the crack train thundered on through the bright afternoon towards the south. they left pennsylvania behind, and maryland. there came a long halt at washington, where bond heard through his dreams the measured clang of the warning bells on the shunting engines and the soft think-speak of the public-address system on the station. then on into virginia. here the air was already softer and the dusk, only five hours away from the bright frosty breath of new york, smelled almost of spring.
an occasional group of negroes, walking home from the fields, would hear the distant rumble on the silent sighing silver rails and one would pull out his watch and consult it and announce, 'hyah comes da phantom. six o'clock. guess ma watch is right on time.'
'sho nuff,' one of the others would say as the great beat of the diesels came nearer and the lighted coaches streaked past and on towards north carolina.
they awoke around seven to the hasty ting of a grade-crossing alarm bell as the big train nosed its way out of the fields into the suburbs of raleigh. bond pulled the wedges from under the doors before he turned on the lights and rang for the attendant.
he ordered dry martinis and when the two little 'personalized' bottles appeared with the glasses and the ice they seemed so inadequate that he at once ordered four more.
they argued over the menu. the fish was described as being 'made from flaky tender boneless filets' and the chicken as 'delicious french fried to a golden brown, served disjointed'.
'eyewash,' said bond, and they finally ordered scrambled eggs and bacon and sausages, a salad, and some of the domestic camembert that is one of the most welcome surprises on american menus.
it was nine o'clock when baldwin came to clear the dishes away. he asked if there was anything else they wanted.
bond had been thinking. 'what time do we get into jacksonville?' he asked.
'aroun' five 'n the morning, suh.'
'is there a subway on the platform?'
'yassuh. dis cyar stops right alongside.'
'gould you have the door open and the steps down pretty quick?'
the negro smiled. 'yassuh. ah kin take good care of that.'
bond slipped him a ten-dollar bill. 'just in case i miss you when we arrive in st. petersburg,' he said.
the negro grinned. 'ah greatly preeshiate yo kindness, suh. good night, suh. good night, mam.'
he went out and closed the door.
bond got up and pushed the wedges firmly under the two doors.
'i see,' said solitaire. 'so it's like that.'
'yes,' said bond. 'i'm afraid so.' he told her of the warning he had had from baldwin.
'i'm not surprised,' said the girl when he had finished. 'they must have seen you coming into the station. he's got a whole team of spies called "the eyes" and when they're put out on a job it's almost impossible to get by them. i wonder who he's got on the train. you can be certain it's a negro, either a pullman attendant or someone in the diner. he can make these people do absolutely anything he likes.'
'so it seems,' said bond. 'but how does it work? what's he got on them?'
she looked out of the window into the tunnel of darkness through which the lighted train was burning its thundering path. then she looked back across the table into the cool wide grey-blue eyes of the english agent. she thought: how can one explain to someone with that certainty of spirit, with that background of common sense, brought up with clothes and shoes among the warm houses and the lighted streets? how can one explain to someone who hasn't lived close to the secret heart of the tropics, at the mercy of their anger and stealth and poison; who hasn't experienced the mystery of the drums, seen the quick workings of magic and the mortal dread it inspires? what can he know of catalepsy, and thought-transference and the sixth sense of fish, of birds, of negroes; the deadly meaning of a white chicken's feather, a crossed stick in the road, a little leather bag of bones and herbs? what of mialism, of shadow-taking, of the death by swelling and the death by wasting?
she shivered and a whole host of dark memories clustered round her. above all, she remembered that first time in the houmfor where her black nurse had once taken her as a child. 'it do yuh no harm, missy. dis powerful good juju. care fe yuh res 'f yo life.' and the disgusting old man and the filthy drink he had given her. how her nurse had held her jaws open until she had drunk the last drop and how she had lain awake screaming every night for a week. and how her nurse had been worried and then suddenly she had slept all right until, weeks later, shifting on her pillow, she had felt something hard and had dug it out from the pillow-case, a dirty little packet of muck. she had thrown it out of the window, but in the morning she could not find it. she had continued to sleep well and she knew it must have been found by the nurse and secreted somewhere under the floorboards.
years later, she had found out about the voodoo drink -a concoction of rum, gunpowder, grave-dirt and human blood. she almost retched as the taste came back to her mouth.
what could this man know of these things or of her half-belief in them?
she looked up and found bond's eyes fixed quizzically on her.
