james bond awoke early in his dingy room at the kristal palas on the heights of pera and absent-mindedly reached down a hand to explore a sharp tickle on the outside of his right thigh. something had bitten him during the night. irritably he scratched the spot. he might have expected it.
when he had arrived the night before, to be greeted by a surly night-concierge in trousers and a collarless shirt, and had briefly inspected the entrance hall with the fly-blown palms in copper pots, and the floor and walls of discoloured moorish tiles, he had known what he was in for. he had half thought of going to another hotel. inertia, and a perverse liking for the sleazy romance that clings to old-fashioned continental hotels, had decided him to stay, and he had signed in and followed the man up to the third floor in the old rope-and-gravity lift.
his room, with its few sticks of aged furniture and an iron bedstead, was what he had expected. he only looked to see if there were the blood spots of squashed bugs on the wall-paper behind the bedhead before dismissing the concièrge.
he had been premature. when he went into the bathroom and turned on the hot tap it gave a deep sigh, then a deprecating cough, and finally ejected a small centipede into the basin. bond morosely washed the centipede away with the thin stream of brownish water from the cold tap. so much, he had reflected wryly, for choosing an hotel because its name had amused him and because he had wanted to get away from the soft life of big hotels.
but he had slept well, and now, with the reservation that he must buy some insecticide, he decided to forget about his comforts and get on with the day.
bond got out of bed, drew back the heavy red plush curtains and leant on the iron balustrade and looked out over one of the most famous views in the world-on his right the still waters of the golden horn, on his left the dancing waves of the unsheltered bosphorus, and, in between, the tumbling roofs, soaring minarets and crouching mosques of pera. after all, his choice had been good. the view made up for many bedbugs and much discomfort.
for ten minutes bond stood and gazed out across the sparkling water barrier between europe and asia, then he turned back into the room, now bright with sunshine, and telephoned for his breakfast. his english was not understood, but his french at last got through. he turned on a cold bath and shaved patiently with cold water and hoped that the exotic breakfast he had ordered would not be a fiasco.
he was not disappointed. the yoghurt, in a blue china bowl, was deep yellow and with the consistency of thick cream. the green figs, ready peeled, were bursting with ripeness, and the turkish coffee was jet black and with the burned taste that showed it had been freshly ground. bond ate the delicious meal on a table drawn up beside the open window. he watched the steamers and the caiques criss-crossing the two seas spread out before him and wondered about kerim and what fresh news there might be.
punctually at nine, the elegant rolls came for him and took him through taksim square and down the crowded istiklal and out of asia. the thick black smoke of the waiting steamers, badged with the graceful crossed anchors of the merchant marine, streamed across the first span of the galata bridge and hid the other shore towards which the rolls nosed forward through the bicycles and trams, the well-bred snort of the ancient bulb horn just keeping the pedestrians from under its wheels. then the way was clear and the old european section of istanbul glittered at the end of the broad half-mile of bridge with the slim minarets lancing up into the sky and the domes of the mosques, crouching at their feet, looking like big firm breasts. it should have been the arabian nights, but to bond, seeing it first above the tops of trams and above the great scars of modern advertising along the river frontage, it seemed a once beautiful theatre-set that modern turkey had thrown aside in favour of the steel and concrete flat-iron of the istanbul-hilton hotel, blankly glittering behind him on the heights of pera.
across the bridge, the car nosed to the right down a narrow cobbled street parallel with the waterfront and stopped outside a high wooden porte-cochère.
a tough-looking watchman with a chunky, smiling face, dressed in frayed khaki, came out of a porter's lodge and saluted. he opened the car door and gestured for bond to follow him. he led the way back into his lodge and through a door into a small courtyard with a neatly raked gravel parterre. in the centre was a gnarled eucalyptus tree at whose foot two white ringdoves were pecking about. the noise of the town was a distant rumble and it was quiet and peaceful.
they walked across the gravel and through another small door and bond found himself at one end of a great vaulted godown with high circular windows through which dusty bars of sunshine slanted across a vista of bundles and bales of merchandise. there was a cool, musty scent of spices and coffee and, as bond followed the watchman down the central passageway, a sudden strong wave of mint.
at the end of the long warehouse was a raised platform enclosed by a balustrade. on it half a dozen young men and girls sat on high stools and wrote busily in fat, old-fashioned ledgers. it was like a dickensian counting-house and bond noticed that each high desk had a battered abacus beside the inkpot. not one of the clerks looked up as bond walked between them, but a tall, swarthy man with a lean face and unexpectedly blue eyes came forward from the furthest desk and took delivery of him from the watchman. he smiled warmly at bond, showing a set of extremely white teeth, and led him to the back of the platform. he knocked on a fine mahogany door with a yale lock and, without waiting for an answer, opened it and let bond in and closed the door softly behind him.
