i have said that daphne street has been paved within the past year, but i had not heard of the manner in which the miracle had been wrought until the day when calliope's brief stay in the village ended and she came to tell me good-by—and, more than incidentally, to show me some samples of a dress which she might have, and a dress which she wouldn't have, and a dress which she had made up her mind to have.
"we don't dress much here in friendship village," she observed. "not but what we'd like to, but we ain't the time nor the means nor the places to wear to. but they was one night—"
she looked at me, as always when she means to tell a story, somewhat with the manner of asking a permission.
"none of the low-neck' fashion-plates used to seem real to us," she said. "we used to look at 'em pinned up in lyddy ember's dressmakin'[pg 149] windows, ah-ahing in their low pink an' long blue, an' we'd look 'em over an' think tolerant enough, like about sea-serpents. but neither the one nor the other bit hold rill vital, because the plates was so young an' smilin' an' party-seemin', an' we was old an' busy, like you get, an' considered past the dressin' age. still, it made kind of a nice thing to do on the way home from the grocery hot forenoons—draw up there on the shady side, where the street kitters some into a curve, an' look at lyddy's plates, an' choose, like you was goin' to get one.
"land knows we needed some oasises on that street from the grocery up home. daphne street, our main street, didn't always use' to be what it is now—neat little wooden blocks an' a stone curb. you know how it use' to be—no curb an' the road a sight, over your shoe-tops with mud in the wet, an' over your shoe-tops with sand when it come dry. we ladies used to talk a good deal about it, but the men knew it meant money to hev it fixed, an' so they told us hevin' it fixed meant cuttin' the trees down, an' that kept us quiet—all but the friendship married ladies cemetery improvement sodality.
"mis' postmaster sykes was president o' the sodality last year, you know,—she's most always president of everything,—an' we'd been workin'[pg 150] quite hard all that winter, an' had got things in the cemetery rill ship-shape—at least i mean things on the cemetery was. an' at one o' the july meetin's last summer mis' sykes up an' proposed that we give over workin' for the dead an' turn to the livin', an' pave the main street of friendship village.
"'true,' she says, 'our constitution states that the purpose of our sodality shall be to keep up the graves of our townspeople an' make 'em attractive to others. but,' says she, 'when they ain't enough of us dead to occupy all the time, the only christian way to remedy that is to work for folks before they die, while we're waitin' for their graves.'
"this seemed reasonable, an' we voted unanimous to pave daphne street. an' on the way home mis' sykes an' mis' timothy toplady an' i see timothy toplady settin' in the post-office store, an' we went in to tell him an' silas sykes about it. but before we could start in, silas says, eyebrows all eager, 'ain't you heard?'
"'heard what?' says his wife, kind o' cross, bein' he was her wedded husband an' she hadn't heard.
"''bout threat hubbelthwait,' says silas, lookin' at mis' toplady an' me, bein's mis' sykes was his wife. 'drunk again,' says silas, 'an' fiddlin' for dear life, an' won't let anybody into the hotel. mis' hubbelthwait has gone over to her mother's,[pg 151] an' the hired girl with her; an' threat's settin' in the bar an' playin' all the hymn tunes he knows.'
"it wasn't the first time it had happened, you know. threat an' his wife an' the hired girl keep the only hotel in friendship village—when threat is sober. when he isn't, he sometimes closes up the house an' turns out whoever happens to be there, an' won't let a soul in—though, of course, not much of anybody ever comes to friendship anyway, excep' now an' then an automobile on its way somewheres. an' there threat will set in the bar, sometimes most of one week, sometimes most of two, an' scrape away on the only tunes he knows—all hymns, 'just as i am,' an' 'can a little child like me?' threat don't mean to be sacrilegious; he shows that by never singin' them two hymns in church, when they're give out.
"'land!' says mis' sykes, when silas got through, 'what men are!'
"'we ain't so much as woman, lemme tell you,' says silas, right crisp. which wasn't what he meant, an' we all laughed at him, so he was a little mad to start with.
"'the sodality's decided to pave daphne street,' mis' sykes mentions then, simple.