'you're thinking i shan't understand,' he said. 'and you're right up to a point. but i know what fear can do to people and i know that fear can be caused by many things. i've read most of the books on voodoo and i believe that it works. i don't think it would work on me because i stopped being afraid of the dark when i was a child and i'm not a good subject for suggestion or hypnotism. but i know the jargon and you needn't think i shall laugh at it. the scientists and doctors who wrote the books don't laugh at it.'
solitaire smiled. 'all right,' she said. 'then all i need tell you is that they believe the big man is the zombie of baron samedi. zombies are bad enough by themselves. they're animated corpses that have been made to rise from the dead and obey the commands of the person who controls them. baron samedi is the most dreadful spirit in the whole of voodooism. he is the spirit of darkness and death. so for baron samedi to be in control of his own zombie is a very dreadful conception. you know what mr. big looks like. he is huge and grey and he has great psychic power. it is not difficult for a negro to believe that he is a zombie and a very bad one at that. the step to baron samedi is simple. mr. big encourages the idea by having the baron's fetish at his elbow. you saw it in his room.'
she paused. she went on quickly, almost breathlessly: 'and i can tell you that it works and that there's hardly a negro who has seen him and heard the story who doesn't believe it and who doesn't regard him with complete and absolute dread. and they are right,' she added. 'and you would say so too if you knew the way he deals with those who haven't obeyed him completely, the way they are tortured and killed.'
'where does moscow come in?' asked bond. 'is it true he's an agent of smersh?'
'i don't know what smersh is,' said the girl, 'but i know he works for russia, at least i've heard him talking russian to people who come from time to time. occasionally he's had me in to that room and asked me afterwards what i thought of his visitors. generally it seemed to me they were telling the truth although i couldn't understand what they said. but don't forget i've only known him for a year and he's fantastically secretive. if moscow does use him they've got hold of one of the most powerful men in america. he can find out almost anything he wants to and if he doesn't get what he wants somebody gets killed.'
'why doesn't someone kill him?' asked bond.
'you can't kill him,' she said. 'he's already dead. he's a zombie.'
'yes, i see,' said bond slowly. 'it's quite an impressive arrangement. would you try?'
she looked out of the window, then back at him.
'as a last resort,' she admitted unwillingly. 'but don't forget i come from haiti. my brain tells me i could kill him, but…' she made a helpless gesture with her hands. '… my instinct tells me i couldn't.'
she smiled at him docilely. 'you must think me a hopeless fool,' she said.
bond reflected. 'not after reading all those books,' he admitted. he put his hand across the table and covered hers with it. 'when the time comes,' he said, smiling, 'i'll cut a cross in my bullet. that used to work in the old days.'
she looked thoughtful. 'i believe that if anybody can do it, you can,' she said. 'you hit him hard last night in exchange for what he did to you. she took his hand in hers and pressed it. 'now tell me what i must do.'
'bed,' said bond. he looked at his watch. it was ten o'clock. 'might as well get as much sleep as we can. we'll slip off the train at jacksonville and chance being spotted. find another way down to the coast.'
they got up. they stood facing each other in the swaying train.
suddenly bond reached out and took her in his right arm. her arms went round his neck and they kissed passionately. he pressed her up against the swaying wall and held her there. she took his face between her two hands and held it away, panting. her eyes were bright and hot. then she brought his lips against hers again and kissed in him long and lasciviously, as if she was the man and he the woman.
bond cursed the broken hand that prevented him exploring her body, taking her. he freed his right hand and put it between their bodies, feeling her hard breasts, each with its pointed stigma of desire. he slipped it down her back until it came to the cleft at the base of her spine and he let it rest there, holding the centre of her body hard against him until they had kissed enough.
she took her arms away from around his neck and pushed him away.
'i hoped i would one day kiss a man like that,' she said. 'and when i first saw you, i knew it would be you.'
her arms were down by her sides and her body stood there, open to him, ready for him.
'you're very beautiful,' said bond. 'you kiss more wonderfully than any girl i have ever known.' he looked down at the bandages on his left hand. 'curse this arm,' he said. 'i can't hold you properly or make love to you. it hurts too much. that's something else mr. big's got to pay for.'
she laughed.
she took a handkerchief out of her bag and wiped the lipstick off his mouth. then she brushed the hair away from his forehead, and kissed him again, lightly and tenderly.
'it's just as well,' she said. 'there are too many other things on our minds.'
the train rocked him back against her.
he put his hand on her left breast and kissed her white throat. then he kissed her mouth.
he felt the pounding of his blood softening. he took her by the hand and drew her out into the middle of the little swaying room.
he smiled. 'perhaps you're right,' he said. 'when the time comes i want to be alone with you, with all the time in the world. here there is at least one man who will probably disturb our night. and we'll have to be up at four in the morning anyway. so there simply isn't time to begin making love to you now. you get ready for bed and i'll climb up after you and kiss you good night.'
they kissed once more, slowly, then he stepped away.
'we'll just see if we have company next door,' he said.
he softly pulled the wedge away from under the communicating door and gently turned the lock. he took the beretta out of its holster, thumbed back the safety-catch and gestured to her to pull open the door so that she was behind it. he gave the signal and she wrenched it quickly open. the empty compartment yawned sarcastically at them
bond smiled at her and shrugged his shoulders.
