first o songs for a prelude

first o songs for a prelude,

lightly strike on the stretch'd tympanum pride and joy in my city,

how she led the rest to arms, how she gave the cue,

how at once with lithe limbs unwaiting a moment she sprang,

(o superb! o manhattan, my own, my peerless!

o strongest you in the hour of danger, in crisis! o truer than steel!)

how you sprang—how you threw off the costumes of peace with

indifferent hand,

how your soft opera-music changed, and the drum and fife were heard

in their stead,

how you led to the war, (that shall serve for our prelude, songs of

soldiers,)

how manhattan drum-taps led.

forty years had i in my city seen soldiers parading,

forty years as a pageant, till unawares the lady of this teeming and

turbulent city,

sleepless amid her ships, her houses, her incalculable wealth,

with her million children around her, suddenly,

at dead of night, at news from the south,

incens'd struck with clinch'd hand the pavement.

a shock electric, the night sustain'd it,

till with ominous hum our hive at daybreak pour'd out its myriads.

from the houses then and the workshops, and through all the doorways,

leapt they tumultuous, and lo! manhattan arming.

to the drum-taps prompt,

the young men falling in and arming,

the mechanics arming, (the trowel, the jack-plane, the blacksmith's

hammer, tost aside with precipitation,)

the lawyer leaving his office and arming, the judge leaving the court,

the driver deserting his wagon in the street, jumping down, throwing

the reins abruptly down on the horses' backs,

the salesman leaving the store, the boss, book-keeper, porter, all leaving;

squads gather everywhere by common consent and arm,

the new recruits, even boys, the old men show them how to wear their

accoutrements, they buckle the straps carefully,

outdoors arming, indoors arming, the flash of the musket-barrels,

the white tents cluster in camps, the arm'd sentries around, the

sunrise cannon and again at sunset,

arm'd regiments arrive every day, pass through the city, and embark

from the wharves,

(how good they look as they tramp down to the river, sweaty, with

their guns on their shoulders!

how i love them! how i could hug them, with their brown faces and

their clothes and knapsacks cover'd with dust!)

the blood of the city up-arm'd! arm'd! the cry everywhere,

the flags flung out from the steeples of churches and from all the

public buildings and stores,

the tearful parting, the mother kisses her son, the son kisses his mother,

(loth is the mother to part, yet not a word does she speak to detain him,)

the tumultuous escort, the ranks of policemen preceding, clearing the way,

the unpent enthusiasm, the wild cheers of the crowd for their favorites,

the artillery, the silent cannons bright as gold, drawn along,

rumble lightly over the stones,

(silent cannons, soon to cease your silence,

soon unlimber'd to begin the red business;)

all the mutter of preparation, all the determin'd arming,

the hospital service, the lint, bandages and medicines,

the women volunteering for nurses, the work begun for in earnest, no

mere parade now;

war! an arm'd race is advancing! the welcome for battle, no turning away!

war! be it weeks, months, or years, an arm'd race is advancing to

welcome it.

mannahatta a-march—and it's o to sing it well!

it's o for a manly life in the camp.

and the sturdy artillery,

the guns bright as gold, the work for giants, to serve well the guns,

unlimber them! (no more as the past forty years for salutes for

courtesies merely,

put in something now besides powder and wadding.)

and you lady of ships, you mannahatta,

old matron of this proud, friendly, turbulent city,

often in peace and wealth you were pensive or covertly frown'd amid

all your children,

but now you smile with joy exulting old mannahatta.

eighteen sixty-one

arm'd year—year of the struggle,

no dainty rhymes or sentimental love verses for you terrible year,

not you as some pale poetling seated at a desk lisping cadenzas piano,

but as a strong man erect, clothed in blue clothes, advancing,

carrying rifle on your shoulder,

with well-gristled body and sunburnt face and hands, with a knife in

the belt at your side,

as i heard you shouting loud, your sonorous voice ringing across the

continent,

your masculine voice o year, as rising amid the great cities,

amid the men of manhattan i saw you as one of the workmen, the

dwellers in manhattan,

or with large steps crossing the prairies out of illinois and indiana,

rapidly crossing the west with springy gait and descending the allghanies,

or down from the great lakes or in pennsylvania, or on deck along

the ohio river,

or southward along the tennessee or cumberland rivers, or at

chattanooga on the mountain top,

saw i your gait and saw i your sinewy limbs clothed in blue, bearing

weapons, robust year,

heard your determin'd voice launch'd forth again and again,

year that suddenly sang by the mouths of the round-lipp'd cannon,

i repeat you, hurrying, crashing, sad, distracted year.

beat! beat! drums!

beat! beat! drums!—blow! bugles! blow!

through the windows—through doors—burst like a ruthless force,

into the solemn church, and scatter the congregation,

into the school where the scholar is studying;

leave not the bridegroom quiet—no happiness must he have now with

his bride,

nor the peaceful farmer any peace, ploughing his field or gathering

his grain,

so fierce you whirr and pound you drums—so shrill you bugles blow.

beat! beat! drums!—blow! bugles! blow!

over the traffic of cities—over the rumble of wheels in the streets;

are beds prepared for sleepers at night in the houses? no sleepers

must sleep in those beds,

no bargainers' bargains by day—no brokers or speculators—would

they continue?

would the talkers be talking? would the singer attempt to sing?

would the lawyer rise in the court to state his case before the judge?

then rattle quicker, heavier drums—you bugles wilder blow.

beat! beat! drums!—blow! bugles! blow!

make no parley—stop for no expostulation,

mind not the timid—mind not the weeper or prayer,

mind not the old man beseeching the young man,

let not the child's voice be heard, nor the mother's entreaties,

make even the trestles to shake the dead where they lie awaiting the

hearses,

so strong you thump o terrible drums—so loud you bugles blow.

from paumanok starting i fly like a bird

from paumanok starting i fly like a bird,

around and around to soar to sing the idea of all,

to the north betaking myself to sing there arctic songs,

to kanada till i absorb kanada in myself, to michigan then,

to wisconsin, iowa, minnesota, to sing their songs, (they are inimitable;)

then to ohio and indiana to sing theirs, to missouri and kansas and

arkansas to sing theirs,

to tennessee and kentucky, to the carolinas and georgia to sing theirs,

to texas and so along up toward california, to roam accepted everywhere;

to sing first, (to the tap of the war-drum if need be,)

the idea of all, of the western world one and inseparable,

and then the song of each member of these states.

song of the banner at daybreak

poet:

o a new song, a free song,

flapping, flapping, flapping, flapping, by sounds, by voices clearer,

by the wind's voice and that of the drum,

by the banner's voice and child's voice and sea's voice and father's voice,

low on the ground and high in the air,

on the ground where father and child stand,

in the upward air where their eyes turn,

where the banner at daybreak is flapping.

words! book-words! what are you?

