the padrona was not a woman given to little ailments,—headaches, or the other visionary sufferings which are conventional names for those aches of the heart or temper to which we are all liable; but yet on the evening of this day she found herself unable for once to face her little world. it was not so much that her eyes were red, for eyes that have had to weep the bitterest of tears, and which have watched and toiled through most of life’s serious experiences, soon recover their outward serenity; but her heart was sore. it has been said so often, that most people by this time must be sick of hearing it, that love is the grand occupation of a woman’s life; and that, while in man it is subordinate to a hundred other matters, in her existence it is the chief interest. whether this is or is not the case with the great majority of women, is a question which must be decided according to the experience of the observer; but we doubt much whether in any case it applies to women over thirty,—and it certainly did not apply{114} to the padrona. there were many interests in her life; and love, as ordinarily so called, had no more to do with it than if she had been a stockbroker. nothing more annoying, more out of place and harmony with her existence, could have happened than this curious interpolation of misplaced passion. being a woman, her heart had melted over the foolish boy. she was fond of him, as she had avowed. his soft, devoted, tender ways,—the deference and subdued enthusiasm which women love,—had made his society a very pleasant feature in her life, and perhaps she had not seen as she ought to have done the dangers that might attend it. and now this sudden awakening all at once,—the force and reality of his feelings,—the doubt lest she had been to blame,—the compunctions over his pain, and even her sorrow at the loss of him, which was not the least poignant part of it all,—overwhelmed her. she went to her room as soon as the little ones had gone to bed. these little ones should of themselves have been a safeguard to her. a certain shame came over her when she looked at her own daughter, who was almost old enough to be herself the chief figure in some episode of the universal drama, and remembered what words had been said, what wild ovations made to alice’s mother. the padrona’s friends were aghast when they were told that she was not well enough to receive them. miss hadley, who had come round to the square with a mixture{115} of jealousy and alarm on finding out that no sign of life had that day been seen at laurie’s windows, was driven almost out of her senses with curiosity to know what it could have been that had given the padrona a headache. ‘gone to bed with a headache!’ miss hadley did not believe it. she was angry not to be admitted,—not to judge with her own eyes what it was. but alice, who suspected nothing, watched her mother’s rest like a young lioness. ‘i cannot let you go up; she will be better to-morrow,’ said alice; and miss hadley could not for shame ask the child, as she longed to do it, if this mysterious headache had come on after a visit from laurie. ‘she has been working too hard,’ people who were more charitable concluded without question, and congratulated themselves that the pictures had been sent in, and that now, if ever, a painter might draw breath for a moment. but the padrona had not gone to bed. she heard them come and go away as she sat up in her room; and she heard jane hadley’s voice, and trembled lest that enterprising woman should seek her out even in her retirement. she could not have borne any keen eye upon her that night. alice was different, to whom her mother was as far lifted above such vanities or such suspicions as if she had been a saint in heaven. ‘i think it would kill alice!’ the mother said to herself with a shudder. and i believe she would rather have died herself than betray{116} to her woman-child what had happened;—although nothing had happened, except that a foolish young man had mistaken himself and her, and put love in the place of friendship. but her thoughts were very soft towards poor laurie,—poor, foolish fellow!—to throw away all his love and fresh heart and feelings upon a woman old enough to be his mother! anybody else might have laughed at him for it, or despised him; but mrs. severn did not despise him. it went to her heart to think of that gift being thrown at her feet. and she was fond of the boy,—poor laurie!—and if all the world scorned him for his mad, boyish fancy, at all events it was not her place to scorn.

