the new year drew mrs. drabdump a new lodger. he was an old gentleman with a long grey beard. he rented the rooms of the late mr. constant, and lived a very retired life. haunted rooms--or rooms that ought to be haunted if the ghosts of those murdered in them had any self-respect--are supposed to fetch a lower rent in the market. the whole irish problem might be solved if the spirits of "mr. balfour's victims" would only depreciate the value of property to a point consistent with the support of an agricultural population. but mrs. drabdump's new lodger paid so much for his rooms that he laid himself open to a suspicion of a special interest in ghosts. perhaps he was a member of the psychical society. the neighbourhood imagined him another mad philanthropist, but as he did not appear to be doing any good to anybody it relented and conceded his sanity. mortlake, who occasionally stumbled across him in the passage, did not trouble himself to think about him at all. he was too full of other troubles and cares. though he worked harder than ever, the spirit seemed to have gone out of him. sometimes he forgot himself in a fine rapture of eloquence--lashing himself up into a divine resentment of injustice or a passion of sympathy with the sufferings of his brethren--but mostly he plodded on in dull, mechanical fashion. he still made brief provincial tours, starring a day here and a day there, and everywhere his admirers remarked how jaded and overworked he looked. there was talk of starting a subscription to give him a holiday on the continent--a luxury obviously unobtainable on the few pounds allowed him per week. the new lodger would doubtless have been pleased to subscribe, for he seemed quite to like occupying mortlake's chamber the nights he was absent, though he was thoughtful enough not to disturb the hard-worked landlady in the adjoining room by unseemly noise. wimp was always a quiet man.

meantime the twenty-first of the month approached, and the east-end was in excitement. mr. gladstone had consented to be present at the ceremony of unveiling the portrait of arthur constant, presented by an unknown donor to the bow break o' day club, and it was to be a great function. the whole affair was outside the lines of party politics, so that even conservatives and socialists considered themselves justified in pestering the committee for tickets. to say nothing of ladies! as the committee desired to be present themselves, nine-tenths of the applications for admission had to be refused, as is usual on these occasions. the committee agreed among themselves to exclude the fair sex altogether as the only way of disposing of their womankind, who were making speeches as long as mr. gladstone's. each committeeman told his sisters, female cousins, and aunts, that the other committeemen had insisted on divesting the function of all grace; and what could a man do when he was in a minority of one?

crowl, who was not a member of the break o' day club, was particularly anxious to hear the great orator whom he despised; fortunately mortlake remembered the cobbler's anxiety to hear himself, and on the eve of the ceremony sent him a ticket. crowl was in the first flush of possession when denzil cantercot returned, after a sudden and unannounced absence of three days. his clothes were muddy and tattered, his cocked hat was deformed, his cavalier beard was matted, and his eyes were bloodshot. the cobbler nearly dropped the ticket at the sight of him. "hallo, cantercot!" he gasped. "why, where have you been all these days?"

"terribly busy!" said denzil. "here, give me a glass of water. i'm dry as the sahara."

crowl ran inside and got the water, trying hard not to inform mrs. crowl of their lodger's return. "mother" had expressed herself freely on the subject of the poet during his absence, and not in terms which would have commended themselves to the poet's fastidious literary sense. indeed, she did not hesitate to call him a sponger and a low swindler, who had run away to avoid paying the piper. her fool of a husband might be quite sure he would never set eyes on the scoundrel again. however, mrs. crowl was wrong. here was denzil back again. and yet mr. crowl felt no sense of victory. he had no desire to crow over his partner and to utter that "see! didn't i tell you so?" which is a greater consolation than religion in most of the misfortunes of life. unfortunately, to get the water, crowl had to go to the kitchen; and as he was usually such a temperate man, this desire for drink in the middle of the day attracted the attention of the lady in possession. crowl had to explain the situation. mrs. crowl ran into the shop to improve it. mr. crowl followed in dismay, leaving a trail of spilt water in his wake.

"you good-for-nothing, disreputable scare-crow, where have--"

"hush, mother. let him drink. mr. cantercot is thirsty."

