what time was it when i opened my eyes, sensing someone or something nearby? was it an odd-numbered hour?
the room was soft and webby. i stretched my legs, blinked- slowly focused on a familiar object. it was wilder,standing two feet from the bed, gazing into my face. we spent a long moment in mutual contemplation. his greatround head, set as it was on a small-limbed and squattish body, gave him the look of a primitive clay figurine, somehousehold idol of obscure and cultic derivation. i had the feeling he wanted to show me something. as i slippedquietly out of bed, he walked in his quilted booties out of the room. i followed him into the hall and toward thewindow that looks out on our backyard. i was barefoot and robeless and felt a chill pass through the hong kongpolyester of my pajamas. wilder stood looking out the window, his chin about an inch above the sill. it seemed i'dspent my life in lopsided pajamas, the shirt buttons inserted in mismatching slits, the fly undone and drooping. wasit dawn already? were those crows i heard screaming in the trees?
there was someone sitting in the backyard. a white-haired man sitting erect in the old wicker chair, a figure of eeriestillness and composure. at first, dazed and sleepy, i didn't know what to make of the sight. it seemed to need a morecareful interpretation than i was able to provide at the moment. i thought one thing, that he'd been inserted there forsome purpose. then fear began to enter, palpable and overwhelming, a fist clenching repeatedly in my chest. whowas he, what was happening here? i realized wilder was no longer next to me. i reached the doorway to his room justin time to see his head sink into the pillow. by the time i got to the bed, he was fast asleep. i didn't know what to do.
i felt cold, white. i worked my way back to the window, gripping a doorknob, a handrail, as if to remind myself of thenature and being of real things. he was still out there, gazing into the hedges. i saw him in profile in the uncertainlight, motionless and knowing. was he as old as i'd first thought—or was the white hair purely emblematic, part ofhis allegorical force? that was it, of course. he would be death, or death's errand-runner, a hollow-eyed technicianfrom the plague era, from the era of inquisitions, endless wars, of bedlams and leprosariums. he would be an aphoristof last things, giving me the barest glance—civilized, ironic—as he spoke his deft and stylish line about my journeyout. i watched for a long time, waiting for him to move a hand. his stillness was commanding. i felt myself gettingwhiter by the second. what does it mean to become white? how does it feel to see death in the flesh, come to gatheryou in? i was scared to the marrow. i was cold and hot, dry and wet, myself and someone else. the fist clenched inmy chest. i went to the staircase and sat on the top step, looking into my hands. so much remained. every word andthing a bead-work of bright creation. my own plain hand, crosshatched and whorled in a mesh of expressive lines, alife terrain, might itself be the object of a person's study and wonder for years. a cosmology against the void.
i got to my feet and went back to the window. he was still there. i went into the bathroom to hide. i closed the toiletlid and sat there a while, wondering what to do next. i didn't want him in the house.
i paced for a time. i ran cold water over my hands and wrists, splashed it in my face. i felt light and heavy, muddledand alert. i took a scenic paperweight from the shelf by the door. inside the plastic disk floated a 3-d picture of thegrand canyon, the colors zooming and receding as i turned the object in the light. fluctuating planes. i liked thisphrase. it seemed the very music of existence. if only one could see death as just another surface one inhabits for atime. another facet of cosmic reason. a zoom down bright angel trail.