at the same time, after the edge of her compunction and regret and soft yearning over the poor boy that loved her had become a little blunted, the padrona had reason enough to be put out and vexed by the disturbing influence of this unlucky event. love,—vulgarly so called,—was, as we have said, as much out of her way as if she had been an elderly stockbroker. love,—of another kind,—was, it is true, her whole life and strength; but yet no man, however steeled by the world, could have been less disposed to any sentimental play of emotion than was this woman. before laurie came that morning her mind had been full of a hundred fancies, all pleasant of their kind. they were not thoughts of the highest elevation, perhaps. one of them was the{117} rude, material reflection that she had her work secured and clear before her for a year certain; her living secured; no doubt about the sale of a picture; no sharp reminder of the precariousness of her profession to keep her uneasy;—but her work safe and sure for twelve months. and then it was pleasant work, and such as her soul loved. she had been commended by her visitors,—some of whom were people whose praise was worth having,—as she had never been before. things were going well with her. the children were well, and developing their characteristics every day. she could look the world in the face and know that she was doing her best for them. when all at once,—in a moment,—the bitter-sweet of this boy’s love was thrown into the crystal fountain, and the surface that had been so clear, reflecting the heavens, was in a moment troubled and turbid. with a certain impatient pang she said to herself, as so many have said, that there was always something to lessen one’s satisfaction, always some twist in the web of life to obscure its colours at its best. and poor foolish laurie, who had thrown away the best he had for nothing! poor boy! how her heart ached for him! how it hurt her to think of his pain! and there was little, very little comfort in the thought that he was lost to her. his friendly talk, his ready heart-service, his difficulties and errors, and even his weakness, which it had been so pleasant to minister to, to reprove, and exhort, and accept,{118}—that was all over now. a gap and dreary void was suddenly made in her closest surroundings,—a gap which was hard on him and hard on her, and yet inevitable,—to be made at all hazards. the padrona was very much downcast about the business altogether, and shed a few tears over it in her solitude. nothing could have prevented, nothing could mend it,—except, perhaps, time; and time is a slow healer, whom it is hard to trust when one’s wound is of to-day.

if such was the effect this incident had on the padrona, it may be imagined what sort of a tempest it was which swept through laurie’s mind and spirit when he left her. he disappeared under the bitter waves. not only was there no sign of life in his windows, but, so far as he was himself conscious, there was no sign left in life to represent what he had done with that distracted, incoherent day. the chances are that he did most of the ordinary things he was in the habit of doing,—was seen at his club, and talked to his friends somewhat in his usual strain. indeed, i have heard a mot attributed to laurie, which could have been spoken but on that special evening, if it was spoken at all. i do not suppose he made any exhibition of himself to the outer world; but i can only take up the tale at the moment when, worn out and weary, he got back to his room in charlotte street, and came to the surface, as it were, and looked himself in the face once more. the{119} agitation of the past three days had told upon him. he had been shaken by the strange sweet shock of his discovery that he loved her; and now upon that came the other discovery, involved in the first, that he had spent his strength for naught, and wasted all his wealth of emotion on a dream. of course he had known all along it must be a dream; so he said to himself. he had poured out his heart as a libation in her honour. what more had he ever hoped it could be? and now he was empty and drained of both strength and joy. his pain was even mingled with shame,—that shame of the sensitive mind when it discovers that its hopes have been beyond what ought to be hoped for. his cheeks burned when he remembered that he had dreamed it was possible for this woman, so much higher placed than himself in the dignity of life, so far before him in the road, to turn and stoop from her natural position, and love him in her turn. he would have dragged her down, taken her from her secure eminence, placed her in a false position, exposed her to the jeers and laughter of the world,—all for the satisfaction of his selfish craving! he would have gone in the face of nature, ignored all the sobering and maturing processes which had made her what she was, and drawn her back to that rudimentary place in the world which her own daughter was ready to fill. was not this what he would have done had he had his will? a hot flush of shame{120} came over laurie’s face in his solitude. he felt humiliated at the thought of his own vanity, his own folly. when she had held out her hands to him, when she had given him that kiss of everlasting dismissal, nature had asserted itself. youth is sweet; it has the best of everything; it is the cream of existence; but yet when the grave soul of maturity drops back to youth, and gives up its own place, and ignores all its painful advantages, is there not a certain shame in it? had the padrona been able to make that sudden descent,—could she have done what on his knees he would have prayed her to do,—then she would no longer have been herself. this consciousness, unexpressed, flashed across his mind in heat and shame, aggravating all his sufferings. that it could not be was bad enough; but to be compelled to allow that it was best that it should not be,—to feel that success for him would have been humiliation and downfall for her,—was not that the hardest of all?