"does he care if my children are hungry?"

denzil tossed the water greedily down his throat almost at a gulp, as if it were brandy.

"madam," he said, smacking his lips, "i do care. i care intensely. few things in life would grieve me more deeply than to hear that a child, a dear little child--the beautiful in a nutshell--had suffered hunger. you wrong me." his voice was tremulous with the sense of injury. tears stood in his eyes.

"wrong you? i've no wish to _wrong_ you," said mrs. crowl. "i should like to _hang_ you."

"don't talk of such ugly things," said denzil, touching his throat nervously.

"well, what have you been doin' all this time?"

"why, what should i be doing?"

"how should i know what became of you? i thought it was another murder."

"what!" denzil's glass dashed to fragments on the floor. "what do you mean?"

but mrs. crowl was glaring too viciously at mr. crowl to reply. he understood the message as if it were printed. it ran: "you have broken one of my best glasses. you have annihilated threepence, or a week's school fees for half the family." peter wished she would turn the lightning upon denzil, a conductor down whom it would run innocuously. he stooped down and picked up the pieces as carefully as if they were cuttings from the koh-i-noor. thus the lightning passed harmlessly over his head and flew towards cantercot.

"what do i mean?" mrs. crowl echoed, as if there had been no interval. "i mean that it would be a good thing if you _had_ been murdered."

"what unbeautiful ideas you have to be sure!" murmured denzil.

"yes; but they'd be useful," said mrs. crowl, who had not lived with peter all these years for nothing. "and if you haven't been murdered, what _have_ you been doing?"

"my dear, my dear," put in crowl, deprecatingly, looking up from his quadrupedal position like a sad dog, "you are not cantercot's keeper."

"oh, ain't i?" flashed his spouse. "who else keeps him, i should like to know?"

peter went on picking up the pieces of the koh-i-noor.

"i have no secrets from mrs. crowl," denzil explained courteously. "i have been working day and night bringing out a new paper. haven't had a wink of sleep for three nights."

peter looked up at his bloodshot eyes with respectful interest.

"the capitalist met me in the street--an old friend of mine--i was overjoyed at the _rencontre_ and told him the idea i'd been brooding over for months, and he promised to stand all the racket."

"what sort of a paper?" said peter.

"can you ask? to what do you think i've been devoting my days and nights but to the cultivation of the beautiful?"

"is that what the paper will be devoted to?"

"yes. to the beautiful."

"i know," snorted mrs. crowl, "with portraits of actresses."

"portraits? oh, no!" said denzil. "that would be the true, not the beautiful."

"and what's the name of the paper?" asked crowl.

"ah, that's a secret, peter. like scott, i prefer to remain anonymous."

"just like your fads. i'm only a plain man, and i want to know where the fun of anonymity comes in. if i had any gifts, i should like to get the credit. it's a right and natural feeling to my thinking."

"unnatural, peter; unnatural. we're all born anonymous, and i'm for sticking close to nature. enough for me that i disseminate the beautiful. any letters come during my absence, mrs. crowl?"

"no," she snapped. "but a gent named grodman called. he said you hadn't been to see him for some time, and looked annoyed to hear you'd disappeared. how much have you let _him_ in for?"

"the man's in _my_ debt," said denzil, annoyed. "i wrote a book for him and he's taken all the credit for it, the rogue! my name doesn't appear even in the preface. what's that ticket you're looking so lovingly at, peter?"

"that's for to-night--the unveiling of constant's portrait. gladstone speaks. awful demand for places."

"gladstone!" sneered denzil. "who wants to hear gladstone? a man who's devoted his life to pulling down the pillars of church and state."

"a man who's devoted his whole life to propping up the crumbling fads of religion and monarchy. but, for all that, the man has his gifts, and i'm burnin' to hear him."

"i wouldn't go out of my way an inch to hear him," said denzil; and went up to his room, and when mrs. crowl sent him up a cup of nice strong tea at tea-time, the brat who bore it found him lying dressed on the bed, snoring unbeautifully.

the evening wore on. it was fine frosty weather. the whitechapel road swarmed with noisy life, as though it were a saturday night. the stars flared in the sky like the lights of celestial costermongers. everybody was on the alert for the advent of mr. gladstone. he must surely come through the road on his journey from the west bow-wards. but nobody saw him or his carriage, except those about the hall. probably he went by tram most of the way. he would have caught cold in an open carriage, or bobbing his head out of the window of a closed.