words no more, for hearken and see,

my song is there in the open air, and i must sing,

with the banner and pennant a-flapping.

i'll weave the chord and twine in,

man's desire and babe's desire, i'll twine them in, i'll put in life,

i'll put the bayonet's flashing point, i'll let bullets and slugs whizz,

(as one carrying a symbol and menace far into the future,

crying with trumpet voice, arouse and beware! beware and arouse!)

i'll pour the verse with streams of blood, full of volition, full of joy,

then loosen, launch forth, to go and compete,

with the banner and pennant a-flapping.

pennant:

come up here, bard, bard,

come up here, soul, soul,

come up here, dear little child,

to fly in the clouds and winds with me, and play with the measureless light.

child:

father what is that in the sky beckoning to me with long finger?

and what does it say to me all the while?

father:

nothing my babe you see in the sky,

and nothing at all to you it says—but look you my babe,

look at these dazzling things in the houses, and see you the money-

shops opening,

and see you the vehicles preparing to crawl along the streets with goods;

these, ah these, how valued and toil'd for these!

how envied by all the earth.

poet:

fresh and rosy red the sun is mounting high,

on floats the sea in distant blue careering through its channels,

on floats the wind over the breast of the sea setting in toward land,

the great steady wind from west or west-by-south,

floating so buoyant with milk-white foam on the waters.

but i am not the sea nor the red sun,

i am not the wind with girlish laughter,

not the immense wind which strengthens, not the wind which lashes,

not the spirit that ever lashes its own body to terror and death,

but i am that which unseen comes and sings, sings, sings,

which babbles in brooks and scoots in showers on the land,

which the birds know in the woods mornings and evenings,

and the shore-sands know and the hissing wave, and that banner and pennant,

aloft there flapping and flapping.

child:

o father it is alive—it is full of people—it has children,

o now it seems to me it is talking to its children,

i hear it—it talks to me—o it is wonderful!

o it stretches—it spreads and runs so fast—o my father,

it is so broad it covers the whole sky.

father:

cease, cease, my foolish babe,

what you are saying is sorrowful to me, much 't displeases me;

behold with the rest again i say, behold not banners and pennants aloft,

but the well-prepared pavements behold, and mark the solid-wall'd houses.

banner and pennant:

speak to the child o bard out of manhattan,

to our children all, or north or south of manhattan,

point this day, leaving all the rest, to us over all—and yet we know

not why,

for what are we, mere strips of cloth profiting nothing,

only flapping in the wind?

poet:

i hear and see not strips of cloth alone,

i hear the tramp of armies, i hear the challenging sentry,

i hear the jubilant shouts of millions of men, i hear liberty!

i hear the drums beat and the trumpets blowing,

i myself move abroad swift-rising flying then,

i use the wings of the land-bird and use the wings of the sea-bird,

and look down as from a height,

i do not deny the precious results of peace, i see populous cities

with wealth incalculable,

i see numberless farms, i see the farmers working in their fields or barns,

i see mechanics working, i see buildings everywhere founded, going

up, or finish'd,

i see trains of cars swiftly speeding along railroad tracks drawn by

the locomotives,

i see the stores, depots, of boston, baltimore, charleston, new orleans,

i see far in the west the immense area of grain, i dwell awhile hovering,

i pass to the lumber forests of the north, and again to the southern

plantation, and again to california;

sweeping the whole i see the countless profit, the busy gatherings,

earn'd wages,

see the identity formed out of thirty-eight spacious and haughty

states, (and many more to come,)

see forts on the shores of harbors, see ships sailing in and out;

then over all, (aye! aye!) my little and lengthen'd pennant shaped

like a sword,

runs swiftly up indicating war and defiance—and now the halyards

have rais'd it,

side of my banner broad and blue, side of my starry banner,

discarding peace over all the sea and land.

banner and pennant:

yet louder, higher, stronger, bard! yet farther, wider cleave!

no longer let our children deem us riches and peace alone,

we may be terror and carnage, and are so now,

not now are we any one of these spacious and haughty states, (nor

any five, nor ten,)

nor market nor depot we, nor money-bank in the city,

but these and all, and the brown and spreading land, and the mines

below, are ours,

and the shores of the sea are ours, and the rivers great and small,

and the fields they moisten, and the crops and the fruits are ours,

bays and channels and ships sailing in and out are ours—while we over all,

over the area spread below, the three or four millions of square

miles, the capitals,

the forty millions of people,—o bard! in life and death supreme,

we, even we, henceforth flaunt out masterful, high up above,

not for the present alone, for a thousand years chanting through you,

this song to the soul of one poor little child.

child:

o my father i like not the houses,

they will never to me be any thing, nor do i like money,

but to mount up there i would like, o father dear, that banner i like,

that pennant i would be and must be.

father:

child of mine you fill me with anguish,

to be that pennant would be too fearful,

little you know what it is this day, and after this day, forever,

it is to gain nothing, but risk and defy every thing,

forward to stand in front of wars—and o, such wars!—what have you

to do with them?

with passions of demons, slaughter, premature death?

banner:

demons and death then i sing,

put in all, aye all will i, sword-shaped pennant for war,

and a pleasure new and ecstatic, and the prattled yearning of children,

blent with the sounds of the peaceful land and the liquid wash of the sea,

and the black ships fighting on the sea envelop'd in smoke,

and the icy cool of the far, far north, with rustling cedars and pines,

and the whirr of drums and the sound of soldiers marching, and the

hot sun shining south,

and the beach-waves combing over the beach on my eastern shore,

and my western shore the same,

and all between those shores, and my ever running mississippi with

bends and chutes,

and my illinois fields, and my kansas fields, and my fields of missouri,

the continent, devoting the whole identity without reserving an atom,

pour in! whelm that which asks, which sings, with all and the yield of all,

fusing and holding, claiming, devouring the whole,

no more with tender lip, nor musical labial sound,

but out of the night emerging for good, our voice persuasive no more,

croaking like crows here in the wind.

poet:

my limbs, my veins dilate, my theme is clear at last,

banner so broad advancing out of the night, i sing you haughty and resolute,

i burst through where i waited long, too long, deafen'd and blinded,

my hearing and tongue are come to me, (a little child taught me,)

i hear from above o pennant of war your ironical call and demand,

insensate! insensate! (yet i at any rate chant you,) o banner!