"'pave what?' shouts silas—silas always seems to think the more you do in sound the more you'll do in sense.
[pg 152]
"'do what to daphne street?' says timothy, whirlin' from the peanut roaster.
"'pave daphne street,' says mis' sykes an' mis' toplady an' me, wonderin'.
"silas wrapped his arms around his own shoulders.
"'when,' says he, lettin' his head lurch with his own emphasizin', 'did the common council hear about this?'
"'they ain't heard, about it,' says mis' sykes, 'no more'n we ever hear anything about them.'
"silas an' timothy is both aldermen, an' rill sensitive over it. i guess the common council always is a delicate subject, ain't it?
"mebbe it wasn't a rill diplomatic way to begin, but it hadn't entered the sodality's head that the town wouldn't be glad to hev the pavin' done if the sodality was willin' to do it. ain't it a hard thing to learn that it ain't all willingness, nor yet all bein' capable, that gets things done in the world? it's part just edgin' round an' edgin' round.
"what did the common council do that night but call a special meetin' an' vote not to order any city pavin' done that present year. every member was there but threat hubbelthwait, who was fiddlin', an' every vote was switched by silas an' timothy to be unanimous, excep' eppleby holcomb's vote. eppleby, we heard afterwards, said that when a pack o' women made up their minds to[pg 153] pave, they'd pave if it was to pave—some place that eppleby hadn't ought to 'a' mentioned; an' he was goin' to be on the pavin' side. but then, eppleby is the gentlest husband in friendship village, an' known to be.
"sodality met special next day, not so much to do anything as to let it be known that we'd took action. this we done by votin' to lay low till such time as we could order the wooden blocks. we preferred to pave peaceable, it bein' hot weather.
"mis' toplady an' mis' sykes an' mis' holcomb-that-was-mame-bliss an' mis' mayor uppers an' i walked home together from that meetin'. it was a blisterin' july afternoon—one of them afternoons that melts itself out flat, same as a dropped pepp'mint on a brick walk, an' you're left stickin' in it helpless as a fly, an' generally buzzin'. i rec'lect we was buzzin'—comin' down daphne street in that chokin' dust an' no pavement.
"'it's a dog's life, livin' in a little town—in some respects,' i remember mis' sykes says.
"'well,' says mis' toplady, tolerant, 'i know. i know it is. but i'd rather live in a little town an' dog it out than go up to the city an' turn wolf, same as some.'
"an' yet we all felt the same, every one of us. they ain't a woman livin' in a little place that don't feel the same, now and again. it's quiet an' it's[pg 154] easy housework, an' you get to know folks well. but oh, none of it what you might say glitters. an' they ain't no woman whatever—no matter how good a wife an' mother an' christian an' even housekeeper she is—that don't, 'way down deep in her heart, feel that hankerin' after some sort o' glitter.
"so it was natural enough that we should draw up at lyddy's dressmakin' window an' rest ourself. an' that afternoon we'd have done so, anyway, for she hed been pinnin' up her new summer plates—lyddy don't believe in rushin' the season. an' no sooner had we got a good look at 'em—big coloured sheets they was, with full-length pictures—than mis' toplady leaned 'way forward, her hands on her knees, an' stood lookin' at 'em the way you look at the parade.
"'well, look-a-there,' she says. 'look at that one.'
"the one she meant was a woman with her hair all plaited an' fringed an' cut bias, an' with a little white hat o' lilacs 'bout as big as a cork; an' her dress—my land! her dress was long an' rill light blue, an' seemed like it must have been paper, it was so fancy. it didn't seem like cloth goods at all, same as we hed on. it was more like we was wearin' meat an' vegetable dresses, an' this dress was dessert—all whipped cream an' pink sugar an' a flower on the plate.
[pg 155]
"'dear land!' says mis' toplady, lookin' 'round at us strange, 'do they do it when they get gray hair? i didn't know they done it when their hair was gray.'