it would be vain to follow laurie through that long, distracted monologue, confused ‘in memoriam’ of the past, with jars and broken tones of the future stealing into it, through which every soul struggles, after one of those shocks and convulsions which are the landmarks of life. to be stopped every moment while forming forlorn plans of practicable life by mocking gleams of what might have been, by bitter-sweet recollections of what has been,—does not everybody know how it feels? laurie’s life was snapped in{121} two, or so, at least, it seemed to him. what was he to do with it? where was he to fasten the torn end of the thread? could he stay here and turn his back upon the past, and work, and see her at intervals with eyes calmed out of all his old passion? but when he came to think of it, it had been for her he had come here. at the first, perhaps, when he had dreamed of that gigantic edith and of fame, had he been permitted to go on, he might have found for himself a certain existence belonging to this place which could have been carried on in it after the other ties were broken. but he had not been allowed to go on; and charlotte street had become to him only a kind of lodge to the square, a place where he could retire to sleep and muse in the intervals of the real life which was passed in her service or presence. he exaggerated, poor fellow! as was natural. it seemed to him at this moment as if in all his exertions, even for suffolk, who was his friend, it had been her work he was doing. one thing at least was certain,—it would never have been done without her. she was mixed up with every action, every thought, even fancy, that had ever come into his mind. he had done nothing but at her bidding, or by her means, or with her co-operation. his work had languished for months past. if he had pretended to study, it was to please her. and how could life go on here, when it had but one motive, and that motive was taken away from it? there{122} are moments in a man’s life when everything that is painful surges up around him at once, rising, one billow after another, over his devoted head. that very morning, moved by some premonition of fate, he had been collecting his papers together, and putting his affairs in order; and though so vulgar a fact had made little impression on him in his state of excitement, still laurie had been aware that his accounts were not in his favour, and that it might be necessary one day to look them full in the face, and put order in his life. he had gone on all the same, without pausing to think, in his mad love. that was perfectly true, though he was the same laurie renton who, six months ago, had put away the girl’s little notes whom he had begun to think might have been his wife. he had given up that hope then without a moment’s doubt or thought of resistance; and yet now, in a still worse position, he had rushed on blindly to make confession of his love and throw himself at another woman’s feet. i cannot account for the inconsistency.

but now,—whatever shock he may sustain, howsoever his hopes may perish, a man must go on living all the same. his life may be torn up by the roots; he may be thrown, like a transplanted seedling, into any corner; but yet the quivering tendrils must catch at the earth again, and existence go on, however broken. laurie was a man easily turned from his ambitions, as has been seen; a man not too much{123} given to thought, easily satisfied, of a facile temper,—and with more power to work for others than for himself; but still he had to live. something had to be done to reconcile natural difficulties, something decided upon for the future tenor of existence. nor was he even the sort of man who could come to an abrupt stop, and stand upon it. his thoughts were discursive, and rushed forward. even in the bitterest chords of that knell of the past there was the impatient whisper of the future. i think there can be no doubt, on the whole, that what would have been best for him would have been that government office, to which he would have been tied by the blind hand of routine, and which would still have left him leisure for his amateur tendencies. had he been so fortunate as to possess such a prop of actual occupation, laurie would probably have removed from charlotte street,—to which, indeed, he never need have come,—and gone on steadily with his work, composing his quivering nerves and healing his wounds. he would have gone on doing kindnesses to his neighbours, pleasing himself with little pensive sketches, reading more than usual perhaps; subdued, like a man who had gone through a bad illness; and by degrees he would have come back, calmed and healed, and able to take up his old friendship. but that was impossible now. a change of some kind or other he must have been compelled to make, even had there{124} been no personal cause for change. he must work; he must spare; he must recall himself to a sense of the probation on which he had entered six months before with a light heart. and the natural thing to do was at the same time the wisest thing. rightly or wrongly, the artist, whoever he may be, trusts in italy as the country of renovation, the fountain of strength. laurie scarcely hesitated as to his alternative. he could stay no longer where he was; his experiment had failed, his position had become untenable. the readiest suggestion of all was that one in which there still lay a certain consolation,—he would go to rome.