not houses of peace indeed are you, nor any nor all their

prosperity, (if need be, you shall again have every one of those

houses to destroy them,

you thought not to destroy those valuable houses, standing fast,

full of comfort, built with money,

may they stand fast, then? not an hour except you above them and all

stand fast;)

o banner, not money so precious are you, not farm produce you, nor

the material good nutriment,

nor excellent stores, nor landed on wharves from the ships,

not the superb ships with sail-power or steam-power, fetching and

carrying cargoes,

nor machinery, vehicles, trade, nor revenues—but you as henceforth

i see you,

running up out of the night, bringing your cluster of stars,

(ever-enlarging stars,)

divider of daybreak you, cutting the air, touch'd by the sun,

measuring the sky,

(passionately seen and yearn'd for by one poor little child,

while others remain busy or smartly talking, forever teaching

thrift, thrift;)

o you up there! o pennant! where you undulate like a snake hissing

so curious,

out of reach, an idea only, yet furiously fought for, risking bloody

death, loved by me,

so loved—o you banner leading the day with stars brought from the night!

valueless, object of eyes, over all and demanding all—(absolute

owner of all)—o banner and pennant!

i too leave the rest—great as it is, it is nothing—houses, machines

are nothing—i see them not,

i see but you, o warlike pennant! o banner so broad, with stripes,

sing you only,

flapping up there in the wind.

rise o days from your fathomless deeps

1

rise o days from your fathomless deeps, till you loftier, fiercer sweep,

long for my soul hungering gymnastic i devour'd what the earth gave me,

long i roam'd amid the woods of the north, long i watch'd niagara pouring,

i travel'd the prairies over and slept on their breast, i cross'd

the nevadas, i cross'd the plateaus,

i ascended the towering rocks along the pacific, i sail'd out to sea,

i sail'd through the storm, i was refresh'd by the storm,

i watch'd with joy the threatening maws of the waves,

i mark'd the white combs where they career'd so high, curling over,

i heard the wind piping, i saw the black clouds,

saw from below what arose and mounted, (o superb! o wild as my

heart, and powerful!)

heard the continuous thunder as it bellow'd after the lightning,

noted the slender and jagged threads of lightning as sudden and

fast amid the din they chased each other across the sky;

these, and such as these, i, elate, saw—saw with wonder, yet pensive

and masterful,

all the menacing might of the globe uprisen around me,

yet there with my soul i fed, i fed content, supercilious.

2

'twas well, o soul—'twas a good preparation you gave me,

now we advance our latent and ampler hunger to fill,

now we go forth to receive what the earth and the sea never gave us,

not through the mighty woods we go, but through the mightier cities,

something for us is pouring now more than niagara pouring,

torrents of men, (sources and rills of the northwest are you indeed

inexhaustible?)

what, to pavements and homesteads here, what were those storms of

the mountains and sea?

what, to passions i witness around me to-day? was the sea risen?

was the wind piping the pipe of death under the black clouds?

lo! from deeps more unfathomable, something more deadly and savage,

manhattan rising, advancing with menacing front—cincinnati, chicago,

unchain'd;

what was that swell i saw on the ocean? behold what comes here,

how it climbs with daring feet and hands—how it dashes!

how the true thunder bellows after the lightning—how bright the

flashes of lightning!

how democracy with desperate vengeful port strides on, shown

through the dark by those flashes of lightning!

(yet a mournful wall and low sob i fancied i heard through the dark,

in a lull of the deafening confusion.)

3

thunder on! stride on, democracy! strike with vengeful stroke!

and do you rise higher than ever yet o days, o cities!

crash heavier, heavier yet o storms! you have done me good,

my soul prepared in the mountains absorbs your immortal strong nutriment,

long had i walk'd my cities, my country roads through farms, only

half satisfied,

one doubt nauseous undulating like a snake, crawl'd on the ground before me,

continually preceding my steps, turning upon me oft, ironically hissing low;

the cities i loved so well i abandon'd and left, i sped to the

certainties suitable to me,

hungering, hungering, hungering, for primal energies and nature's

dauntlessness,

i refresh'd myself with it only, i could relish it only,

i waited the bursting forth of the pent fire—on the water and air

waited long;

but now i no longer wait, i am fully satisfied, i am glutted,

i have witness'd the true lightning, i have witness'd my cities electric,

i have lived to behold man burst forth and warlike america rise,

hence i will seek no more the food of the northern solitary wilds,

no more the mountains roam or sail the stormy sea.

virginia—the west

the noble sire fallen on evil days,

i saw with hand uplifted, menacing, brandishing,

(memories of old in abeyance, love and faith in abeyance,)

the insane knife toward the mother of all.

the noble son on sinewy feet advancing,

i saw, out of the land of prairies, land of ohio's waters and of indiana,

to the rescue the stalwart giant hurry his plenteous offspring,

drest in blue, bearing their trusty rifles on their shoulders.

then the mother of all with calm voice speaking,

as to you rebellious, (i seemed to hear her say,) why strive against

me, and why seek my life?

when you yourself forever provide to defend me?

for you provided me washington—and now these also.

city of ships

city of ships!

(o the black ships! o the fierce ships!

o the beautiful sharp-bow'd steam-ships and sail-ships!)

city of the world! (for all races are here,

all the lands of the earth make contributions here;)

city of the sea! city of hurried and glittering tides!

city whose gleeful tides continually rush or recede, whirling in and

out with eddies and foam!

city of wharves and stores—city of tall facades of marble and iron!

proud and passionate city—mettlesome, mad, extravagant city!

spring up o city—not for peace alone, but be indeed yourself, warlike!

fear not—submit to no models but your own o city!

behold me—incarnate me as i have incarnated you!

i have rejected nothing you offer'd me—whom you adopted i have adopted,

good or bad i never question you—i love all—i do not condemn any thing,

i chant and celebrate all that is yours—yet peace no more,

in peace i chanted peace, but now the drum of war is mine,

war, red war is my song through your streets, o city!

the centenarian's story

[volunteer of 1861-2, at washington park, brooklyn, assisting

the centenarian.]

give me your hand old revolutionary,

the hill-top is nigh, but a few steps, (make room gentlemen,)

up the path you have follow'd me well, spite of your hundred and

extra years,

you can walk old man, though your eyes are almost done,

your faculties serve you, and presently i must have them serve me.

rest, while i tell what the crowd around us means,

on the plain below recruits are drilling and exercising,

there is the camp, one regiment departs to-morrow,

do you hear the officers giving their orders?

do you hear the clank of the muskets?

why what comes over you now old man?

why do you tremble and clutch my hand so convulsively?

the troops are but drilling, they are yet surrounded with smiles,

around them at hand the well-drest friends and the women,

while splendid and warm the afternoon sun shines down,

green the midsummer verdure and fresh blows the dallying breeze,

o'er proud and peaceful cities and arm of the sea between.

but drill and parade are over, they march back to quarters,

only hear that approval of hands! hear what a clapping!

as wending the crowds now part and disperse—but we old man,

not for nothing have i brought you hither—we must remain,

you to speak in your turn, and i to listen and tell.

