as bruce galloped up the river road toward madeira place, he found himself so weak with excitement and physical exhaustion, that he had to bow over the saddle-horn and cling there, like an old man. it was a ride to remember. once he raised his head and looked out into the night. the storm had broken, and high in the quivering heavens the moon shone with a wild, palpitant glory. in the north and east the clouds had gathered with a mighty up-piling, from which the eye sank back affrighted, it towered so near heaven. the trees along the river, the shaking, shimmering river itself, were all shot with light. it was a grand scene, but removed, turbulent, unreal. steering's strength failed him again, and he fell back over the saddle and hung on. there come times in a man's life, good times as well as bad times, when he can do nothing but hang on. on these dizzying peaks of happiness, steering scarcely dared let himself look beyond the pony's nose. he was so high up, so near the consummation of--oh--of everything. it would be ridiculously easy to set matters straight now, in one way or another. she loved him! if that were true, it would make everything else come right. and that was true. piney had been sure of it, and piney had just left her. everything else, all life, could be made to close around that salient, delicate fact like the rose-leaves close around the heart of the rose. let her father keep the hills; he did not care, if he could have the girl. he did not care about anything, if he could have the girl. and he could have the girl. thank god for that.
little by little he began to allow himself a meagre consciousness that he was drawing nearer, nearer! now, just below the grounds of madeira place! now, up along the bridle-path! now, at the garden gate!
he leaned over the pony's head, slipped the gate latch, and passed into the garden. dismounting, he tied the pony, and turned toward the house. dark, in the shadow of the trees behind it, the house lay very quiet, unlighted, infinitely peaceful. in front of the negro cabin at the side of the house, bruce could see samson, his chair tilted against the cabin wall, his pipe in his mouth, his bare feet swinging contentedly. from inside the cabin came the low croon of samson's fat black wife. some hens clucked sleepily in the hen-house. with the moonlight disintegrated and softened by the trees, everything up toward the house breathed peace. out here in the garden, however, where the gold light beat down straightly, there was a sense of waiting, unrest, sweet and tumultuous. out here in the garden it was glorious, but it was not peaceful. what was it that was responsible for that misty halation of incompleteness, longing? the shaking breath of the wide-lipped roses? the secrets within the bowed slender lilies? the tortured joy of the whole garden life of fragrance and beauty?
over by the old vine-covered stump there was a gleam of white, swaying a little, breathing a little, it seemed, and steering went toward it, strength coming back into his limbs, his head lifting as he came, his arms outheld.
"i hoped that you would come, mr. steering. i have been waiting a long time for you," she said, not moving, her eyes meeting his, something in her face, her rigidity, stopping him. her hands were pale and still on the grey-green of the vines; her face had caught the wild, gold gleam of the moon. "i wanted to tell you myself about that letter, mr. steering. i wanted to tell you myself about the tigmores being yours. i have grown afraid, out here in the dark, that piney might not have been able to make you understand, might have misled you in some way about--what i said. i was very much excited when i talked to piney, mr. steering, and i am not sure that i made it clear to him that i am very glad indeed that the hills are yours at last; glad because we are--or have been--such good friends, mr. steering, glad for that reason--for friendship's sake, and for nothing," her voice wandered, and the beat of her low broad breast was girlishly pitiful, "else, but friend----" she could not go on.
"ship," suggested bruce, with a great desire to help her, but very much at sea. was it to be failure, after all? had piney made a vast mistake? this proud, pale woman here--suddenly an awful timidity seized him, but he shook himself out of that brusquely and came on. "she loves you, don't you go fergit that!" piney's admonition piped up to him on a high and tuneful memory. he realised that he was walking a path through the flower-tangled, pretty precariousness of romance as he came on toward her--potential lovers' quarrels, separation, the irate parent, a girl's pride, her foolish, solemn effort to fight him back for fear that she had led him on too far, a man's uneasy timidity, the complication of their circumstances--the memory of them all made little snares for his feet, as he came on toward her. but he came on, growing bolder as he came, deciding what to do as he came. it was a crisis for romance as he faced her across the old vine-covered stump. he put his hands down on the stump near her hands, and his face caught the gleam of the light overhead, as hers did.
"piney has just pulled me out of the river," he said in a wan voice, "and it was all i could do to get here. i--i am as shaky as a kitten."
she looked up at him, betrayed into it by his careful conservation of that weakness in his voice, and, seeing how pale he was, her hands stole in under his. "oh, but i am weak, and sick!" he went on, pursuing his advantage mercilessly, his hands closing over hers, while her face leaned toward him, all lit and trembling, "i am weak, but i love you so!"
"ah--h!" she cried, a shaking, joyful cry, "you ought to have said that long ago, bruce! tying my hands all winter! now, it doesn't matter which of us owns the old hills, does it?"
it was there, under the pale, wild light of the moon, with the wide-lipped roses, the slender-bowed lilies, the tremulous fragrance, the delicate unrest, the tortured joy of the garden's life of beauty all around them, that she crept into his arms shyly and radiantly. the trees rustled with low glad music, and the night air seemed full of mystic influences, blessings, happinesses.
from the quiet house beyond, there drifted toward them the sense of late-come, profound peace.
