In the days when New York's traffic moved at the pace of thedrooping horse-car, when society applauded Christine Nilsson at theAcademy of Music and basked in the sunsets of the Hudson RiverSchool on the walls of the National Academy of Design, aninconspicuous shop with a single show-window was intimately andfavourably known to the feminine population of the quarterbordering on Stuyvesant Square.

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