[the centenarian]

when i clutch'd your hand it was not with terror,

but suddenly pouring about me here on every side,

and below there where the boys were drilling, and up the slopes they ran,

and where tents are pitch'd, and wherever you see south and south-

east and south-west,

over hills, across lowlands, and in the skirts of woods,

and along the shores, in mire (now fill'd over) came again and

suddenly raged,

as eighty-five years agone no mere parade receiv'd with applause of friends,

but a battle which i took part in myself—aye, long ago as it is, i

took part in it,

walking then this hilltop, this same ground.

aye, this is the ground,

my blind eyes even as i speak behold it re-peopled from graves,

the years recede, pavements and stately houses disappear,

rude forts appear again, the old hoop'd guns are mounted,

i see the lines of rais'd earth stretching from river to bay,

i mark the vista of waters, i mark the uplands and slopes;

here we lay encamp'd, it was this time in summer also.

as i talk i remember all, i remember the declaration,

it was read here, the whole army paraded, it was read to us here,

by his staff surrounded the general stood in the middle, he held up

his unsheath'd sword,

it glitter'd in the sun in full sight of the army.

twas a bold act then—the english war-ships had just arrived,

we could watch down the lower bay where they lay at anchor,

and the transports swarming with soldiers.

a few days more and they landed, and then the battle.

twenty thousand were brought against us,

a veteran force furnish'd with good artillery.

i tell not now the whole of the battle,

but one brigade early in the forenoon order'd forward to engage the

red-coats,

of that brigade i tell, and how steadily it march'd,

and how long and well it stood confronting death.

who do you think that was marching steadily sternly confronting death?

it was the brigade of the youngest men, two thousand strong,

rais'd in virginia and maryland, and most of them known personally

to the general.

jauntily forward they went with quick step toward gowanus' waters,

till of a sudden unlook'd for by defiles through the woods, gain'd at night,

the british advancing, rounding in from the east, fiercely playing

their guns,

that brigade of the youngest was cut off and at the enemy's mercy.

the general watch'd them from this hill,

they made repeated desperate attempts to burst their environment,

then drew close together, very compact, their flag flying in the middle,

but o from the hills how the cannon were thinning and thinning them!

it sickens me yet, that slaughter!

i saw the moisture gather in drops on the face of the general.

i saw how he wrung his hands in anguish.

meanwhile the british manoeuvr'd to draw us out for a pitch'd battle,

but we dared not trust the chances of a pitch'd battle.

we fought the fight in detachments,

sallying forth we fought at several points, but in each the luck was

against us,

our foe advancing, steadily getting the best of it, push'd us back

to the works on this hill,

till we turn'd menacing here, and then he left us.

that was the going out of the brigade of the youngest men, two thousand

strong,

few return'd, nearly all remain in brooklyn.

that and here my general's first battle,

no women looking on nor sunshine to bask in, it did not conclude

with applause,

nobody clapp'd hands here then.

but in darkness in mist on the ground under a chill rain,

wearied that night we lay foil'd and sullen,

while scornfully laugh'd many an arrogant lord off against us encamp'd,

quite within hearing, feasting, clinking wineglasses together over

their victory.

so dull and damp and another day,

but the night of that, mist lifting, rain ceasing,

silent as a ghost while they thought they were sure of him, my

general retreated.

i saw him at the river-side,

down by the ferry lit by torches, hastening the embarcation;

my general waited till the soldiers and wounded were all pass'd over,

and then, (it was just ere sunrise,) these eyes rested on him for

the last time.

every one else seem'd fill'd with gloom,

many no doubt thought of capitulation.

but when my general pass'd me,

as he stood in his boat and look'd toward the coming sun,

i saw something different from capitulation.

[terminus]

enough, the centenarian's story ends,

the two, the past and present, have interchanged,

i myself as connecter, as chansonnier of a great future, am now speaking.

and is this the ground washington trod?

and these waters i listlessly daily cross, are these the waters he cross'd,

as resolute in defeat as other generals in their proudest triumphs?

i must copy the story, and send it eastward and westward,

i must preserve that look as it beam'd on you rivers of brooklyn.

see—as the annual round returns the phantoms return,

it is the 27th of august and the british have landed,

the battle begins and goes against us, behold through the smoke

washington's face,

the brigade of virginia and maryland have march'd forth to intercept

the enemy,

they are cut off, murderous artillery from the hills plays upon them,

rank after rank falls, while over them silently droops the flag,

baptized that day in many a young man's bloody wounds.

in death, defeat, and sisters', mothers' tears.

ah, hills and slopes of brooklyn! i perceive you are more valuable

than your owners supposed;

in the midst of you stands an encampment very old,

stands forever the camp of that dead brigade.

cavalry crossing a ford

a line in long array where they wind betwixt green islands,

they take a serpentine course, their arms flash in the sun—hark to

the musical clank,

behold the silvery river, in it the splashing horses loitering stop

to drink,

behold the brown-faced men, each group, each person a picture, the

negligent rest on the saddles,

some emerge on the opposite bank, others are just entering the ford—while,

scarlet and blue and snowy white,

the guidon flags flutter gayly in the wind.

bivouac on a mountain side

i see before me now a traveling army halting,

below a fertile valley spread, with barns and the orchards of summer,

behind, the terraced sides of a mountain, abrupt, in places rising high,

broken, with rocks, with clinging cedars, with tall shapes dingily seen,

the numerous camp-fires scatter'd near and far, some away up on the

mountain,

the shadowy forms of men and horses, looming, large-sized, flickering,

and over all the sky—the sky! far, far out of reach, studded,

breaking out, the eternal stars.

an army corps on the march

with its cloud of skirmishers in advance,

with now the sound of a single shot snapping like a whip, and now an

irregular volley,

the swarming ranks press on and on, the dense brigades press on,

glittering dimly, toiling under the sun—the dust-cover'd men,

in columns rise and fall to the undulations of the ground,

with artillery interspers'd—the wheels rumble, the horses sweat,

as the army corps advances.

by the bivouac's fitful flame

by the bivouac's fitful flame,

a procession winding around me, solemn and sweet and slow—but

first i note,

the tents of the sleeping army, the fields' and woods' dim outline,

the darkness lit by spots of kindled fire, the silence,

like a phantom far or near an occasional figure moving,

the shrubs and trees, (as i lift my eyes they seem to be stealthily

watching me,)

while wind in procession thoughts, o tender and wondrous thoughts,

of life and death, of home and the past and loved, and of those that

are far away;

a solemn and slow procession there as i sit on the ground,

by the bivouac's fitful flame.

come up from the fields father

come up from the fields father, here's a letter from our pete,

and come to the front door mother, here's a letter from thy dear son.

lo, 'tis autumn,

lo, where the trees, deeper green, yellower and redder,

cool and sweeten ohio's villages with leaves fluttering in the

moderate wind,

where apples ripe in the orchards hang and grapes on the trellis'd vines,

(smell you the smell of the grapes on the vines?

smell you the buckwheat where the bees were lately buzzing?)