'call me when you're ready,' he said and went in and closed the door.
the door to the corridor was locked. the room was identical with theirs. bond went over it very carefully for vulnerable points. there was only the air-conditioning vent in the ceiling and bond, who was prepared to consider any possibility, dismissed the employment of gas in the system. it would slay all the other occupants of the car. there only remained the waste pipes in the small lavatory and while these certainly could be used to insert some death-dealing medium from the underbelly of the train, the operator would have to be a daring and skilled acrobat. there was no ventilating grill into the corridor.
bond shrugged his shoulders. if anyone came, it would be through the doors. he would just have to stay awake.
solitaire called for him. the room smelled of balmain's 'vent vert'. she was leaning on her elbow and looking down at him from the upper berth.
i he bedclothes were pulled up round her shoulder. bond guessed that she was naked. her black hair fell away from her head in a dark cascade. with only the reading-lamp on behind her, her face was in shadow. bond climbed up the little aluminium ladder and leant towards her. she reached towards him and suddenly the bedclothes fell away from her shoulders. x
'damn you,' said bond. 'you…'
she put her hand over his mouth.
' "allumeuse" is the nice word for it,' she said. 'it is fun for me to be able to tease such a strong silent man. you burn with such an angry, flame. it is the only game i have to play with you and i shan't be able to play it for long. how many days until your hand is well again?'
bond bit hard into the soft hand over his mouth. she gave a little scream.
'not many,' said bond. 'and then one day when you're playing your little game you'll suddenly find yourself pinned down like a butterfly.'
she put her arms round him and they kissed, long and passionately.
finally she sank back among the pillows.
'hurry up and get well,' she said. 'i'm tired of my game already.' ,
bond climbed down to the floor and pulled her curtains across the berth.
'try and get some sleep now,' he said. 'we've got a long day tomorrow.'
she murmured something and he heard her turn over. she switched off the light.
bond verified that the wedges were in place under the doors. then he took off his coat and tie and lay down on the bottom berth. he turned off his own light and lay thinking of solitaire and listening to the steady gallop of the wheels beneath his head and the comfortable small noises in the room, the gentle rattles and squeaks and murmurs in the coachwork that bring sleep so quickly on a train at night-time.
it was eleven o'clock and the train was on the long stretch between columbia and savannah, georgia. there were another six hours or so to jacksonville, another six hours of darkness during which the big man would almost certainly have instructed his agent to make some move, while the whole train was asleep and while a man could use the corridors without interference.
the great train snaked on through the dark, pounding out the miles through the empty plains and mingy hamlets of georgia, the 'peach state', the angry moan of its four-toned wind-horn soughing over the wide savannah and the long shaft of its single searchlight ripping the black calico of the night.
bond turned on his light again and read for a while, but his thoughts were too insistent and he soon gave up and switched the light off. instead, he thought of solitaire and of the future and of the more immediate prospects of jacksonville and st. petersburg and of seeing leiter again.
much later, around one o'clock in the morning, he was dozing and on the edge of sleep, when a soft metallic noise quite close to his head brought him wide awake with his hand on his gun.
there was someone at the passage door and the lock was being softly tried.
bond was immediately on the floor and moving silently on his bare feet. he gently pulled the wedge away from under the door to the next compartment and as gently pulled the bolt and opened the door. he crossed the next compartment and softly began to open the door to the corridor.
there was a deafening click as the bolt came back. he tore the door open and threw himself into the corridor, only to see a flying figure already nearing the forward end of the car.
if his two hands had been free he could have shot the man, but to open the doors he had to tuck his gun into the waistband of his trousers. bond knew that pursuit would be hopeless. there were too many empty compartments into which the man could dodge and quietly close the door. bond had worked all this out beforehand. he knew his only chance would be surprise and either a quick shot or the man's surrender.
he walked a few steps to compartment h. a tiny diamond of paper protruded into the corridor.
he went back and into their room, locking the doors behind him. he softly turned on his reading light. solitaire was still asleep. the rest of the paper, a single sheet, lay on the carpet against the passage door. he picked it up and sat on the edge of his bed.
it was a sheet of cheap ruled notepaper. it was covered with irregular lines of writing in rough capitals, in red ink.
bond handled it gingerly, without much hope that it would yield any prints. these people weren't like that.
oh witch [he read] do not slay me, spare me. his is the body.
the divine drummer declares that
when he rises with the dawn
he will sound his drums for you in the morning
very early, very early, very early, very early.
oh witch that slays the children of men before they
are fully matured
oh witch that slays the children of men before they
are fully matured
the divine drummer declares that
when he rises with the dawn
he will sound his drums for you in the morning
very early, very early, very early, very early.
we are addressing you and you will understand.
bond lay down on his bed and thought. then he folded the paper and put it in his pocket-book. he lay on his back and looked at nothing, waiting for daybreak.