"we all looked, an' sure enough, the woman's hair was white. 'afternoon toilette for elderly woman,' it said underneath, plain as plain. always before the plates hed all been young an' smilin' an' party-seemin', an' we'd thought of all that as past an' done for, with us, along with all the other things that didn't come true. but here was a woman grayer than any of us, an' yet lookin' as live as if she'd been wearin' a housework dress.
"'why,' says mis' sykes, starin', 'that must be a new thing this season. i never heard of a woman well along in years wearin' anything but brown or navy blue or gray,—besides black.' mis' sykes is terribly dressy, but even she never yet got anywheres inside the rainbow, except in a bow at the chin.
"'my,' says mis' holcomb-that-was-mame-bliss, wistful, 'wouldn't it seem like heaven to be able to wear colours without bein' talked about?'
"an' mis' mayor uppers—her that her husband grew well off bein' mayor, an' never'd been back to friendship village since he was put out of office, she says low:—
"'you ladies that has husbands to keep thinkin'[pg 156] well of you, i should think you'd think about this thing. men,' she says, 'loves the light shades.'
"at that mis' toplady turned around on us, an' we see her eyes expressin' i-dees.
"'ladies,' says she, impressive, 'mis' uppers is right. we hadn't ought to talk back or show mad. we ladies of the sodality had ought to be able to get our own way peaceable, just by takin' it, the way the lord give women the weapons to do.'
"we see that somethin' was seethin' in her mind, but we couldn't work our way to what it was.
"'ladies,' says she, an' stepped up on the wooden step to lyddy's dressmakin' shop, 'has the husbands of any one of us seen us, for twenty years, dressed in the light shades?'
"i didn't hev any husband to answer for, but i could truthfully say of the rest that you'd think black an' brown an' gray an' navy had exhausted the lord's ingenuity, for all the attention they'd paid to any other colour he'd wove with.
"'let's the sodality get up an evenin' party, an' hev it in post-office hall, an' invite our husbands an' buy new dresses—light shades an' some lace,' says mis' toplady, lettin' the i-dee drag her along, main strength.
"mis' sykes was studyin' the fashion-plate hungry, but she stopped an' stepped up side o' mis' toplady.
[pg 157]
"'well, sir,' she said, 'i donno but 'twould help us to work the pavin' of daphne street. why, silas sykes, for one, is right down soft-hearted about clothes. he always notices which one of their waists the choir's got on. i heard him say once he wasn't goin' to church again till they bought somethin' new.'
"mis' holcomb nodded. 'five years ago,' she said, 'i went up to the city with eppleby. an' i saw him turn around to look after a woman. i'll never forget the sensation it give me—like i was married to a man that wasn't my husband. the woman had on a light pink dress. i know i come home an' bought a pink collar; i didn't think i could go any farther, because she was quite young. do you s'pose....'
"mis' toplady pointed at lyddy's fashion-plate. 'i should go,' she says, 'just as far as my money would let me go.'
"mis' uppers stood lookin' down to the walk. 'the mayor,' she says—she calls him 'the mayor' yet—'was terrible fond o' coloured neckties. he was rill partial to green ones. mebbe i didn't think enough about what that meant....'
"mis' toplady came down off the step. 'every man is alike,' says she, decided. 'most of us friendship ladies thinks if we give 'em a clean roller towel we've done enough towards makin' things pretty;[pg 158] an' i think it's time, as wives, we took advantage of the styles.'
"'an',' says mis' sykes, the president, rill dreamy for her, but firm, 'i think so, too.'
"i tell you, we all walked home feelin' like we'd hed a present—me too, though i knew very well i couldn't hev a light dress, an' i didn't hev any husband. you start out thinkin' them are the two principal things, but you get a-hold o' some others, if you pay attention. still, i judged the ladies was on the right track, for men is men, say what who will. all but threat hubbelthwait. we passed the hotel an' heard him settin' in there by the bar scrapin' away on 'can a little child like me?' we took shame to him, an' yet i know we all looked at each other sort of motherly, like he was some little shaver, same as he sung, an' performin' most fool.
