1

in our heart of hearts--which we in england take almost as much pains to hide from ourselves as from our fellow-creatures--most of us realize that life without love is a weariness, a conflict bereft of hope, a struggle for no victory. yet love, the real thing--whether it be love of a god or love of our fellow-creatures, the love of a man for his mate, of a mother for her son, of a friend for his friend or a girl for her chosen--is not the law of the majority. because love, the real thing--as all real things--demands infinite self-sacrifice: and infinite self-sacrifice is too divine a code for the average imperfect human being, who must needs make himself other codes or perish.

this, therefore, aliette's love-story, deals of necessity with the self-sacrifices endured not only by aliette but by many of those who came within the orbit of her personality.

rightly to understand the people of this tale and the motives which swayed them, it is vital that you should comprehend, at the very outset, how essentially english they all were; how essentially old-fashioned, in the best sense of that much misused word; and how difficult it was, even for aliette, to learn that love, the real thing, had come into their lives, making blind havoc of every unwritten rule and every written law to which they owed allegiance.

for all these people, bruntons, fullerfords, wilberforces, and cavendishes, were ordinary orderly english folk; trained in that school of thought which prizes sheer character above mere intellect, which teaches self-restraint and self-respect and self-reliance, and believes--as an ultimate issue--in "playing the game."

it is no bad code, this old-fashioned english code of "playing the game." humanity owes it much, will owe it even more. but, like all forms of discipline, it is apt to weigh heavily on individuals; and heaviest on those who, believing in the code, must needs make choice between playing the game according to the rules of love or playing the game according to the rules of average imperfect human beings.

that aliette brunton and ronald cavendish played their game according to the dictates of love and their own consciences, remains the sole excuse--if excuse be needed--for the happiness to which, at long last, they both won.

2

of the various english families here concerned, the fullerfords of clyst fullerford are at once the oldest and the least distinguished--according to modern standards of "distinction." yeomen by original birth, yeomen at heart they have remained; content, in an age of ostentation, to serve their country quietly, and retire--at the end of service--into the lush obscurity of the devon countryside, there maintaining modest state and modest revenues until such time as a church of england god is pleased to summon them elsewhere.

aliette's father, andrew, born in the very early sixties, followed the fullerford tradition of service, and became puisne judge of an obscure colonial law-court before retiring. his marriage, at the age of twenty-four, to marie sheldon, caused--owing to marie's abandonment of the rigid sheldon catholicism for the scarcely less rigid protestantism of the fullerfords--no small sensation.

this marriage, founded on a self-sacrifice of which only aliette's mother knew the full burden, yielded two sons, both of whom give their lives for their country early in 1915, and three daughters: eva, eldest of the family, who married captain harold martin of the devonshire regiment in 1910, and became "colonel's lady"--a position she filled most admirably; aliette; and mollie, youngest of the five.

it was not until her second daughter's birth in 1892 that the sheldons fully pardoned marie fullerford's infidelity to their religion--aliette, named after a remote french ancestress, becoming as it were the symbol of family reunion, and inheriting, on the death of grandmama sheldon, a little block of consolidated stock in further token of forgiveness. shortly after which inheritance, in december, 1912, she married--for reasons which will be apparent in our story--hector brunton, barrister of the middle temple, and no small gun in the legal world; while mollie, then a long-legged flapper of tomboy proclivities, reluctantly returned from wycombe abbey school to "assist mother in looking after things."

mollie "looked after things" until the boys were killed. then she joined the nursing service. to that service her body still bears witness in the shape of three white scars--souvenirs of a bombed hospital.

3

although, socially speaking, there is little if any difference between the fullerfords and the bruntons, the latter family shine considerably the more effulgent in the public eye. one finds them in newspaper paragraphs; one sees them at court, at the opera, at the ritz. in fact, wheresoever the ostentatious world of the nineteen-twenties foregathers, the bruntons forgather with it; not because they themselves are ostentatious, but because, being of their period, they must needs follow the tide--as rear-admiral billy, in that bluff manner which fifteen years' absence from the sea-service has scarcely impaired, is the first to admit.