above all, lo, the sky so calm, so transparent after the rain, and

with wondrous clouds,

below too, all calm, all vital and beautiful, and the farm prospers well.

down in the fields all prospers well,

but now from the fields come father, come at the daughter's call.

and come to the entry mother, to the front door come right away.

fast as she can she hurries, something ominous, her steps trembling,

she does not tarry to smooth her hair nor adjust her cap.

open the envelope quickly,

o this is not our son's writing, yet his name is sign'd,

o a strange hand writes for our dear son, o stricken mother's soul!

all swims before her eyes, flashes with black, she catches the main

words only,

sentences broken, gunshot wound in the breast, cavalry skirmish,

taken to hospital,

at present low, but will soon be better.

ah now the single figure to me,

amid all teeming and wealthy ohio with all its cities and farms,

sickly white in the face and dull in the head, very faint,

by the jamb of a door leans.

grieve not so, dear mother, (the just-grown daughter speaks through

her sobs,

the little sisters huddle around speechless and dismay'd,)

see, dearest mother, the letter says pete will soon be better.

alas poor boy, he will never be better, (nor may-be needs to be

better, that brave and simple soul,)

while they stand at home at the door he is dead already,

the only son is dead.

but the mother needs to be better,

she with thin form presently drest in black,

by day her meals untouch'd, then at night fitfully sleeping, often waking,

in the midnight waking, weeping, longing with one deep longing,

o that she might withdraw unnoticed, silent from life escape and withdraw,

to follow, to seek, to be with her dear dead son.

vigil strange i kept on the field one night

vigil strange i kept on the field one night;

when you my son and my comrade dropt at my side that day,

one look i but gave which your dear eyes return'd with a look i

shall never forget,

one touch of your hand to mine o boy, reach'd up as you lay on the ground,

then onward i sped in the battle, the even-contested battle,

till late in the night reliev'd to the place at last again i made my way,

found you in death so cold dear comrade, found your body son of

responding kisses, (never again on earth responding,)

bared your face in the starlight, curious the scene, cool blew the

moderate night-wind,

long there and then in vigil i stood, dimly around me the

battlefield spreading,

vigil wondrous and vigil sweet there in the fragrant silent night,

but not a tear fell, not even a long-drawn sigh, long, long i gazed,

then on the earth partially reclining sat by your side leaning my

chin in my hands,

passing sweet hours, immortal and mystic hours with you dearest

comrade—not a tear, not a word,

vigil of silence, love and death, vigil for you my son and my soldier,

as onward silently stars aloft, eastward new ones upward stole,

vigil final for you brave boy, (i could not save you, swift was your death,

i faithfully loved you and cared for you living, i think we shall

surely meet again,)

till at latest lingering of the night, indeed just as the dawn appear'd,

my comrade i wrapt in his blanket, envelop'd well his form,

folded the blanket well, tucking it carefully over head and

carefully under feet,

and there and then and bathed by the rising sun, my son in his

grave, in his rude-dug grave i deposited,

ending my vigil strange with that, vigil of night and battle-field dim,

vigil for boy of responding kisses, (never again on earth responding,)

vigil for comrade swiftly slain, vigil i never forget, how as day

brighten'd,

i rose from the chill ground and folded my soldier well in his blanket,

and buried him where he fell.

a march in the ranks hard-prest, and the road unknown

a march in the ranks hard-prest, and the road unknown,

a route through a heavy wood with muffled steps in the darkness,

our army foil'd with loss severe, and the sullen remnant retreating,

till after midnight glimmer upon us the lights of a dim-lighted building,

we come to an open space in the woods, and halt by the dim-lighted building,

'tis a large old church at the crossing roads, now an impromptu hospital,

entering but for a minute i see a sight beyond all the pictures and

poems ever made,

shadows of deepest, deepest black, just lit by moving candles and lamps,

and by one great pitchy torch stationary with wild red flame and

clouds of smoke,

by these, crowds, groups of forms vaguely i see on the floor, some

in the pews laid down,

at my feet more distinctly a soldier, a mere lad, in danger of

bleeding to death, (he is shot in the abdomen,)

i stanch the blood temporarily, (the youngster's face is white as a lily,)

then before i depart i sweep my eyes o'er the scene fain to absorb it all,

faces, varieties, postures beyond description, most in obscurity,

some of them dead,

surgeons operating, attendants holding lights, the smell of ether,

odor of blood,

the crowd, o the crowd of the bloody forms, the yard outside also fill'd,

some on the bare ground, some on planks or stretchers, some in the

death-spasm sweating,

an occasional scream or cry, the doctor's shouted orders or calls,

the glisten of the little steel instruments catching the glint of

the torches,

these i resume as i chant, i see again the forms, i smell the odor,

then hear outside the orders given, fall in, my men, fall in;

but first i bend to the dying lad, his eyes open, a half-smile gives he me,

then the eyes close, calmly close, and i speed forth to the darkness,

resuming, marching, ever in darkness marching, on in the ranks,

the unknown road still marching.

a sight in camp in the daybreak gray and dim

a sight in camp in the daybreak gray and dim,

as from my tent i emerge so early sleepless,

as slow i walk in the cool fresh air the path near by the hospital tent,

three forms i see on stretchers lying, brought out there untended lying,

over each the blanket spread, ample brownish woolen blanket,

gray and heavy blanket, folding, covering all.

curious i halt and silent stand,

then with light fingers i from the face of the nearest the first

just lift the blanket;

who are you elderly man so gaunt and grim, with well-gray'd hair,

and flesh all sunken about the eyes?

who are you my dear comrade?

then to the second i step—and who are you my child and darling?

who are you sweet boy with cheeks yet blooming?

then to the third—a face nor child nor old, very calm, as of

beautiful yellow-white ivory;

young man i think i know you—i think this face is the face of the

christ himself,

dead and divine and brother of all, and here again he lies.

as toilsome i wander'd virginia's woods

as toilsome i wander'd virginia's woods,

to the music of rustling leaves kick'd by my feet, (for 'twas autumn,)

i mark'd at the foot of a tree the grave of a soldier;

mortally wounded he and buried on the retreat, (easily all could

understand,)

the halt of a mid-day hour, when up! no time to lose—yet this sign left,

on a tablet scrawl'd and nail'd on the tree by the grave,

bold, cautious, true, and my loving comrade.

long, long i muse, then on my way go wandering,

many a changeful season to follow, and many a scene of life,

yet at times through changeful season and scene, abrupt, alone, or

in the crowded street,

comes before me the unknown soldier's grave, comes the inscription

rude in virginia's woods,

bold, cautious, true, and my loving comrade.

not the pilot

not the pilot has charged himself to bring his ship into port,

though beaten back and many times baffled;

not the pathfinder penetrating inland weary and long,

by deserts parch'd, snows chill'd, rivers wet, perseveres till he

reaches his destination,

more than i have charged myself, heeded or unheeded, to compose

march for these states,

for a battle-call, rousing to arms if need be, years, centuries hence.

