frank was alone on his second expedition to richmont, which was a satisfaction to him. he was full of his scheme, and anxious to see how the land lay, and what laurie’s prospects might be should he make up his mind to ‘go in’ for the fifty thousand pounds. and he was quite willing to divert himself in the society of his future sister-in-law. the invitation had a family aspect altogether, he thought; and, instead of returning to his quarters, he had made his arrangements to go home for the sunday, and rouse his mother to such steps as were practicable for securing laurie’s advantage. frank left royalborough with all the lively zest of a matchmaker, pleased with himself and his own generosity, and rather elated on his brother’s account. fifty thousand pounds!—two thousand five hundred a-year, and always the prospect of something coming at the end of the seven years’ probation! for a man who had no expensive tastes, and whose whole soul was wrapped up in pictures, it was a fortune! he could{187} dabble in paint as much as he liked, and his wife could help him; and they could travel about as much as they liked, and go to all the pretty places that took their fancy. there was no one to whom he could have said as much in actual words; but the feeling in his mind was, that if anybody had ever originated a better plan he’d like to hear of it. ben had turned up, as mary westbury’s letter told him; and no doubt ben would make his way in the world. and as for himself, frank thought that there was no particular fear; but laurie was the feeble one of the family, the one most likely to do little, to spend his strength for naught, or waste his own life for the advantage of others. and nothing could be so good for him as to be thus put on a comfortable shelf out of harm’s way at the very beginning of his career. he was fond of laurie, as most people were; and it pleased him as much in his brotherliness as in his vanity to take laurie thus in hand and be the one to provide for him. this time it was to dinner he was going at richmont, and he had written to the manor to beg his mother to send over the dog-cart for him and his portmanteau. the millionnaire’s house was beginning to be lit up in all its windows when he drove along the avenue: the lights in it sparkled like fairy lamps in the blue, spring twilight; and when he entered the great hall he was informed that nobody had come down-stairs yet, and that the dinner had been made an hour later in conse{188}quence of some one else who was to arrive by the train.
‘the young ladies is in the music-room, sir,’ the butler said respectfully, being himself a native of berks, and feeling that the advent of a renton was an honour to the house; ‘and i was to tell you as tea is served in the drawing-room.’
‘oh, i’ll join the young ladies,’ said frank, lightly, thinking of nelly only, his sister-in-law that was to be. no doubt some one must be with her, but that did not matter. indeed, on the whole, it was so much the better, for it would not be becoming to flirt, except in the very mildest way, with a girl who was going to be your brother’s wife. he ran up-stairs, telling the man he knew the way, and thus making a daring leap into intimacy such as he would never have dreamed of had he taken time to think. but his own plan had taken possession of him. of course she was going to be his sister-in-law, and it would be absurd to stand upon ceremony. thus frank, being unused to the excitement of so much thinking, was carried away by it, and took his own imaginations for granted. as he ran up-stairs, however, his ear was caught by the sound of the organ, a sound which had not been heard in beecham so long as he had known the house, and to which richmont, according to nelly’s description, was as little accustomed. the music seemed to fill the place, swelling through the stairs and passages, which{189} were full of the darkness and stillness of the approaching night. frank stood still to listen, and then went on with a surprised face, and with a new thrill in his heart. it was surely the same sonata he had heard softly breathing out of the dark drawing-room that night he visited fitzroy square. who could be playing? could there be two girls in the world who had the same power, the same feeling for music, the same subtle sentiment, and expressive strength? but then how did he know at all that it was a girl who was playing? it might be some old music-master, one of the sort of people whom nelly loved. all the same, it had the effect of subduing his steps, and making his approach much less confident and unembarrassed. he lingered,—he thought of going back,—he felt himself a coxcomb and presumptuous animal. and yet he went on, led partly by the force of the impulse which was still upon him, and partly allured by the dulcet and harmonious sound to which he was so susceptible. he knocked at the door, but his summons was unheard in the midst of the music. then he opened it softly, and went in. there was no light in the room except the pale twilight, which marked out every line of the windows, and the glimmering of the painted glass at the end by which he entered. he seemed to step out of the real world altogether into an enchanted place when he crossed that darkling threshold. the gilded organ-pipes caught a certain faint reflection, and under that dim{190} shimmer sat a shadow, which was playing; while in the centre window, in the bay, looking out, as it seemed, into the night, another shadow, light and small as a fairy, stood listening or musing. the opposite wall of the room, and the picture which was so bright in the daylight, had retreated altogether into the gloom; and the painted window hung as if suspended in the air; and all the solid wall in which it was set, and the dark oak carving under it, had receded into obscurity. frank stood with his hand on the door, and held his breath. he felt at once like a fool and like an intruder, not knowing who they were whose privacy he was invading, and having no right whatever to be there even had he been sure it was nelly who stood in the window. he had burst into her particular privacy unannounced the second time he had been in the house! but frank was bewitched, and stood still, blotting himself out as small as possible against the door.