`ah, my friend. come in. come in.' a very large man in a beautifully cut cream tussore suit got up from a mahogany desk and came to meet him, holding out his hand.
a hint of authority behind the loud friendly voice reminded bond that this was the head of station t, and that bond was in another man's territory and juridically under his command. it was no more than a point of etiquette, but a point to remember.
darko kerim had a wonderfully warm dry handclasp. it was a strong western handful of operative fingers-not the banana skin handshake of the east that makes you want to wipe your fingers on your coat-tails. and the big hand had a coiled power that said it could easily squeeze your hand tighter and tighter until finally it cracked your bones.
bond was six feet tall, but this man was at least two inches taller and he gave the impression of being twice as broad and twice as thick as bond. bond looked up into two wide apart, smiling blue eyes in a large smooth brown face with a broken nose. the eyes were watery and veined with red, like the eyes of a hound who lies too often too close to the fire. bond recognized them as the eyes of furious dissipation.
the face was vaguely gipsy-like in its fierce pride and in the heavy curling black hair and crooked nose, and the effect of a vagabond soldier of fortune was heightened by the small thin gold ring kerim wore in the lobe of his right ear. it was a startlingly dramatic face, vital, cruel and debauched, but what one noticed more than its drama was that it radiated life. bond thought he had never seen so much vitality and warmth in a human face. it was like being close to the sun, and bond let go the strong dry hand and smiled back at kerim with a friendliness he rarely felt for a stranger.
`thanks for sending the car to meet me last night.'
`ha!' kerim was delighted. `you must thank our friends too. you were met by both sides. they always follow my car when it goes to the airport.'
`was it a vespa or a lambretta?'
`you noticed? a lambretta. they have a whole fleet of them for their little men, the men i call ``the faceless ones''. they look so alike, we have never managed to sort them out. little gangsters, mostly stinking bulgars, who do their dirty work for them. but i expect this one kept well back. they don't get up close to the rolls any more since the day my chauffeur stopped suddenly and then reversed back as hard as he could. messed up the paintwork and bloodied the bottom of the chassis but it taught the rest of them manners.'
kerim went to his chair and waved to an identical one across the desk. he pushed over a flat white box of cigarettes and bond sat down and took a cigarette and lit it. it was the most wonderful cigarette he had ever tasted-the mildest and sweetest of turkish tobacco in a slim long oval tube with an elegant gold crescent.
while kerim was fitting one into a long nicotine-stained ivory holder, bond took the opportunity to glance round the room, which smelled strongly of paint and varnish as if it had just been redecorated.
it was big and square and panelled in polished mahogany, except behind kerim's chair where a length of oriental tapestry hung down from the ceiling and gently moved in the breeze as if there was an open window behind it. but this seemed unlikely as light came from three circular windows high up in the walls. perhaps, behind the tapestry, was a balcony looking out over the golden horn, whose waves bond could hear lapping at the walls below. in the centre of the right-hand wall hung a gold-framed reproduction of annigoni's portrait of the queen. opposite, also imposingly framed, was cecil beaton's war-time photograph of winston churchill looking up from his desk in the cabinet offices like a contemptuous bulldog. a broad bookcase stood against one wall and, opposite, a comfortably padded leather settee. in the centre of the room the big desk winked with polished brass handles. on the littered desk were three silver photograph frames, and bond caught a sideways view of the copperplate script of two mentions in dispatches and the military division of the o.b.e.
kerim lit his cigarette. he jerked his head back at the piece of tapestry. `our friends paid me a visit yesterday,' he said casually. `fixed a limpet bomb on the wall outside. timed the fuse to catch me at my desk. by good luck, i had taken a few minutes off to relax on the couch over there with a young rumanian girl who still believes that a man will tell secrets in exchange for love. the bomb went off at a vital moment. i refused to be disturbed, but i fear the experience was too much for the girl. when i released her, she had hysterics. i'm afraid she had decided that my love-making is altogether too violent.' he waved his cigarette holder apologetically. `but it was a rush to get the room put to rights in time for your visit. new glass for the windows and my pictures, and the place stinks of paint. however.' kerim sat back in his chair. there was a slight frown on his face. `what i cannot understand is this sudden breach of the peace. we live together very amicably in istanbul. we all have our work to do. it is unheard of that my chers collègues should suddenly declare war in this way. it is quite worrying. it can only lead to trouble for our russian friends. i shall be forced to rebuke the man who did it when i have found out his name.' kerim shook his head. `it is most confusing. i am hoping it has nothing to do with this case of ours.'
`but was it necessary to make my arrival so public?' bond asked mildly. `the last thing i want is to get you involved in all this. why send the rolls to the airport? it only ties you in with me.'
kerim's laugh was indulgent. `my friend, i must explain something which you should know. we and the russians and the americans have a paid man in all the hotels. and we have all bribed an official of the secret police at headquarters and we receive a carbon copy of the list of all foreigners entering the country every day by air or train or sea. given a few more days i could have smuggled you in through the greek frontier. but for what purpose? your existence here has to be known to the other side so that our friend can contact you. it is a condition she had laid down that she will make her own arrangements for the meeting. perhaps she does not trust our security. who knows? but she was definite about it and she said, as if i didn't know it, that her centre would immediately be advised of your arrival.' kerim shrugged his broad shoulders. `so why make things difficult for her? i am merely concerned with making things easy and comfortable for you so that you will at least enjoy your stay-even if it is fruitless.'
bond laughed. `i take it all back. i'd forgotten the balkan formula. anyway i'm under your orders here. you tell me what to do and i'll do it.'
kerim waved the subject aside. `and now, since we are talking of your comfort, how is your hotel? i was surprised you chose the palas. it is little better than a disorderly house-what the french call a baisodrome. and it's quite a haunt of the russians. not that that matters.'