year that trembled and reel'd beneath me

year that trembled and reel'd beneath me!

your summer wind was warm enough, yet the air i breathed froze me,

a thick gloom fell through the sunshine and darken'd me,

must i change my triumphant songs? said i to myself,

must i indeed learn to chant the cold dirges of the baffled?

and sullen hymns of defeat?

the wound-dresser

1

an old man bending i come among new faces,

years looking backward resuming in answer to children,

come tell us old man, as from young men and maidens that love me,

(arous'd and angry, i'd thought to beat the alarum, and urge relentless war,

but soon my fingers fail'd me, my face droop'd and i resign'd myself,

to sit by the wounded and soothe them, or silently watch the dead;)

years hence of these scenes, of these furious passions, these chances,

of unsurpass'd heroes, (was one side so brave? the other was equally brave;)

now be witness again, paint the mightiest armies of earth,

of those armies so rapid so wondrous what saw you to tell us?

what stays with you latest and deepest? of curious panics,

of hard-fought engagements or sieges tremendous what deepest remains?

2

o maidens and young men i love and that love me,

what you ask of my days those the strangest and sudden your talking recalls,

soldier alert i arrive after a long march cover'd with sweat and dust,

in the nick of time i come, plunge in the fight, loudly shout in the

rush of successful charge,

enter the captur'd works—yet lo, like a swift-running river they fade,

pass and are gone they fade—i dwell not on soldiers' perils or

soldiers' joys,

(both i remember well—many the hardships, few the joys, yet i was content.)

but in silence, in dreams' projections,

while the world of gain and appearance and mirth goes on,

so soon what is over forgotten, and waves wash the imprints off the sand,

with hinged knees returning i enter the doors, (while for you up there,

whoever you are, follow without noise and be of strong heart.)

bearing the bandages, water and sponge,

straight and swift to my wounded i go,

where they lie on the ground after the battle brought in,

where their priceless blood reddens the grass the ground,

or to the rows of the hospital tent, or under the roof'd hospital,

to the long rows of cots up and down each side i return,

to each and all one after another i draw near, not one do i miss,

an attendant follows holding a tray, he carries a refuse pail,

soon to be fill'd with clotted rags and blood, emptied, and fill'd again.

i onward go, i stop,

with hinged knees and steady hand to dress wounds,

i am firm with each, the pangs are sharp yet unavoidable,

one turns to me his appealing eyes—poor boy! i never knew you,

yet i think i could not refuse this moment to die for you, if that

would save you.

3

on, on i go, (open doors of time! open hospital doors!)

the crush'd head i dress, (poor crazed hand tear not the bandage away,)

the neck of the cavalry-man with the bullet through and through examine,

hard the breathing rattles, quite glazed already the eye, yet life

struggles hard,

(come sweet death! be persuaded o beautiful death!

in mercy come quickly.)

from the stump of the arm, the amputated hand,

i undo the clotted lint, remove the slough, wash off the matter and blood,

back on his pillow the soldier bends with curv'd neck and side falling head,

his eyes are closed, his face is pale, he dares not look on the

bloody stump,

and has not yet look'd on it.

i dress a wound in the side, deep, deep,

but a day or two more, for see the frame all wasted and sinking,

and the yellow-blue countenance see.

i dress the perforated shoulder, the foot with the bullet-wound,

cleanse the one with a gnawing and putrid gangrene, so sickening,

so offensive,

while the attendant stands behind aside me holding the tray and pail.

i am faithful, i do not give out,

the fractur'd thigh, the knee, the wound in the abdomen,

these and more i dress with impassive hand, (yet deep in my breast

a fire, a burning flame.)

4

thus in silence in dreams' projections,

returning, resuming, i thread my way through the hospitals,

the hurt and wounded i pacify with soothing hand,

i sit by the restless all the dark night, some are so young,

some suffer so much, i recall the experience sweet and sad,

(many a soldier's loving arms about this neck have cross'd and rested,

many a soldier's kiss dwells on these bearded lips.)

long, too long america

long, too long america,

traveling roads all even and peaceful you learn'd from joys and

prosperity only,

but now, ah now, to learn from crises of anguish, advancing,

grappling with direst fate and recoiling not,

and now to conceive and show to the world what your children

en-masse really are,

(for who except myself has yet conceiv'd what your children en-masse

really are?)

give me the splendid silent sun

1

give me the splendid silent sun with all his beams full-dazzling,

give me autumnal fruit ripe and red from the orchard,

give me a field where the unmow'd grass grows,

give me an arbor, give me the trellis'd grape,

give me fresh corn and wheat, give me serene-moving animals teaching

content,

give me nights perfectly quiet as on high plateaus west of the

mississippi, and i looking up at the stars,

give me odorous at sunrise a garden of beautiful flowers where i can

walk undisturb'd,

give me for marriage a sweet-breath'd woman of whom i should never tire,

give me a perfect child, give me away aside from the noise of the

world a rural domestic life,

give me to warble spontaneous songs recluse by myself, for my own ears only,

give me solitude, give me nature, give me again o nature your primal

sanities!

these demanding to have them, (tired with ceaseless excitement, and

rack'd by the war-strife,)

these to procure incessantly asking, rising in cries from my heart,

while yet incessantly asking still i adhere to my city,

day upon day and year upon year o city, walking your streets,

where you hold me enchain'd a certain time refusing to give me up,

yet giving to make me glutted, enrich'd of soul, you give me forever faces;

(o i see what i sought to escape, confronting, reversing my cries,

see my own soul trampling down what it ask'd for.)

2

keep your splendid silent sun,

keep your woods o nature, and the quiet places by the woods,

keep your fields of clover and timothy, and your corn-fields and orchards,

keep the blossoming buckwheat fields where the ninth-month bees hum;

give me faces and streets—give me these phantoms incessant and

endless along the trottoirs!

give me interminable eyes—give me women—give me comrades and

lovers by the thousand!

let me see new ones every day—let me hold new ones by the hand every day!

give me such shows—give me the streets of manhattan!

give me broadway, with the soldiers marching—give me the sound of

the trumpets and drums!