but either the door had creaked or her quick ear had caught some sound of movement, for nelly rich turned round suddenly. she was not so absorbed in the music as the player was, or as frank would have been had he been listening in a legitimate and proper way. her mind was divided between that and a great many other thoughts, and gave but a partial attention to the sounds which filled the room. when she saw that another shadow had intruded into her retirement,{191} nelly gave a little cry, and flitted like a ghost towards the door.
‘who is there?’ she cried with a sharpness which struck in just at a pianissimo passage, and startled the player as well as the intruder. the music ceased with a kind of long-drawn wail, and the musician too gave a little scream. frank would have been thankful if the old oak floor had suddenly opened and swallowed him up.
‘a thousand pardons,’ he cried; ‘it is i, miss rich; frank renton. i don’t know how to explain my intrusion. pray forgive me. i was told i should find you here,—and then the music; i have not a word to say for myself. pardon?—that is all.’
‘was it papa who told you you would find me here?’ said nelly. ‘it is just like him. but, mr. renton, i am not papa, and i admit nobody but my friends to this room,—especially in the dark,’ she added, with a quiver of coming laughter, which reassured frank. he sank down upon his knee, as she stood with her arms extended, metaphorically thrusting him away.
‘what can i say for myself?’ said frank. ‘i am a wretched sinner, not worthy to be admitted as a friend. let me come in as a captive, like one of your angles; or as a beggar, or—— don’t be too hard upon me. the evil is done. the mortal has crossed the threshold of fairyland. let him stay.{192}’
‘alice, advise me,’ cried nelly, turning to the silent figure at the piano. ‘shall we let him stay?’
so it was alice! something had told him so the instant he recognised that sonata. now he turned his head towards her in the gloom, breathless, awaiting her answer. alice, however, made no reply. she only returned to her organ, and took up her pianissimo passage. i cannot tell how she intimated her pleasure to the slave on the other side of the wall who ‘blew;’ but, anyhow, she took it up where she had left off, and the soft, delicious sounds, the very voice of the darkness and stillness, whispered over the two darkling, undiscernible figures,—one standing, one kneeling, in the gloom. a certain soft thrill of consciousness, half comic, half sentimental, moved nelly. no doubt it had been partly in jest that frank had put himself on his knees; but might it not be partly in earnest, too? frank, for his part, had forgotten nelly’s very existence. it seemed natural to him to listen thus to such a strain. he was not intellectual, and could have heard the finest poetry in the world unmoved. all his pretty sentiments about fairyland, etcetera, were also the most superficial words; but the music seized upon, mastered him, put a soul into the young soldier. he turned half towards the instrument, kneeling, and unconscious that he was kneeling. to him it was poetry, art, passion, imagination, all in one. and alice went on playing softly as in a dream; and the remaining rays{193} of half light gradually extinguished themselves, till even the two shadows at the door became scarcely discernible, and the organ-pipes faded into obscurity. it was a curious situation altogether, but only nelly was aware of it. to her the fact was very evident that a handsome young guardsman, still kneeling on one knee, as to his sovereign, was before her; that twilight was settling down into night; that mr. frank renton was a stranger: and that it was time to dress. something prevented her from speaking, and cutting short the music; but her impatient mind having got over the first charm, began to grow weary, and long for a change. she could not make out how it was that the musician went on, unfatigued with all those lingering notes. ‘that’s the same thing over again,’ nelly said to herself, not being so fond of music as she ought to have been, as may easily be perceived. she glided back to the window, at last; and frank, roused by her motion, rose from his reverential attitude. he knew that alice could not stop till the movement had come to an end; and was not impatient, but absorbed in the lovely harmony. but after a while the thought stole into even his mind that it would be best to get as much into the light as possible, and he followed nelly to the window. there was a glimmering of the park visible outside, and, what was more to the purpose, a great expanse of blue sky and stars. and in the room there was the painted window, hanging in the air like a picture{194} worked in jewels, suspended without visible support; and the music—and the two girls;—even a poet could not have objected to all the accessories of the scene.