"it don't take us ladies long to do things, when our minds is made. especially it don't when mis' timothy toplady is chairman of the entertainment committee, or the doin' committee of whatever happens, like she was that time. first, we found out they was plenty enough nun's veilin' in the post-office store, cheap an' wide an' in stock an' all the light shades; an' i bought all the dresses, noons, of the clerk, so silas wouldn't suspect—me not hevin' any husband to inquire around,[pg 159] like they do. then we hired the post-office hall, vague, without sayin' for what—an' that pleased silas that gets the rent. an' then we give the invitations, spectacular, through the friendship daily to the sodality's husbands, for the next tuesday night. we could do it that quick, not bein' dependent on dressmakers same as some. the ladies was all goin' to make their dresses themselves, an' the dresses wa'n't much to do to make. nobody bothered a very great deal about how we should make 'em, the principal thing bein' the colour; mis' toplady's was blue, like the fashion-plate; mis' holcomb's pink, like the woman in the city; mis' uppers' green, like the mayor's necktie, an' so on. i made me up a dress out o' the spare-room curtains—white, with a little blue flower in it, an' a new blue ribbon belt. but mis' sykes, she went to work an' rented a dress from the city, for that one night. that much she give out about it, an' would give out no more. that woman loves a surprise. she's got a rill pleasant mind, mis' sykes has, but one that does enjoy jerkin' other people's minds up, an most anything'll do for the string.
"for all we thought we hed so much time, an' it was so easy to do, the afternoon o' the party we went 'most crazy. we'd got up quite a nice little cold supper—mis' hubbelthwait had helped us, she bein' still at large, an' threat fiddlin'. we planned[pg 160] meat loaf an' salad an' pickles an' jelly, an' scalloped potatoes for the hot dish, an' ice cream an' cake, enough in all for thirty folks: fifteen husbands an' fifteen sodality, or approximatish. an' we planned to go to the hall in the afternoon an' take our dresses there, an' sly em' up and leave 'em, an' put 'em on after we'd got there that night, so's nobody's husbands should suspect. but when we all came in the afternoon, an' the decoratin' with greens an' festoons of cut paper an' all was to do, there mis' toplady, that was to make scalloped potatoes, hadn't got her sleeves in yet, an' she was down to the hall tryin' to do both; an' mis' holcomb, that was to make the salad dressing, had got so nervous over her collar that she couldn't tell which edge she'd cut for the top. but the rest of us was ready, an' mis' sykes's dress had come from the city, an' we all, mis' toplady an' mame too, hed our dresses in boxes in the post-office hall kitchen cupboards. an' we done the decoratin', an' it looked rill lovely, with the long tables laid ready at each side, an' room for bein' a party left in between 'em.
"mis' toplady an' mis' sykes an' mis' holcomb left the hall about five o'clock to go home an' lay out silas's an' timothy's an' eppleby's best clothes for 'em—the rest hed done it at noon. mis' hubbelthwait was goin' over to the hotel to get some dishes out, an' i went with her to help. the bar[pg 161] was to the back, where threat set an' slep' an' fiddled, an' mis' hubbelthwait was goin' to slip in still an' sly the dishes out to me. a good many of the hotel dishes was her individual weddin' presents, so she didn't think wrong of her conscience.
"we was all five hurryin' along together, rehearsin' all we'd got to do before six-thirty, when we heard a funny sound. we listened, an' we thought they must be testin' the hose. but when we got to lyddy's shop, where the street kitters off some in a curve, we looked ahead an' we see it wasn't that.
"it's an automobile," says mis' toplady. 'my land,' she says, 'it ain't only one. it's two.'
"an' we see it was. there come the two of 'em, ploughin' along through the awful sand of daphne street, that was fit for no human locomotive, unless ostriches. when the proudfits are here, that's the only one in the village with an automobile, they understand the sand, and they'd put on the whole steam and tear right along through it. but strangers would go careful, for fear they'd get stuck, an' so they got it, like you do. an' them two big red cars was comin' slow, the dust like cloaks an' curtains billowin' up behind. they looked quite wild, includin' the seven folks in each one that was laughin' an' callin' out. an' by the time they'd come up to us, us four ladies of the sodality an' mis' hubbelthwait was lined up on the walk watchin' 'em. they[pg 162] stopped an' one of 'em hailed us, leanin' past his driver.