í turned to immediate things. if i wanted to keep him out of the house, the thing to do was go outside. first 1 wouldlook in on the smaller children. i moved quietly through the rooms on bare white feet. i looked for a blanket to adjust,a toy to remove from a child's warm grasp, feeling i'd wandered into a tv moment. all was still and well. wouldthey regard a parent's death as just another form of divorce?
i looked in on heinrich. he occupied the top left corner of the bed, his body tightly wound like the kind of trickdevice that uncoils abruptly when it's touched. i stood in the doorway nodding.
i looked in on babette. she was many levels down, a girl again, a figure running in a dream. i kissed her head,smelling the warm musty air that carried up from sleep. i spotted my copy of mein kampf in a pile of books andjournals. the radio came on. i hurried out of the room, fearing that some call-in voice, some stranger's soul-lament,would be the last thing i heard in this world.
i went down to the kitchen. i looked through the window. he was there in the wicker armchair on the wet grass. iopened the inner door and then the storm door. i went outside, the copy of mein kampf clutched to my stomach.
when the storm door banged shut, the man's head jerked and his legs came uncrossed. he got to his feet and turnedin my direction. the sense of eerie and invincible stillness washed off, the aura of knowingness, the feeling heconveyed of an ancient and terrible secret. a second figure began to emerge from the numinous ruins of the first,began to assume effective form, develop in the crisp light as a set of movements, lines and features, a contour, aliving person whose distinctive physical traits seemed more and more familiar as i watched them come into existence,a little amazed.
it was not death that stood before me but only vernon dickey, my father-in-law.
"was i asleep?" he said.
"what are you doing out here?""didn't want to wake you folks.""did we know you were coming?""i didn't know it myself till yesterday afternoon. drove straight through. fourteen hours.""babette will be happy to see you.""i just bet."we went inside. i put the coffee pot on the stove. vernon sat at the table in his battered denim jacket, playing with thelid of an old zippo. he had the look of a ladies' man in the crash-dive of his career. his silvery hair had a wan tingeto it, a yellowish discolor, and he combed it back in a ducktail. he wore about four days' stubble. his chronic coughhad taken on a jagged edge, an element of irresponsibility. babette worried less about his condition than about thefact that he took such sardonic pleasure in his own hackings and spasms, as if there were something fatefullyattractive in this terrible noise. he still wore a garrison belt with a longhorn buckle.
"so what the hell. here i am. big deal.""what are you doing these days?""shingling here, rustproofing there. i moonlight, except there's nothing i'm moonlighting from. moonlight is allthat's out there."i noticed his hands. scarred, busted, notched, permanently seamed with grease and mud. he glanced around theroom, trying to spot something that needed replacing or repair. such flaws were mainly an occasion for discourse. itput vernon at an advantage to talk about gaskets and washers, about grouting, caulking, spackling. there were timeswhen he seemed to attack me with terms like ratchet drill and whipsaw. he saw my shaki-ness in such matters as asign of some deeper incompetence or stupidity. these were the things that built the world. not to know or care aboutthem was a betrayal of fundamental principles, a betrayal of gender, of species. what could be more useless than aman who couldn't fix a dripping faucet—fundamentally useless, dead to history, to the messages in his genes? iwasn't sure i disagreed.
"i was saying to babette the other day. 'if there's one thing your father doesn't resemble, it's a widower.'""what did she say to that?""she thinks you're a danger to yourself. 'he'll fall asleep smoking. he'll die in a burning bed with a missing woman athis side.
an official missing person. some poor lost unidentified multi-divorced woman.'"vernon coughed in appreciation of the insight. a series of pulmonary gasps. i could hear the stringy mucus whippingback and forth in his chest. i poured his coffee and waited.
"just so you know where i'm at, jack, there's a woman that wants to marry my ass. she goes to church in a mobilehome. don't tell babette.""that's the last thing i'd do.""she'd get real exercised. start in with the discount calls.""she thinks you've gotten too lawless for marriage.""the thing about marriage today is you don't have to go outside the home to get those little extras. you can getwhatever you want in the recesses of the american home. these are the times we live in, for better or worse. wiveswill do things. they want to do things. you don't have to drop little looks. it used to be the only thing available in theamerican home was the basic natural act. now you get the options too. the action is thick, let me tell you. it's anamazing comment on our times that the more options you get in the home, the more prostitutes you see in the streets.