"if he had only been a german prince, or a cannibal king," said crowl, bitterly, as he plodded towards the club, "we should have disguised mile end in bunting and blue fire. but perhaps it's a compliment. he knows his london, and it's no use trying to hide the facts from him. they must have queer notions of cities, those monarchs. they must fancy everybody lives in a flutter of flags and walks about under triumphal arches, like as if i were to stitch shoes in my sunday clothes." by a defiance of chronology crowl had them on to-day, and they seemed to accentuate the simile.

"and why shouldn't life be fuller of the beautiful?" said denzil. the poet had brushed the reluctant mud off his garments to the extent it was willing to go, and had washed his face, but his eyes were still bloodshot from the cultivation of the beautiful. denzil was accompanying crowl to the door of the club out of good fellowship. denzil was himself accompanied by grodman, though less obtrusively. least obtrusively was he accompanied by his usual scotland yard shadows, wimp's agents. there was a surging nondescript crowd about the club, so that the police, and the doorkeeper, and the stewards could with difficulty keep out the tide of the ticketless, through which the current of the privileged had equal difficulty in permeating. the streets all around were thronged with people longing for a glimpse of gladstone. mortlake drove up in a hansom (his head a self-conscious pendulum of popularity, swaying and bowing to right and left) and received all the pent-up enthusiasm.

"well, good-by, cantercot," said crowl.

"no, i'll see you to the door, peter."

they fought their way shoulder to shoulder.

now that grodman had found denzil he was not going to lose him again. he had only found him by accident, for he was himself bound to the unveiling ceremony, to which he had been invited in view of his known devotion to the task of unveiling the mystery. he spoke to one of the policemen about, who said, "ay, ay, sir," and he was prepared to follow denzil, if necessary, and to give up the pleasure of hearing gladstone for an acuter thrill. the arrest must be delayed no longer.

but denzil seemed as if he were going in on the heels of crowl. this would suit grodman better. he could then have the two pleasures. but denzil was stopped halfway through the door.

"ticket, sir!"

denzil drew himself up to his full height.

"press," he said majestically. all the glories and grandeurs of the fourth estate were concentrated in that haughty monosyllable. heaven itself is full of journalists who have overawed st. peter. but the doorkeeper was a veritable dragon.

"what paper, sir?"

"_new york herald_" said denzil, sharply. he did not relish his word being distrusted.

"_new york herald_" said one of the bystanding stewards, scarce catching the sounds. "pass him in."

and in the twinkling of an eye denzil had eagerly slipped inside.

but during the brief altercation wimp had come up. even he could not make his face quite impassive, and there was a suppressed intensity in the eyes and a quiver about the mouth. he went in on denzil's heels, blocking up the doorway with grodman. the two men were so full of their coming _coups_ that they struggled for some seconds, side by side, before they recognised each other. then they shook hands heartily.

"that was cantercot just went in, wasn't it, grodman?" said wimp.

"i didn't notice," said grodman, in tones of utter indifference.