"'i beg your pardon,' he says, 'is this the street to the best hotel?'
"it was mis' toplady that answered him, rill collected. 'they's only one street in town,' says she, 'an' they's only one hotel, an' that they ain't now.'
"'can you tell me how soon there will be one?' says the man. 'by dinner-time, i hope.'
"we all felt kind of delicate about answerin' this, an' so mis' hubbelthwait herself spoke up. 'threat's drunk an' fiddlin', she says. 'they's no tellin' when friendship village will ever hev a hotel again.'
"both automobiles was listenin' by then, an' though some of 'em laughed out sort o' rueful, not many of 'em see the funny.
"'gad,' one of the men says, 'how about the bird an' the bottle we were to send back to bonner, sittin' by his tire in the desert, a ways back? don't tell us there's no place,' he says, 'where we can find dinner, twenty-one of us and the three chauf—' that word.
"mis' toplady shook her head. 'they ain't a place big enough to seat twenty-one, even if they was the food to feed 'em—' she begun, an' then she stopped an' looked 'round at us, as though she was thinkin' somethin'.
[pg 163]
"'oh, come now,' says the man,—he was good-lookin' an' young, an' merry-seemin',—'oh, come now,' he said, 'i am sure that the ladies of friendship could cook things such as never man yet ate. we are sta-arving,' he says, humorous. 'can't you do something for us? we'll give you,' he winds up, genial, 'two dollars a plate for a good, home-cooking dinner for the twenty-four of us. what do you say?'
"mis' toplady whirled toward us sort o' wild. 'is two dollars times twenty-four, forty-eight dollars?' says she, low.
"an' we see it was, though mis' holcomb was still figurin' it out in the palm of her other hand, while we stood gettin' glances out of each other's eyes, an' sendin' 'em, give for take. we see, quick as a flash, what mis' toplady was thinkin' about. an' it was about that hall, all festooned with greens an' cut paper, an' the two long tables laid ready, an' the veal loaf an' scalloped potatoes an' ice-cream for thirty. an' when mis' sykes, that usually speaks, stood still, an' didn't say one word, but just nodded a little bit, sort o' sad, mis' toplady, that was chairman o' the entertainment committee, done like she does sometimes—she took the whole thing into her own hands an' just settled it.
"'why, yes,' she says to 'em, rill pleasant, 'if you want to come up to post-office hall at half-past[pg 164] six,' she says, 'the friendship married ladies' cemetery improvement sodality will serve you your supper, nice as the nicest, for two dollars a head.'
"'good!' the men all sings out, an' the women spats their hands soft, an' one of 'em says somethin' to the merry-seemin' man.
"'oh, yes,' he says then, 'couldn't we all break into this hotel an' floss up a bit before dinner?'
"mis' hubbelthwait stepped out towards 'em.
"'i was thinkin' of that,' says she. 'my husband,' she says, dignified, 'is settin' in the bar—practisin' his violin. he—he does that sometimes, an' we—don't bother him. but the bar is at the back. i can let you in, still, the front way to the rooms, if you want. an' i'll be there myself to wait on you.'
"an' that was what they done, somebody takin' one o' the cars back for the other car, an' the rest of us fair breakin' into a run toward post-office hall.
"'my land,' says mis' toplady, almost like a groan, 'what hev we done?'
"it was a funny thing to do, we see it afterward. but i tell you, you can't appreciate the influence o' that forty-eight dollars unless you've tried to earn money in a town the size o' friendship village. sodality hardly ever made more than five dollars to its ten-cent entertainments—an' that for a big turn-out on a dry night. an' here was the price[pg 165] of about nine such entertainments give us outright, an' no extra work, an' rill feet-achin' weather. i say it was more than flesh an' blood or wives could stand. we done it automatic, like you contradict when it's necessary.
"but there was the men to reckon with.