how do you figure it, jack? you're the professor. what does it mean?""i don't know.""wives wear edible panties. they know the words, the usages. meanwhile the prostitutes are standing in the streetsin all kinds of weather, day and night. who are they waiting for? tourists? businessmen? men who've been turnedinto stalkers of flesh? it's like the lid's blown off. didn't i read somewhere the japanese go to singapore? wholeplaneloads of males. a remarkable people.""are you seriously thinking of getting married?""i'd have to be crazy to marry a woman that worships in a mobile home."there was an astuteness about vernon, a deadpan quality of alert and searching intelligence, a shrewdness waitingfor a shapely occasion. this made babette nervous. she'd seen him sidle up to women in public places to ask somedelving question in his blank-faced canny way. she refused to go into restaurants with him, fearing his offhandremarks to waitresses, intimate remarks, technically accomplished asides and observations, delivered in thelate-night voice of some radio ancient. he'd given her some jittery moments, periods of anger and embarrassment, ina number of leatherette booths.
she came in now, wearing her sweatsuit, ready for an early morning dash up the stadium steps. when she saw herfather at the table, her body seemed to lose its motive force. she stood there bent at the knees. nothing remained buther ability to gape. she appeared to be doing an imitation of a gaping person. she was the picture of gapingness, thebright ideal, no less confused and alarmed than i had been when i saw him sitting in the yard, deathly still. i watchedher face fill to the brim with numb wonder.
"did we know you were coming?" she said. "why didn't you call? you never call.""here i am. big deal. toot the horn."she remained bent at the knees, trying to absorb his raw presence, the wiry body and drawn look. what an epic forcehe must have seemed to her, taking shape in her kitchen this way, a parent, a father with all the grist of years on him,the whole dense history of associations and connections, come to remind her who she was, to remove her disguise,grab hold of her maundering life for a time, without warning.
"i could have had things ready. you look awful. where will you sleep?""where did i sleep last time?"they both looked at me, trying to remember.
as we fixed and ate breakfast, as the kids came down and warily approached vernon for kisses and hair-mussings, asthe hours passed and babette became accustomed to the sight of the ambling figure in patched jeans, i began tonotice the pleasure she took in hovering nearby, doing little things for him, being there to listen. a delight containedin routine gestures and automatic rhythms. at times she had to remind vernon which foods were his favorites, howhe liked them cooked and seasoned, which jokes he told best, which figures from the past were the plain fools, whichthe comic heroes. gleanings from another life poured out of her. the cadences of her speech changed, took on a ruraltang. the words changed, the references. this was a girl who'd helped her father sand and finish old oak, heaveradiators up from the floorboards. his carpenter years, his fling with motorcycles, his biceps tattoo.
"you're getting string-beany, daddy. finish those potatoes. there's more on the stove."and vernon would say to me, "her mother made the worst french fries you could ever hope to eat. like french friesin a state park." and then he'd turn to her and say, "jack knows the problem i have with state parks. they don't movethe heart."we moved heinrich down to the sofa and gave vernon his room. it was unnerving to find him in the kitchen at sevenin the morning, at six, at whatever grayish hour babette or i went down to make coffee. he gave the impression hewas intent on outfoxing us, working on our guilt, showing us that no matter how little sleep we got, he got less.
"tell you what, jack. you get old, you find out you're ready for something but you don't know what it is. you'realways getting prepared. you're combing your hair, standing by the window looking out. i feel like there's some littlefussy person whisking around me all the time. that's why i jumped in the car and drove headlong all this way.""to break the spell," i said. "to get away from routine things. routine things can be deadly, vern, carried toextremes. i have a friend who says that's why people take vacations. not to relax or find excitement or see new places.
to escape the death that exists in routine things.""what is he, a jew?""what's that got to do with it?""your roof gutter's sagging," he told me. "you know how to fix that, don't you?"vernon liked to hang around outside the house, waiting for garbagemen, telephone repairmen, the mail carrier, theafternoon newsboy. someone to talk to about techniques and procedures. sets of special methods. routes, timespans, equipment. it tightened his grip on things, learning how work was done in areas outside his range.