"damn vulgar commercial age, but we can't put the clock back, worse luck," says rear-admiral billy brunton to his brother, sir simeon brunton, k.c.v.o., recently retired with ambassadorial rank from the diplomatic service. to which sir simeon, after three glasses of port, has been known to retort with a suave: "it hasn't done us so badly."

and this is a fact! for the bruntons, originally sea-folk, and as poor as most of the senior service, have developed an uncanny instinct for marrying money.

rear-admiral billy, head of the clan and now rising seventy-five, yielded to the instinct before the age of thirty; bringing home as bride, from his first cruise to australia, a distinguished daughter of the melbourne squatocracy, by whom he had two sons, hector and adrian; and from whom, on her death in 1906, he received sufficient money to make his declining years perfectly comfortable--though in a very modest fashion when compared with his younger brother simeon, whose first wife was a sturgis, of sturgis, campion & sturgis, the high-speed steel manufacturers, and whose second, an anglo-indian, still very much alive at the time our story opens, inherited a largish slice of shares in her father's main enterprise, "the raneegunge jute and cotton mills, ltd."

"still"--once again employing the language of rear-admiral billy--"simeon's feeding a pretty long string of unmated fillies in his stables; and i've only got a brace of colts who seem tolerably capable of foraging for themselves in mine."

the "colts," hector, born in '77, and adrian two years later, certainly foraged for themselves with considerable assiduity. adrian entered the church; and developed the brunton instinct to such purpose that he endowed himself with a bishop's daughter and a mayfair congregation at the early age of thirty-five--though it must be put to his credit that he abandoned his hill street surplice for a chaplain's khaki tunic in the holy land, and did not return to his bishop's daughter until early in 1919, by which time she had man?uvered for him the comfortable vicarage at high moor, a prosperous oxfordshire living, whose exact center is admiral billy's moor park.

meanwhile aliette's husband--having persuaded himself that he was indispensable to his country--became a king's counselor, dividing his days between the common law courts, where emoluments were fat if advertisement lean, and the criminal courts, wherein, as prosecuting counsel for the crown, he on occasions glittered exceedingly.

a large and a successful family--they look--these bruntons, when you make their massed acquaintance in three pages of "who's who." but julia cavendish, néewixton, used to have a page to herself!

4

you will find mention of the "four sisters wixton," of their "charming" mother and their "distinguished" father in most mid-victorian memoirs. tennyson wrote a poem to the baby clementina. robert browning is rumored to have stopped may's perambulator on more than one occasion in kensington gardens. alice had an affair, very nebulous and of her period, with one of the less celebrated preraphaelite painters.

but on the demise of josiah wixton (his wife and book-publishing business survived him a bare three years), all but one of his daughters disappear from artistic history. may married a tea-broker named robinson, and was left a childless but affluent widow in 1908. alice vanished with john edwards of the indian civil service into the punjab--finally returning with a livery husband and one daughter, lucy, to settle down among the retired anglo-indians of cheltenham. clementina allied herself--no less pompous phrase is adequate--with sir john bentham of the bank of england.

remained, therefore, to carry on the literary tradition, only the eldest of the wixtons, who married maurice cavendish, the oxford don, presented him with a son, ronald, and became "julia cavendish, the novelist."

it is a curious commentary on the ingratitude of our educated classes that the rutland cavendishes, who are at least as distinguished scholastically as the bruntons in the social world, have to rely for their public fame almost entirely on julia.

"because in julia cavendish," as wrote her one-time friend, "dot" fancourt, "we have a really great victorian. she stands for everything that is best of that bygone school: for a technique, now, alas! despised. her novels are not perfect; they lack, perhaps, that warm touch of humanity which one finds in charles dickens, in william makepeace thackeray. but at least they are the novels of a true educated englishwoman, reflections of a fine, faithful spirit. even apart from her skill as a story-teller, julia cavendish, with her great belief in the traditional decencies, with her reverence for the teachings of the protestant church, for discipline and the subjugation of self to the common weal, towers like a rock above the wish-wash flood of cheap sex and cheaper psychoanalysis which obsess most young writers of this self-conscious georgian epoch."

and with that, to our story!