"'what'll timothy—an' silas—an' eppleby....' mis' toplady says, an' stops, some bothered an' some rill pained.
"i judged, not havin' any husband to be doin' the inquirin', it wasn't polite for me to laugh. but i couldn't hardly help it, thinkin' o' them fifteen hungry men an' the supper et away from 'em, just william nilly.
"mis' sykes, we remembered afterwards, never said a word, but only kep' up with us back to the hall.
"back to the hall, where the rest o' the sodality was, we told 'em what we'd done—beginnin' with the forty-eight dollars, like some kind o' weapon. but i tell you, we hadn't reckoned without knowin' our hostesses, head an' heart. an' they went in pell mell, pleased an' glad as we was, an' plannin' like mad.
"the first need was more food to make up that supper to somewheres near two dollars' worth—feedin' your husband is one thing an' gettin' up a two-dollar meal is another. but we collected that[pg 166] all in pretty sudden: leg o' lamb, left from the holcombs' dinner an' only cut off of one side; the sykes's roast o' veal, the same; three chickens for soup the libertys hed just dressed for next day company dinner; big platter of devilled eggs chipped in from mis' toplady; a jar o' doughnuts, a steamer o' cookies, a fruit-cake a year old—we just made out our list an' scattered to empty out all our pantries.
"by six o'clock we was back in the hall, an' all the food with us. but nobody hed met nobody's husband yet, an' nobody wanted to. we didn't quite know how we was goin' to do, i guess—but done is done, an' to do takes care of itself.
"'hadn't we ought to 'a' sent word to the men?' says mis' holcomb, for the third or fourth time. 'i sneaked around so's not to pass eppleby's office, but i declare i feel mean. he'll hev to eat sauce an' plain bread-an'-butter for his supper. an' most o' the men-folks the same. 'seems though somebody'd ought to send 'em word an' not let 'em come up here, all washed an' dressed.'
"'well,' says mis' toplady, cuttin' cake with her lips shut tight an' talkin' anyway, 'i kind o' thought—leave 'em come up. i bet they'd rather be in it than out of it, every one of 'em, an' who knows they might be some supper left? an' we can all—'
[pg 167]
"an' at that mis' toplady faces round from cuttin' the cake: 'my land, my land,' she says, sort o' hushed, 'why, doin' this, we can't none of us wear our new dresses!'
"an' at that we looked at each other, each one sort of accusin', an' i guess all our hearts givin' one o' them sickish thumps. an' mis' sykes, her that hed been so still, snaps back:—
"'i wondered what you thought i'd rented my dress from the city for at three dollars a night.'
"i tell you, that made a hush in the middle of the plannin'. we'd forgot all about our own dresses, an' that was bad enough, with the hall all hired an' everything all ready, an' every chance in the world of everybody's husband's findin' out about the dresses before we could get up another sodality party, same way. but here was mis' sykes, three dollars out, an mebbe wouldn't be able to rent her dress again at all.
"'i did want silas,' mis' sykes says then, wistful, 'to see me in that dress. silas an' i have been married so long,' she says, 'that i often wonder if i seem like a person to him at all. but in that dress from the city, i think i would.'
"we was each an' all ready to cry, an' i dunno but we would hev done it—though we was all ready to serve, too: coffee made, potatoes pipin' hot, veal an' lamb het up an' smellin' rich, chicken[pg 168] soup steamin', an' all. but just that very minute we heard some of 'em comin' in the hall—an' the one 'ready' conquered the other 'ready,' like it will, an' we all made a rush, part curious an' part nerves, to peek through the little servin' window from the kitchen.
"what do you think we saw? it was the automobile folks, hungry an' got there first. in they'd come, women laughin', men jokin', all makin' a lark out o' the whole thing. an' if the women wasn't, every last one of 'em, wearin'—not the clothes they hed come in, but light pink an' light blue an' white an' flowered things, an' all like that.
"mis' hubbelthwait burst in on us while we was lookin'. 'they hed things in their trunk at the back o' the automobile,' says she. 'they says they wanted to floss up for dinner, an' floss up they hev. they look like lyddy's fashion sheets, one an' all.'
