the woman tell?”
“tell whom?” asked aaron, trembling.
“the friend ... the other man,” said esther.
aaron slowly dropped his head between his hands. she could feel his body shake. a roaring blackness filled her eyes. she rose and would have gone, but he enfolded her, with arms that touched her lightly, almost not at all at first, then tightened, tightened, tightened, until her life was crushed to his, and all the waters fell.
he put her off at arm’s length to see her better.
“through all consequences ... forever ... to finality,” he said.
and she was satisfied.
how long they stood so, either thus or as it was, gazing one upon the other, with no words to say,—how[56] long they never knew. a sound of footsteps very near broke their ecstasy, and there stood enoch.
they had no sense of guilt. they were shy and startled from the shock of coming back to earth.
enoch stood there looking at them. aaron moved, drawing esther’s form behind him.
at that enoch turned away and laughed.
twenty paces on his way he laughed again.
when he was out of sight he laughed.
at intervals all the way down the mountain he stopped to laugh.
the sound of his laughter reverberated, echoed, swirled, went and returned, filled the whole valley, blasting the night. then when he was far off he uttered a piercing scream. it rose on the air like a rocket, hissed, burst with a soft splash and pitched off into space, and the world for a moment was deathly still. the tree frogs were the first to recover and began frantically to fill up the void.
aaron touched esther. they descended. she inquired of him nothing; he informed her of nothing. they did not speak again for hours. they walked to the woolwine mansion. he called for horses, a light vehicle, and wraps. and all that night they drove, past the setting moon, into the darkness, through the dawn, toward wilkes-barre.
next day at noon they were married.