he resolved upon this step before he went to bed, and on the next morning he began to pack up. miss hadley, from the other side, watched his open windows with a curiosity much quickened by her sister’s surmises and doubts, and saw, to her amazement, the great canvas moved from its position in the corner,—a step which she found it difficult to understand. ‘i suppose he is going to take to his painting again,’ she said to jane, when she came home. jane shook her head, with dubious looks. the truth was she did not understand it. the most strange of all possible orders had proceeded that morning from mrs. severn’s studio. it was that she was extremely busy, and that no one was to be admitted. no one! miss jane hadley had her doubts that, though this was the audible command, an exception had been made in{125} laurie’s favour, and that so unusual a step was taken by the padrona in order to secure to herself, without interruption, the society of her lover. though miss hadley loved her friend truly in her way, and had a respect for her, and even believed in her, this was the evil thought which had crossed her mind; and consequently she was disposed to scoff at her sister’s suggestions. but there were soon other facts to report of a still more bewildering character. a van came to laurie’s door, and carried off the big canvas; and a workman in a paper cap became visible to the elder sister’s curious eyes in the centre of laurie’s room, packing in a vast packing-case the young man’s belongings. ‘he is going away!’ miss hadley said, with dismay, when her sister came home. she could have cried as she said it. he was as good as a play to the invalid who never stirred out of her parlour. laurie, with his kindly ways, had made himself a place in her heart. he had taken off his hat as he came out every day to the shadow of her cap between the curtains; he had waved his hand to her from his balcony; he had never found fault with her investigations; and when he bought the flowers for his window he had sent her some pots of the earliest spring blossoms to cheer her. she, too, had grown fond of laurie. ‘he is going away!’ she said, with the corners of her mouth drooping. ‘and the very best thing he could do,’ said miss jane decidedly; upon which, though she was a very{126} model of decorum, old miss hadley felt for the minute as if she would have liked to fling her tea-cup at her sister’s head.

it did not take long to make laurie’s preparations for this sudden change. he pushed them on with a certain feverish haste, glad to occupy himself, and eager to put himself at a distance from the house he could no longer go to as a privileged and perpetual guest. somehow charlotte street, though it had two ends like other streets, seemed to converge from both upon the square. it suggested the square every time he looked out upon it; indeed, all roads led to that door which was shut upon him, which he knew must be shut. but he had not gone back to hear of the extraordinary barricade raised by the padrona against the world in general. laurie had nobody to consult,—nothing to detain him now. he did not even see one of the ‘set’ for more than a week, during which all his preparations were made. the day on which by chance he met suffolk in the street was ten days later, when everything was settled. suffolk stopped eagerly, and turned with him, and took his arm.

‘what has become of you?’ he said; ‘and what did you mean by sending me that canvas? after all, i wish you had gone on with it. we waited, thinking you were coming to explain; and i have called twice, but you were always out; and you look like a ghost,—what does it mean?{127}’

‘it don’t mean anything,’ said laurie, with as gay a look as he could muster, ‘but that i’m off to rome to-morrow; where, you’ll allow, a man cannot carry canvases with him measuring ten feet by six. i meant to have come to bid you good-bye to-night.’

‘off to rome!’ cried suffolk, amazed, ‘without a word of warning? why, nobody knows of it, eh? not the padrona, nor any of us? what do you mean, stealing a march upon your friends like this?’

‘my friends won’t mind it much,’ said laurie. ‘no; i didn’t mean that. i should like you to miss me. i rather grudge going, indeed, till i know how they’ve hung the saxon maiden——’

‘oh, confound the saxon maiden!’ said suffolk; ‘it is you i want to know about, running off like this without a word. it is not anything that has happened, laurie?’

‘what could happen?’ said laurie, with a forced smile. ‘the fact is i am doing nothing here. you all set upon me, you know, about that picture; and i must do something. it is no use ignoring the fact. i am going in for our old work in the via felice. and i shall be in time for the holy week,—it is so late this year;’ he said, with a half laugh, at his own vain attempt at deception,—quite vain, as he could see, in suffolk’s eyes.

‘but you don’t care for the holy week,’ said{128} the painter. ‘i don’t understand you, laurie. what does the padrona say?’

‘the padrona approves,’ said laurie. he got out the words without faltering, but he could not bear any more allusion to her. ‘paint something on my poor canvas. i have got fond of it,’ he said. ‘i’d like to see something on it worth looking at.’

‘i won’t touch it!’ cried suffolk. ‘by george, i won’t! i’ll beat helen if she rubs out a line, whisking out and in. laurie, think better of it. i don’t know the set at the felice now; they are not equal to our old set. stay, there’s a good fellow, and paint at home.’

‘i can’t,’ said laurie; ‘i must not. i will not. and the worst is, you must take me at my word, and not ask why.’

‘i will never say another syllable on the subject,’ said suffolk, humbly, and they walked half a mile, arm in arm, without uttering a word. this was the first notice laurie’s friends had of his new resolution. when he had parted from suffolk, he went straight, without pause or hesitation, to mrs. severn’s door. it was forrester who opened it to him; and forrester, being a privileged person, paused to look at laurie as soon as he had closed the door.