‘thanks, alice, it is lovely,’ cried nelly; ‘but all the same for the moment, my dear, i am glad it is done; for this is growing very ghostly. mr. renton, i think i can see that you have come in, though you never got permission. go before us, please, and let us know if there are lights in the passages: and if you are good, and do everything you are told, we will forgive you for coming in. alice, give me your hand. they are both intoxicated with the music, these two, cried nelly, as if to herself; ‘and i don’t believe they have any eyes to see that window hanging there all by itself. come along, you people, who can hear and can’t see:—let us get into the light.’
‘but i can see, too,’ said alice, softly, coming to nelly’s side.
‘ah, you are a painter’s daughter,’ said nelly: ‘but you would need to be a cat to see anything now. thanks, mr. renton. now wait a moment till our eyes are used to the light.’
‘coming down to the common world again,’ said frank, ‘is hard. no one can feel it more than i do. take care of that step,—even painters themselves cannot always see.’
‘i wish the common world were not down so many stairs,’ said nelly; and then they emerged into{195} the light. they were still in their morning dresses; and frank’s eyes, once more out of the darkness fell upon the fresh, girlish face, the mass of shining hair,—all those tints of rose and lily which belonged to alice severn and her sixteen years. there was a great deal more expression in nelly’s little brown, sparkling countenance. she had lived a year or two longer in reality, a hundred years or so longer in experience. alice’s face lay like an inland lake moved from above, from without, by soft, kissing breezes, by beams of sunshine, but not by any movements from within. there were no volcanoes underneath, nor quicksands, nor sunken rocks. she was very young, and ignorant as a child. that want of definite expression which was a trouble to some of her friends, to frank was a beauty. she looked like a saint, or an angel, to his eyes. in his worldly-mindedness and curious calculations of what he called practical matters, this face disturbed him, experienced man of the world as he was. what would she think of his scheme for laurie? the first effect of her presence had been to drive laurie and all his schemes out of his mind. and now the very contrast of her innocence brought them all back with a rush. it was not this visionary creature concerning whom the plot was laid;—but nelly, little sprite, who stood by her, a being manifestly of this world.
‘i wish laurie had been here,’ cried frank, abruptly, remembering his r?le. ‘he is the only one{196} of our family who has an eye. he would have raved about your window, miss rich.’
‘that would have been kind of him,’ said nelly, with a slight touch of disdain. ‘it was mr. laurence renton you were speaking of, alice. did you say he had gone away?’
‘gone away!’ cried frank, with a start, which endangered his footing on the stair.
‘to italy,’ said alice. ‘we were all so sorry. he went yesterday morning, and the night before he came to bid mamma good-bye. they say it was quite suddenly that he had made up his mind.’
‘to italy!’ repeated frank, in tones of absolute consternation. he stopped on the stair as he went down, to apostrophise mentally both heaven and earth. gone! notwithstanding all the plans that were making for him. frank stopped short, so much affected by the news that he forgot even the odd appearance that he made, standing on the stair. ‘then how is it to be done,—and who is to do it?’ was the question that immediately suggested itself to his mind. nelly rich stood and looked up at him through the rails of the stair with bright eyes, full of mischief, contemplating his puzzled countenance. who was to do it? by this time it seemed a matter of conscience to frank that some renton should appropriate nelly and her fifty thousand pounds. and ben was going to america, and laurie had disappeared into the south.{197} his face expressed the liveliest perplexity and self-interrogation. who was to do it? laurie being gone, and nelly’s fortune still unsecured, was it not necessary that he himself, casting all weaker ideas aside, should go in himself for the fifty thousand pounds!