(the soldiers in companies or regiments—some starting away, flush'd

and reckless,

some, their time up, returning with thinn'd ranks, young, yet very

old, worn, marching, noticing nothing;)

give me the shores and wharves heavy-fringed with black ships!

o such for me! o an intense life, full to repletion and varied!

the life of the theatre, bar-room, huge hotel, for me!

the saloon of the steamer! the crowded excursion for me! the

torchlight procession!

the dense brigade bound for the war, with high piled military wagons

following;

people, endless, streaming, with strong voices, passions, pageants,

manhattan streets with their powerful throbs, with beating drums as now,

the endless and noisy chorus, the rustle and clank of muskets, (even

the sight of the wounded,)

manhattan crowds, with their turbulent musical chorus!

manhattan faces and eyes forever for me.

dirge for two veterans

the last sunbeam

lightly falls from the finish'd sabbath,

on the pavement here, and there beyond it is looking,

down a new-made double grave.

lo, the moon ascending,

up from the east the silvery round moon,

beautiful over the house-tops, ghastly, phantom moon,

immense and silent moon.

i see a sad procession,

and i hear the sound of coming full-key'd bugles,

all the channels of the city streets they're flooding,

as with voices and with tears.

i hear the great drums pounding,

and the small drums steady whirring,

and every blow of the great convulsive drums,

strikes me through and through.

for the son is brought with the father,

(in the foremost ranks of the fierce assault they fell,

two veterans son and father dropt together,

and the double grave awaits them.)

now nearer blow the bugles,

and the drums strike more convulsive,

and the daylight o'er the pavement quite has faded,

and the strong dead-march enwraps me.

in the eastern sky up-buoying,

the sorrowful vast phantom moves illumin'd,

('tis some mother's large transparent face,

in heaven brighter growing.)

o strong dead-march you please me!

o moon immense with your silvery face you soothe me!

o my soldiers twain! o my veterans passing to burial!

what i have i also give you.

the moon gives you light,

and the bugles and the drums give you music,

and my heart, o my soldiers, my veterans,

my heart gives you love.

over the carnage rose prophetic a voice

over the carnage rose prophetic a voice,

be not dishearten'd, affection shall solve the problems of freedom yet,

those who love each other shall become invincible,

they shall yet make columbia victorious.

sons of the mother of all, you shall yet be victorious,

you shall yet laugh to scorn the attacks of all the remainder of the earth.

no danger shall balk columbia's lovers,

if need be a thousand shall sternly immolate themselves for one.

one from massachusetts shall be a missourian's comrade,

from maine and from hot carolina, and another an oregonese, shall

be friends triune,

more precious to each other than all the riches of the earth.

to michigan, florida perfumes shall tenderly come,

not the perfumes of flowers, but sweeter, and wafted beyond death.

it shall be customary in the houses and streets to see manly affection,

the most dauntless and rude shall touch face to face lightly,

the dependence of liberty shall be lovers,

the continuance of equality shall be comrades.

these shall tie you and band you stronger than hoops of iron,

i, ecstatic, o partners! o lands! with the love of lovers tie you.

(were you looking to be held together by lawyers?

or by an agreement on a paper? or by arms?

nay, nor the world, nor any living thing, will so cohere.)

i saw old general at bay

i saw old general at bay,

(old as he was, his gray eyes yet shone out in battle like stars,)

his small force was now completely hemm'd in, in his works,

he call'd for volunteers to run the enemy's lines, a desperate emergency,

i saw a hundred and more step forth from the ranks, but two or three

were selected,

i saw them receive their orders aside, they listen'd with care, the

adjutant was very grave,

i saw them depart with cheerfulness, freely risking their lives.

the artilleryman's vision

while my wife at my side lies slumbering, and the wars are over long,

and my head on the pillow rests at home, and the vacant midnight passes,

and through the stillness, through the dark, i hear, just hear, the

breath of my infant,

there in the room as i wake from sleep this vision presses upon me;

the engagement opens there and then in fantasy unreal,

the skirmishers begin, they crawl cautiously ahead, i hear the

irregular snap! snap!

i hear the sounds of the different missiles, the short t-h-t! t-h-t!

of the rifle-balls,

i see the shells exploding leaving small white clouds, i hear the

great shells shrieking as they pass,

the grape like the hum and whirr of wind through the trees,

(tumultuous now the contest rages,)

all the scenes at the batteries rise in detail before me again,

the crashing and smoking, the pride of the men in their pieces,

the chief-gunner ranges and sights his piece and selects a fuse of

the right time,

after firing i see him lean aside and look eagerly off to note the effect;

elsewhere i hear the cry of a regiment charging, (the young colonel

leads himself this time with brandish'd sword,)

i see the gaps cut by the enemy's volleys, (quickly fill'd up, no delay,)

i breathe the suffocating smoke, then the flat clouds hover low

concealing all;

now a strange lull for a few seconds, not a shot fired on either side,

then resumed the chaos louder than ever, with eager calls and

orders of officers,

while from some distant part of the field the wind wafts to my ears

a shout of applause, (some special success,)

and ever the sound of the cannon far or near, (rousing even in

dreams a devilish exultation and all the old mad joy in the

depths of my soul,)

and ever the hastening of infantry shifting positions, batteries,

cavalry, moving hither and thither,

(the falling, dying, i heed not, the wounded dripping and red

heed not, some to the rear are hobbling,)

grime, heat, rush, aide-de-camps galloping by or on a full run,

with the patter of small arms, the warning s-s-t of the rifles,

(these in my vision i hear or see,)

and bombs bursting in air, and at night the vari-color'd rockets.

ethiopia saluting the colors

who are you dusky woman, so ancient hardly human,

with your woolly-white and turban'd head, and bare bony feet?

why rising by the roadside here, do you the colors greet?

('tis while our army lines carolina's sands and pines,

forth from thy hovel door thou ethiopia com'st to me,

as under doughty sherman i march toward the sea.)

me master years a hundred since from my parents sunder'd,

a little child, they caught me as the savage beast is caught,

then hither me across the sea the cruel slaver brought.

no further does she say, but lingering all the day,

her high-borne turban'd head she wags, and rolls her darkling eye,

and courtesies to the regiments, the guidons moving by.

what is it fateful woman, so blear, hardly human?

why wag your head with turban bound, yellow, red and green?

are the things so strange and marvelous you see or have seen?

not youth pertains to me

not youth pertains to me,

nor delicatesse, i cannot beguile the time with talk,

awkward in the parlor, neither a dancer nor elegant,

in the learn'd coterie sitting constrain'd and still, for learning

inures not to me,

beauty, knowledge, inure not to me—yet there are two or three things

inure to me,

i have nourish'd the wounded and sooth'd many a dying soldier,

and at intervals waiting or in the midst of camp,

composed these songs.

race of veterans

race of veterans—race of victors!

race of the soil, ready for conflict—race of the conquering march!