he liked to tease the kids in his deadpan way. they answered his bantering remarks reluctantly. they weresuspicious of all relatives. relatives were a sensitive issue, part of the murky and complex past, the divided lives, thememories that could be refloated by a word or a name.
he liked to sit in his tortured hatchback, smoking.
babette would watch from a window, managing to express love, worry, exasperation and despair, hope and gloom,more or less simultaneously. vernon had only to shift his weight to arouse in her a series of extreme emotions.
he liked to mingle with shopping mall crowds.
"i'm counting on you to tell me, jack.""tell you what?""you're the only person i know that's educated enough to give me the answer.""the answer to what?""were people this dumb before television?"one night i heard a voice and thought he was moaning in his sleep. i put on my robe, went into the hall, realized thesound came from the tv set in denise's room. i went in and turned off the set. she was asleep in a drift of blankets,books and clothes. on an impulse i went quietly to the open closet, pulled the light cord and peered inside, lookingfor the dylar tablets. i closed the door against my body, which was half in, half out of the closet. i saw a great arrayof fabrics, shoes, toys, games and other objects. i poked around, catching an occasional trace of some childhoodredolence. clay, sneakers, pencil shavings. the bottle might be in an abandoned shoe, the pocket of some old shirtwadded in a corner. i heard her stir. i went still, held my breath.
"what are you doing?" she said.
"don't worry, it's only me.""i know who it is."i kept on looking through the closet, thinking this would make me appear less guilty.
"i know what you're looking for, too.""denise, i've had a recent scare. i thought something awful was about to happen. it turned out i was wrong, thankgoodness. but there are lingering effects. i need the dylar. it may help me solve a problem."i continued to rummage.
"what's the problem?""isn't it enough for you to know that a problem exists? i wouldn't be here otherwise. don't you want to be my friend?""i am your friend. i just don't want to be tricked."'there's no question of tricking. i just need to try the medication. there are four tablets left. i'll take them and that'llbe the end of it."the more casual the voice, the better my chances of reaching her.
"you won't take them. you'll give them to my mother.""let's be clear about one thing," i said like a high government official. "your mother is not a drug addict. dylar is notthat kind of medication.""what is it then? just tell me what it is."something in her voice or in my heart or in the absurdity of the moment allowed me to consider the possibility ofanswering her question. a breakthrough. why not simply tell her? she was responsible, able to gauge theimplications of serious things. i realized babette and i had been foolish all along, keeping the truth from her. the girlwould embrace the truth, know us better, love us more deeply in our weakness and fear.
i went and sat at the end of the bed. she watched me carefully. i told her the basic story, leaving out the tears, thepassions, the terror, the horror, my exposure to nyodene d., babette's sexual arrangement with mr. gray, ourargument over which of us feared death more. i concentrated on the medication itself, told her everything i knewabout its life in the gastrointestinal tract and the brain.
the first thing she mentioned was the side effects. every drug has side effects. a drug that could eliminate fear ofdeath would have awesome side effects, especially if it is still in a trial stage. she was right, of course. babette hadspoken of outright death, brain death, left brain death, partial paralysis, other cruel and bizarre conditions of the bodyand mind.
i told denise the power of suggestion could be more important than side effects.