`it's not too bad. i just didn't want to stay at the istanbul-hilton or one of the other smart places.'
`money?' kerim reached into a drawer and took out a flat packet of new green notes. `here's a thousand turkish pounds. their real value, and their rate on the black market, is about twenty to the pound. the official rate is seven. tell me when you've finished them and i'll give you as many more as you want. we can do our accounts after the game. it's muck, anyway. ever since croesus, the first millionaire, invented gold coins, money has depreciated. and the face of the coin has been debased as fast as its value. first the faces of gods were on the coins. then the faces of kings. then of presidents. now there's no face at all. look at this stuff!' kerim tossed the money over to bond. `today it's only paper, with a picture of a public building and the signature of a cashier. muck! the miracle is that you can still buy things with it. however. what else? cigarettes? smoke only these. i will have a few hundred sent up to your hotel. they're the best. diplomates. they're not easy to get. most of them go to the ministries and the embassies. anything else before we get down to business? don't worry about your meals and your leisure. i will look after both. i shall enjoy it and, if you will forgive me, i wish to stay close to you while you are here.'
`nothing else,' said bond. `except that you must come over to london one day.'
`never,' said kerim definitely. `the weather and the women are far too cold. and i am proud to have you here. it reminds me of the war. now,' he rang a bell on his desk. `do you like your coffee plain or sweet? in turkey we cannot talk seriously without coffee or raki and it is too early for raki.'
`plain.'
the door behind bond opened. kerim barked an order. when the door was shut, kerim unlocked a drawer and took out a file and put it in front of him. he smacked his hand down on it.
`my friend,' he said grimly, `i do not know what to say about this case.'
he leant back in his chair and linked his hands behind his neck. `has it ever occurred to you that our kind of work is rather like shooting a film? so often i have got everybody on location and i think i can start turning the handle. then it's the weather, and then it's the actors, and then it's the accidents. and there is something else that also happens in the making of a film. love appears in some shape or form, at the very worst, as it is now, between the two stars. to me that is the most confusing factor in this case, and the most inscrutable one. does this girl really love her idea of you? will she love you when she sees you? will you be able to love her enough to make her come over?'
bond made no comment. there was a knock on the door and the head clerk put a china eggshell, enclosed in gold filigree, in front of each of them and went out. bond sipped his coffee and put it down. it was good, but thick with grains. kerim swallowed his at a gulp and fitted a cigarette into his holder and lit it.
`but there is nothing we can do about this love matter,' kerim continued, speaking half to himself. `we can only wait and see. in the meantime there are other things.' he leant forward against the desk and looked across at bond, his eyes suddenly very hard and shrewd.
`there is something going on in the enemy camp, my friend. it is not only this attempt to get rid of me. there are comings and goings. i have few facts,' he reached up a big index finger and laid it alongside his nose, `but i have this.' he tapped the side of his nose as if he was patting a dog. `but this is a good friend of mine and i trust him.' he brought his hand slowly and significantly down on to the desk and added softly, `and if the stakes were not so big, i would say to you, ``go home my friend. go home. there is something here to get away from''.'
kerim sat back. the tension went out of his voice. he barked out a harsh laugh. `but we are not old women. and this is our work. so let us forget my nose and get on with the job. first of all, is there anything i can tell you that you do not know? the girl has made no sign of life since my signal and i have no other information. but perhaps you would like to ask me some questions about the meeting.'
`there's only one thing i want to know,' said bond flatly. `what do you think of this girl? do you believe her story or not? her story about me? nothing else matters. if she hasn't got some sort of a hysterical crush on me, the whole business falls to the ground and it's some complicated m.g.b. plot we can't understand. now. did you believe the girl?' bond's voice was urgent and his eyes searched the other man's face.
`ah, my friend,' kerim shook his head. he spread his arms wide. `that is what i asked myself then, and it is what i ask myself the whole time since. but who can tell if a woman is lying about these things? her eyes were bright-those beautiful innocent eyes. her lips were moist and parted in that heavenly mouth. her voice was urgent and frightened at what she was doing and saying. her knuckles were white on the guard rail of the ship. but what was in her heart?' kerim raised his hands, `god alone knows.' he brought his hands down resignedly. he placed them flat on the desk and looked straight at bond. `there is only one way of telling if a woman really loves you, and even that way can only be read by an expert.'
`yes,' said bond dubiously. `i know what you mean. in bed.'