(no more credulity's race, abiding-temper'd race,)

race henceforth owning no law but the law of itself,

race of passion and the storm.

world take good notice

world take good notice, silver stars fading,

milky hue ript, wet of white detaching,

coals thirty-eight, baleful and burning,

scarlet, significant, hands off warning,

now and henceforth flaunt from these shores.

o tan-faced prairie-boy

o tan-faced prairie-boy,

before you came to camp came many a welcome gift,

praises and presents came and nourishing food, till at last among

the recruits,

you came, taciturn, with nothing to give—we but look'd on each other,

when lo! more than all the gifts of the world you gave me.

look down fair moon

look down fair moon and bathe this scene,

pour softly down night's nimbus floods on faces ghastly, swollen, purple,

on the dead on their backs with arms toss'd wide,

pour down your unstinted nimbus sacred moon.

reconciliation

word over all, beautiful as the sky,

beautiful that war and all its deeds of carnage must in time be

utterly lost,

that the hands of the sisters death and night incessantly softly

wash again, and ever again, this solid world;

for my enemy is dead, a man divine as myself is dead,

i look where he lies white-faced and still in the coffin—i draw near,

bend down and touch lightly with my lips the white face in the coffin.

how solemn as one by one [washington city, 1865]

how solemn as one by one,

as the ranks returning worn and sweaty, as the men file by where stand,

as the faces the masks appear, as i glance at the faces studying the masks,

(as i glance upward out of this page studying you, dear friend,

whoever you are,)

how solemn the thought of my whispering soul to each in the ranks,

and to you,

i see behind each mask that wonder a kindred soul,

o the bullet could never kill what you really are, dear friend,

nor the bayonet stab what you really are;

the soul! yourself i see, great as any, good as the best,

waiting secure and content, which the bullet could never kill,

nor the bayonet stab o friend.

as i lay with my head in your lap camerado

as i lay with my head in your lap camerado,

the confession i made i resume, what i said to you and the open air

i resume,

i know i am restless and make others so,

i know my words are weapons full of danger, full of death,

for i confront peace, security, and all the settled laws, to

unsettle them,

i am more resolute because all have denied me than i could ever have

been had all accepted me,

i heed not and have never heeded either experience, cautions,

majorities, nor ridicule,

and the threat of what is call'd hell is little or nothing to me,

and the lure of what is call'd heaven is little or nothing to me;

dear camerado! i confess i have urged you onward with me, and still

urge you, without the least idea what is our destination,

or whether we shall be victorious, or utterly quell'd and defeated.

delicate cluster

delicate cluster! flag of teeming life!

covering all my lands—all my seashores lining!

flag of death! (how i watch'd you through the smoke of battle pressing!

how i heard you flap and rustle, cloth defiant!)

flag cerulean—sunny flag, with the orbs of night dappled!

ah my silvery beauty—ah my woolly white and crimson!

ah to sing the song of you, my matron mighty!

my sacred one, my mother.

to a certain civilian

did you ask dulcet rhymes from me?

did you seek the civilian's peaceful and languishing rhymes?

did you find what i sang erewhile so hard to follow?

why i was not singing erewhile for you to follow, to understand—nor

am i now;

(i have been born of the same as the war was born,

the drum-corps' rattle is ever to me sweet music, i love well the

martial dirge,

with slow wail and convulsive throb leading the officer's funeral;)

what to such as you anyhow such a poet as i? therefore leave my works,

and go lull yourself with what you can understand, and with piano-tunes,

for i lull nobody, and you will never understand me.

lo, victress on the peaks

lo, victress on the peaks,

where thou with mighty brow regarding the world,

(the world o libertad, that vainly conspired against thee,)

out of its countless beleaguering toils, after thwarting them all,

dominant, with the dazzling sun around thee,

flauntest now unharm'd in immortal soundness and bloom—lo, in

these hours supreme,

no poem proud, i chanting bring to thee, nor mastery's rapturous verse,

but a cluster containing night's darkness and blood-dripping wounds,

and psalms of the dead.

spirit whose work is done [washington city, 1865]

spirit whose work is done—spirit of dreadful hours!

ere departing fade from my eyes your forests of bayonets;

spirit of gloomiest fears and doubts, (yet onward ever unfaltering

pressing,)

spirit of many a solemn day and many a savage scene—electric spirit,

that with muttering voice through the war now closed, like a

tireless phantom flitted,

rousing the land with breath of flame, while you beat and beat the drum,

now as the sound of the drum, hollow and harsh to the last,

reverberates round me,

as your ranks, your immortal ranks, return, return from the battles,

as the muskets of the young men yet lean over their shoulders,

as i look on the bayonets bristling over their shoulders,

as those slanted bayonets, whole forests of them appearing in the

distance, approach and pass on, returning homeward,

moving with steady motion, swaying to and fro to the right and left,

evenly lightly rising and falling while the steps keep time;

spirit of hours i knew, all hectic red one day, but pale as death next day,

touch my mouth ere you depart, press my lips close,

leave me your pulses of rage—bequeath them to me—fill me with

currents convulsive,

let them scorch and blister out of my chants when you are gone,

let them identify you to the future in these songs.

adieu to a soldier

adieu o soldier,

you of the rude campaigning, (which we shared,)

the rapid march, the life of the camp,

the hot contention of opposing fronts, the long manoeuvre,

red battles with their slaughter, the stimulus, the strong terrific game,

spell of all brave and manly hearts, the trains of time through you

and like of you all fill'd,

with war and war's expression.

adieu dear comrade,

your mission is fulfill'd—but i, more warlike,

myself and this contentious soul of mine,

still on our own campaigning bound,

through untried roads with ambushes opponents lined,

through many a sharp defeat and many a crisis, often baffled,

here marching, ever marching on, a war fight out—aye here,

to fiercer, weightier battles give expression.

turn o libertad

turn o libertad, for the war is over,

from it and all henceforth expanding, doubting no more, resolute,

sweeping the world,

turn from lands retrospective recording proofs of the past,

from the singers that sing the trailing glories of the past,

from the chants of the feudal world, the triumphs of kings, slavery, caste,

turn to the world, the triumphs reserv'd and to come—give up that

backward world,

leave to the singers of hitherto, give them the trailing past,

but what remains remains for singers for you—wars to come are for you,

(lo, how the wars of the past have duly inured to you, and the wars

of the present also inure;)

then turn, and be not alarm'd o libertad—turn your undying face,

to where the future, greater than all the past,

is swiftly, surely preparing for you.

to the leaven'd soil they trod

to the leaven'd soil they trod calling i sing for the last,

(forth from my tent emerging for good, loosing, untying the tent-ropes,)

in the freshness the forenoon air, in the far-stretching circuits

and vistas again to peace restored,

to the fiery fields emanative and the endless vistas beyond, to the

south and the north,

to the leaven'd soil of the general western world to attest my songs,

to the alleghanian hills and the tireless mississippi,

to the rocks i calling sing, and all the trees in the woods,

to the plains of the poems of heroes, to the prairies spreading wide,

to the far-off sea and the unseen winds, and the sane impalpable air;

and responding they answer all, (but not in words,)

the average earth, the witness of war and peace, acknowledges mutely,

the prairie draws me close, as the father to bosom broad the son,

the northern ice and rain that began me nourish me to the end,

but the hot sun of the south is to fully ripen my songs.