"remember how you heard on the radio that the billowing cloud caused sweaty palms? your palms got sweaty,didn't they? the power of suggestion makes some people sick, others well, it may not matter how strong or weakdylar is. if i think it will help me, it will help me.""up to a point.""we are talking about death," i whispered. "in a very real sense it doesn't matter what is in those tablets. it could besugar, it could be spice. i am eager to be humored, to be fooled.""isn't that a little stupid?""this is what happens, denise, to desperate people."there was a silence. i waited for her to ask me if this desperation was inevitable, if she would one day experience thesame fear, undergo the same ordeal.
instead she said, "strong or weak doesn't matter. i threw the bottle away.""no, you didn't. where?""i put it in the garbage compactor.""i don't believe you. when was this?""about a week ago. i thought baba might sneak through my room and find it. so i decided to just get it over with.
nobody wanted to tell me what it was, did they? so i threw it in with all the cans and bottles and other junk. then icompacted it.""like a used car.""nobody would tell me. that's all they had to do. i was right here all the time.""it's all right. don't worry. you did me a favor.""about eight words was all they needed to say.""i'm better off without it.""it wouldn't have been the first time they tricked me.""you're still my friend," i said.
i kissed her on the head and went to the door. i realized i was extremely hungry. i went downstairs to find somethingto eat. the kitchen light was on. vernon was sitting at the table, fully dressed, smoking and coughing. the ash on hiscigarette was an inch long, beginning to lean. it was a habit of his, letting the ash dangle. babette thought he did it toinduce feelings of suspense and anxiety in others. it was part of the reckless weather in which he moved.
"just the man i want to see.""vern, it's the middle of the night. don't you ever sleep?""let's go out to the car," he said.
"are you serious?""what we have here is a situation we ought to conduct in private. this house is full of women. or am i wrong?""we're alone here. what is it you want to talk about?""they listen in their sleep," he said.
we went out the back door to keep from waking heinrich. i followed him along the pathway at the side of the houseand down the steps to the driveway. his little car sat in the dark. he got behind the wheel and i slid in next to him,gathering up my bathrobe and feeling trapped in the limited space. the car held a smell like some dangerous vapor inthe depths of a body-and-fender shop, a mixture of exhausted metal, flammable rags and scorched rubber. theupholstery was torn. in the glow of a street-lamp i saw wires dangling from the dash and the overhead fixture.
"i want you to have this, jack.""have what?""i've had it for years. now i want you to have it. who knows if i'll ever see you folks again? what the hell. who cares.
big deal."you're giving me the car? i don't want the car. it's a terrible car.""in your whole life as a man in today's world, have you ever owned a firearm?""no," i said.
"i figured. i said to myself here's the last man in america who doesn't own the means to defend himself."he reached into a hole in the rear seat, coming out with a small dark object. he held it in the palm of his right hand.
"take it, jack.""what is it?""heft it around. get the feel. it's loaded."he passed it to me. stupidly i said again, "what is it?" there was something unreal about the experience of holdinga gun. i kept staring at it, wondering what vernon's motive might be. was he death's dark messenger after all? aloaded weapon. how quickly it worked a change in me, numbing my hand even as i sat staring at the thing, notwishing to give it a name. did vernon mean to provoke thought, provide my life with a fresh design, a scheme, ashapeliness? i wanted to give it back.
"it's a little bitty thing but it shoots real bullets, which is all a man in your position can rightly ask of a firearm. don'tworry, jack. it can't be traced.""why would anyone want to trace it?""i feel like if you give someone a loaded gun, you ought to supply the particulars. this here is a 25-caliber zumwaltautomatic. german-made. it doesn't have the stopping power of a heavy-barreled weapon but you're not going outthere to face down a rhino, are you?""that's the point. what am i going out there to face down? why do i need this thing?""don't call it a thing. respect it, jack. it's a well-designed weapon. practical, lightweight, easy to conceal. get toknow your handgun. it's only a question of time as to when you'll want to use it.""when will i want to use it?""do we live on the same planet? what century is this? look how easy i got into your backyard. i pry open a windowand i'm in the house. i could have been a professional burglar, an escaped con, one of those drifters with a skimpybeard. a wandering killer type that follows the sun. a weekend mass murderer with an office job. take your choice.""maybe you need a gun where you live. take it back. we don't want it.""i got myself a combat magnum parked near my bed. i hate to tell you what mischief it can cause with the placementof a man's features."he gave me a canny look. i resumed staring at the gun. it occurred to me that this was the ultimate device fordetermining one's competence in the world. i bounced it in the palm of my hand, sniffed the steely muzzle. whatdoes it mean to a person, beyond his sense of competence and well-being and personal worth, to carry a lethalweapon, to handle it well, be ready and willing to use it? a concealed lethal weapon. it was a secret, it was a secondlife, a second self, a dream, a spell, a plot, a delirium.
german-made.