at bottom wimp was terribly excited. he felt that his _coup_ was going to be executed under very sensational circumstances. everything would combine to turn the eyes of the country upon him--nay, of the world, for had not the big bow mystery been discussed in every language under the sun? in these electric times the criminal receives a cosmopolitan reputation. it is a privilege he shares with few other artists. this time wimp would be one of them. and he felt deservedly so. if the criminal had been cunning to the point of genius in planning the murder, he had been acute to the point of divination in detecting it. never before had he pieced together so broken a chain. he could not resist the unique opportunity of setting a sensational scheme in a sensational framework. the dramatic instinct was strong in him; he felt like a playwright who has constructed a strong melodramatic plot, and has the drury lane stage suddenly offered him to present it on. it would be folly to deny himself the luxury, though the presence of mr. gladstone and the nature of the ceremony should perhaps have given him pause. yet, on the other hand, these were the very factors of the temptation. wimp went in and took a seat behind denzil. all the seats were numbered, so that everybody might have the satisfaction of occupying somebody else's. denzil was in the special reserved places in the front row just by the central gangway; crowl was squeezed into a corner behind a pillar near the back of the hall. grodman had been honoured with a seat on the platform, which was accessible by steps on the right and left, but he kept his eye on denzil. the picture of the poor idealist hung on the wall behind grodman's head, covered by its curtain of brown holland. there was a subdued buzz of excitement about the hall, which swelled into cheers every now and again as some gentleman known to fame or bow took his place upon the platform. it was occupied by several local m.p.'s of varying politics, a number of other parliamentary satellites of the great man, three or four labour leaders, a peer or two of philanthropic pretensions, a sprinkling of toynbee and oxford hall men, the president and other honorary officials, some of the family and friends of the deceased, together with the inevitable percentage of persons who had no claim to be there save cheek. gladstone was late--later than mortlake, who was cheered to the echo when he arrived, some one starting "for he's a jolly good fellow," as if it were a political meeting. gladstone came in just in time to acknowledge the compliment. the noise of the song, trolled out from iron lungs, had drowned the huzzahs heralding the old man's advent. the convivial chorus went to mortlake's head, as if champagne had really preceded it. his eyes grew moist and dim. he saw himself swimming to the millennium on waves of enthusiasm. ah, how his brother toilers should be rewarded for their trust in him!

with his usual courtesy and consideration, mr. gladstone had refused to perform the actual unveiling of arthur constant's portrait. "that," he said in his postcard, "will fall most appropriately to mr. mortlake, a gentleman who has, i am given to understand, enjoyed the personal friendship of the late mr. constant, and has cooperated with him in various schemes for the organisation of skilled and unskilled classes of labour, as well as for the diffusion of better ideals--ideals of self-culture and self-restraint--among the working men of bow, who have been fortunate, so far as i can perceive, in the possession (if in one case unhappily only temporary possession) of two such men of undoubted ability and honesty to direct their divided counsels and to lead them along a road, which, though i cannot pledge myself to approve of it in all its turnings and windings, is yet not unfitted to bring them somewhat nearer to goals to which there are few of us but would extend some measure of hope that the working classes of this great empire may in due course, yet with no unnecessary delay, be enabled to arrive."

mr. gladstone's speech was an expansion of his postcard, punctuated by cheers. the only new thing in it was the graceful and touching way in which he revealed what had been a secret up till then--that the portrait had been painted and presented to the bow break o' day club, by lucy brent, who in the fulness of time would have been arthur constant's wife. it was a painting for which he had sat to her while alive, and she had stifled yet pampered her grief by working hard at it since his death. the fact added the last touch of pathos to the occasion. crowl's face was hidden behind his red handkerchief; even the fire of excitement in wimp's eye was quenched for a moment by a teardrop, as he thought of mrs. wimp and wilfred. as for grodman, there was almost a lump in his throat. denzil cantercot was the only unmoved man in the room. he thought the episode quite too beautiful, and was already weaving it into rhyme.

at the conclusion of his speech mr. gladstone called upon tom mortlake to unveil the portrait. tom rose, pale and excited. he faltered as he touched the cord. he seemed overcome with emotion. was it the mention of lucy brent that had moved him to his depths?

the brown holland fell away--the dead stood revealed as he had been in life. every feature, painted by the hand of love, was instinct with vitality: the fine, earnest face, the sad kindly eyes, the noble brow, seeming still a-throb with the thought of humanity. a thrill ran through the room--there was a low, undefinable murmur. oh, the pathos and the tragedy of it! every eye was fixed, misty with emotion, upon the dead man in the picture, and the living man who stood, pale and agitated, and visibly unable to commence his speech, at the side of the canvas. suddenly a hand was laid upon the labour leader's shoulder, and there rang through the hall in wimp's clear, decisive tones the words--"tom mortlake, i arrest you for the murder of arthur constant!"