"at that mis' sykes, a-ceasin' to peek, she drops her tray on the bare floor an' begun untyin' her apron. 'quick!' she raps out, 'mis' hubbelthwait, you go an' set 'em down. an' every one o' you—into them togs of ours! here's the chance to wear 'em—here an' now,' she says, 'an' leave them folks see we know how to do things here in friendship village as good as the best.'
[pg 169]
"well, bein' as she had rented the dress, an' three dollars hed to be paid out anyhow, an' bein' as she was president, an' bein' as we was all hankerin' in our hearts, we didn't need much urgin'. we slammed the servin' window shut an' set chairs against both doors, an' we whisked out of our regular dresses like wild.
"'oh, land—my land, the sleeves—the sleeves ain't in mine!' says mis' toplady, sort o' glazed, an' speakin' in a wail. but we encouraged her up to pin 'em in, which she done, an' it couldn't be told from stitches. poor mame holcomb's collar that wasn't on yet we turned in for her v-shape, so's her dress was low, like the best. an' mis' uppers, that was seasonin' the chicken soup like none of us could, her we took turns in dressin' in her green. an' i'd got into my spare-room curtains, somehow, just as mis' hubbelthwait come shoving at that door.
"'the men—the men!' says she, painful. 'they're all out here—silas an' timothy an' eppleby an' all. they've all heard about it—the automobiles went to the post-office for their mail, an' silas told 'em enjoyable about threat, an' the automobiles told him where they was goin' to eat. an' they've come, thinkin' they's enough for all, an' they're out here now.'
"mis' toplady groaned a little, agonized an'[pg 170] stifled, but rill firm. 'tell 'em, then,' says she, 'to come back up here, like men, an' help.'
"then we heard a little rustle, soft an' silky an' kind o' pink-soundin', an' we looked around, an' there, from where she had been dressin' herself over behind the kitchen boiler all alone, mis' postmaster sykes stepped out. my land, if she wasn't in a white dress, a little low in the neck, an' elbow sleeves, an' all covered solid as crust with glitterin' silver spangles.
"'let's tell 'em ourselves,' she says, 'come on—all of you. let's take out the first course, an' tell the men what we want 'em to do.'
"we made mis' sykes go first, carryin' high the tureen of chicken soup. an' on one side of her walked mis' timothy toplady, in blue, with the wafers, an' on the other mis' holcomb-that-was-mame-bliss, in pink, with the radishes. an' neither one of 'em could hardly help lookin' at mis' sykes's dress all the way out. an' back of 'em went the rest o' the ladies, all in pink an' blue an' white an' pale green nun's veilin' that they'd made, an' carryin' the water-pitchers an' ice an' celery an' like that. an' me, i hung back in the kitchen watchin' an' lovin' 'em every one—an' almost lovin' timothy toplady an' silas sykes an' eppleby when they looked on an' saw.
"mis' sykes set the soup down in front o' the[pg 171] merry-seemin' man for him to serve it. an' then she crossed over an' spoke to silas, an' swep' up ahead of him in that spangly dress, the other ladies followin' an' noddin' bright when they passed the men, an' motionin' 'em toward the back o' the hall. an' back the men all come into the kitchen, followin' as they was asked to do, an' orderly through bein' dazed. silas an' timothy an' eppleby was first, an' mis' sykes an' mis' toplady an' mame went up to 'em together.
"i'll never forget that minute. i thought the men was goin' to burst out characteristic an' the whole time be tart, an' i shut both doors an' the servin' window careful. an' instead o' that, them three men stood there just smilin' a little an lookin' surprised an' agreeable; an' the other husbands, either takin' the cue or feelin' the same, done likewise, too. an' when mame bliss says, sort o' tremblin'—eppleby bein' the gentlest husband in friendship village, an' known to be: 'how do you like us, eppleby?' eppleby just nods an' wrinkles up his eyes an' smiles at her, like he meant lots more. an' he says, 'why didn't you never wear that dress before, mame?'
