Nearly all the more recent romances and dramas, whose scene is laid in classic times, depict the period of the great rupture between Paganism and Christianity. This is true of “Hypatia,” “Fabiola,” “The Last Days of Pompeii,” “The Epicureans,” “The Emperor and The Galilean,” “The Last Athenian,” and many other works. The cause of this coincidence is not difficult to understand; for a period containing such strong contrasts invites ?sthetic treatment.
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