‘you’ve been ill, sir,’ said forrester; ‘the whites is all green, and the flesh tints yellow in your face, mr. renton. master was asking about you just{129} yesterday. don’t you say a word, sir. i can see as you’ve been ill.’

‘i can’t answer for my complexion,’ said laurie; ‘but i’m not ill now, forrester. i am going away, and i’ve been awfully busy. i want to see mrs. severn. i won’t disturb your master to-day.’

‘master’s out, sir,’ said the man, ‘unfortunately; he’s at that blessed gallery, a hanging or a deciding on the poor gentlemen’s pictures. and a nice temper he do come home in, to be sure! and mrs. severn’s—— engaged, sir,’ said forrester, making a stand in front of the stair.

‘engaged!’ said laurie, aghast.

‘them’s the words, mr. renton,’ said the old man. ‘she’s a designing them twelve pictures, as far as i can hear. she’s busy, and can’t see nobody. it’s more than a week since them orders was give. and folks is astonished. it ain’t her way. but i can’t say but what i approve, mr. renton,’ said forrester, stoutly; ‘designing of a series is hard work. they’ve all to hang together, and there’s harmony to be studied as well as composition. and she ain’t going to repeat herself if she can help it and, on the whole, i approve——’

‘that will do,’ said laurie, putting him aside; ‘i will make my own way; and i will tell mrs. severn you did your duty, and stopped me. this could not include me.{130}’

‘but, mr. renton!’ cried forrester, making a step after him.

‘that is enough,—quite enough,’—said laurie. ‘it could not include me.’

but his heart beat heavily as he went up the familiar stair. she had shut out all the world that she might make sure of shutting him out,—‘though she might have known i would not molest her!’ poor laurie said to himself, with a swelling heart. it was unkind of the padrona. had he not been going away it would have wounded him deeply. he went up heavily, not with the half-stealthy eagerness of his last visit. it would not have troubled him had he encountered a dozen miss hadleys. ‘i must see mrs. severn alone;’ was what he would have said without flinching had he met her; but, as it happened, there was no one at all apprehensive or curious now. the order had been given, and the stream of callers had stopped, and there was an end of it. he went up without any haste, his foot sounding dully,—he thought,—through all the silent house. she would hear him coming, and she would know.

‘come in,’ said the padrona.

she was standing at her easel, drawing, with a little sketch before her, putting in the outlines of her future picture. somehow she looked lonely, deserted, melancholy; as if the stream of life that had flowed so warmly about her had met with some{131} interruption. in fact, she had felt the withdrawal of that daily current more than she could have told; and she had missed laurie; and her mind had been full of wondering. where was the poor boy? what was he doing? how was he bearing it? this was the thought that was uppermost in her mind as she put in the sleeping beauty. somehow the picture was appropriate. life seemed to have ebbed from her too, though it was her own doing. she did not feel quite sure sometimes that it was not a dream; and lo, all in a moment, without any warning, he appeared standing at the door!

the chalk dropped out of the padrona’s fingers. she trembled in spite of herself. it took her such an effort to master herself, and receive him with the tranquillity which was indispensable, that for some moments she did not say a word. then she recovered herself, and let the chalk lie where she had dropped it, and made a step or two forward to meet him. ‘i am glad you have come,’ she said, holding out her hand. and it was quite true, notwithstanding that she had given orders to exclude the world for the sole purpose of excluding him, if he should come.

and thus they met, shaking hands with each other in the same room, under circumstances quite unchanged, except——

‘i am going away,’ said laurie. ‘i would not have come,—you know i would not have annoyed{132} you. you need not have told the servants to keep everybody out. you might have trusted me.’

‘you know i do trust you, with all my heart,’ she said, ‘and that is why i tell you i am glad you are come; i am very glad;’ and then she sat down feeling somewhat breathless and giddy, and pointed him to a chair. he sat down, too, not knowing very well what he was about; and again there was a pause.

‘i am going away,’ he said, abruptly. ‘looking over everything, i found it would be better on the whole to go away——’

the padrona bowed her head, feeling her guilt;—it was her fault;—how could she say she was sorry, or appeal against his decision as any other friend would have done? it was she who was the cause.