"an' 'well, timothy?' says mis' toplady, sort o' masterful, an' fully expectin' to hev to master. but timothy toplady, he just rubs his hands an' looks at her sort o' wonderin', an' he says, 'blisterin'[pg 172] benson, you look as good as the city folks, amandy—all light, an' loose made, an' stylish—'
"but silas sykes, he just stood lookin' at his wife an' lookin'. of course she did hev the advantage, bein' her spangles shone so. an' silas looked at her an' looked, just as if her bein' his wife didn't make him admire her any the less. an' mis' sykes, she was rill pink an' pleased an' breathless, an' i guess she could see she seemed like a person to silas, the way she'd wanted to.
"it all went off splendid. the men stayed an' dished in the kitchen an' helped carry away from the tables—the forty-eight dollars completin' their respect—an' we ladies done the servin'. an' i tell you, we served 'em with an air, 'count o' bein' well dressed, like they was, an' knowin' it. an' we knew the automobile folks appreciated it—we could tell by the way they kep' lookin' at us. but of course we all understood mis' sykes looked the best, an' we let her do all the most prominent things—bringin' in the first dish of everything an' like that, so's they could hev a good look.
"when it was over, the merry-seemin' man stood up an' made a little speech o' thanks, rill courteous an' sweet, an' like he knew how to act. an' when he was through we, one an' all, nudged mis' sykes to reply, an' she done so, the two tables[pg 173] listenin', an' the sodality standin' in between, an' the sodality's husbands crowdin' in both kitchen doors to listen.
"mis' sykes says, rill dignified, an' the light catchin' in her spangles: 'we're all very much obliged, i'm sure, for our forty-eight dollars clear. an' we think perhaps you'd like to know what the money is goin' toward. it's goin',' she says, 'towards the pavin' of the main street of our little city.'
"silas sykes was lookin' out the servin' window like it was a box. 'what's that?' says he, more of him comin' out of the window, 'what's that you say?'
"an' they was a little wave o' moves an' murmurs all around him like when somethin' is goin' to happen an' nobody knows what; an' i know the sodality caught its breath, for, as mis' toplady always says, the dear land knows what men will do.
"with that up springs the merry-seemin' man, his face all beamin', an' he says loud an' clear an' drowndin' out everything else: 'hear, hear! likewise, here an' now. i move that we as one man, an' that man's automobile having lately come up the main street of friendship village—do ourself contribute to this most worthy end. get to work,' says he. 'think civic thoughts!'
"he slid the last roll off its plate, an' he laid somethin' in paper money on it, an' he started it[pg 174] down the table. an' every man of 'em done as he done. an' i tell you, when we see mis' hubbelthwait's bread plate pilin' with bills, an' knew what it was for, we couldn't help—the whole sodality couldn't help—steppin' forwards, close to the table, an' standin' there an' holdin' our breaths. an' the men, back there in the kitchen, they hushed up when they see the money, an' they kep' hushed. land, land, it was a great minute! i like to think about it.
"an' when the plate come back to the merry-seemin' man, he took it an' he come over towards us with it in his hand, an' we nudged mis' sykes to take the money. an' she just lifted up the glitter part of her skirt an' spread it out an' he dropped the whole rustlin' heap on to the spangles. an' the rest of us all clapped our hands, hard as we could, an' right while we was doin' it we heard somethin' else—deeper an' more manly than us. an' there was the men streamin' out o' the kitchen doors, an' silas sykes high in the servin' window—an' every one of 'em was clappin', too.
"i tell you, we was glad an' grateful. an' we was grateful, too, when afterwards they was plenty enough supper left for the men-folks. an' when we all set down together around that table, mis' sykes at the head an' the plate o' bills for a centrepiece, mis' toplady leaned back, hot an' tired, an' seein'[pg 175] if both her sleeves was still pinned in place, an' she says what we was all thinkin':—
"'oh, ladies,' she says, 'we can pave streets an' dress in the light shades even if we ain't young, like the run o' the fashion-plates. ain't it like comin' to life again?' she says."