"don't tell babette. she'd get real put out if she knew you were harboring a firearm.""i don't want it, vern. take it back.""don't put it just anywhere neither. a kid gets ahold of it, you have an immediate situation. be smart. think aboutwhere to put it so it'll be right there at the time. figure out your field of fire beforehand. if you have an intrudersituation, where will he enter, how will he approach the valuables? if you have a mental, where is he going to comeat you from? mentals are unpredictable because they don't know themselves what they're doing. they approach fromwherever, from a tree limb, a branch. think about putting jagged glass on your window ledges. learn dropping to thefloor fast.""we don't want guns in our little town.""be smart for once in your life," he told me in the dark car. "it's not what you want that matters."early the next day a crew came to fix the street. vernon was out there at once, watching them jackhammer and haulthe asphalt, staying close to them as they leveled the smoking pitch. when the workmen left, his visit seemed to end,collapsed into its own lading momentum. we began to see a blank space where vernon stood. he regarded us from aprudent distance, as if we were strangers with secret resentments. an indefinable fatigue collected around our effortsto converse.
out on the sidewalk, babette held him and wept. for his departure he'd shaved, washed the car, put a blue bandannaaround his neck. she could not seem to get enough of crying. she looked into his face and cried. she cried embracinghim. she gave him a styrofoam hamper full of sandwiches, chicken and coffee, and she cried as he set it down amidthe gouged-out seat stuffing and slashed upholstery.
''she's a good girl," he told me grimly.
in the driver's seat he ran his fingers through his ducktail, checking himself in the rearview mirror. then he cougheda while, giving us one more episode of lashing phlegm. babette wept anew. we leaned toward the window on thepassenger's side, watching him hunch around into his driving posture, setting himself casually between the door andthe seat, his left arm hanging out the window.
"don't worry about me," he said. "the little limp means nothing. people my age limp. a limp is a natural thing at acertain age. forget the cough. it's healthy to cough. you move the stuff around. the stuff can't harm you as long as itdoesn't settle in one spot and stay there for years. so the cough's all right. so is the insomnia. the insomnia's all right.
what do i gain by sleeping? you reach an age when every minute of sleep is one less minute to do useful things. tocough or limp. never mind the women. the women are all right. we rent a cassette and have some sex. it pumpsblood to the heart. forget the cigarettes. i like to tell myself i'm getting away with something. let the mormons quitsmoking. they'll die of something just as bad. the money's no problem. i'm all set incomewise. zero pensions, zerosavings, zero stocks and bonds. so you don't have to worry about that. that's all taken care of. never mind the teeth.
the teeth are all right. the looser they are, the more you can wobble them with your tongue. it gives the tonguesomething to do. don't worry about the shakes. everybody gets the shakes now and then. it's only the left handanyway. the way to enjoy the shakes is pretend it's somebody else's hand. never mind the sudden and unexplainedweight loss. there's no point eating what you can't see. don't worry about the eyes. the eyes can't get any worse thanthey are now. forget the mind completely. the mind goes before the body. that's the way it's supposed to be. sodon't worry about the mind. the mind is all right. worry about the car. the steering's all awry. the brakes wererecalled three times. the hood shoots up on pothole terrain."deadpan. babette thought this last part was funny. the part about the car. i stood there amazed, watching her walk inlittle circles of hilarity, weak-kneed, shambling, all her fears and defenses adrift in the sly history of his voice.
